It is hard to find the time and energy to blog between performing, flyering, radio interviews, flyering, promoting, flyering, prepping, seeing shows, and trying to escape the Saskatoon sun! As is, I’m writing this at 3am. That said, I did want to mention that my highly experimental, Sam-Mullins-esque-but-weird personal storytelling show, The Most Honest Man In The World, has received a four star review from the Saskatoon StarPhoenix! And from the reviewer whom other performers had warned me about, no less!
For me, the fact that this show works… HUGE confidence boost. One one-man-show (William vs The World), well, that’s an experiment. Two one-man-shows (The Hatter), that could be a coincidence. But to have three now under my belt… that shows that I’m really doing something here.
(Not that I want to keep doing nothing but one-man-shows, but hey, maybe one day I’ll even strike gold and put together a show that actually sells well enough to make fringe touring the profitable choice as well!)
Anyway, onto the review! : http://www.thestarphoenix.com/Review+Most+Honest+World/10086802/story.html
Andrew Wade, who had a Fringe hit last year in The Hatter, bares his soul in this romantic tell-all that spans his childhood, adolescence and early adulthood… The content itself is cleverly arranged… It’s a pretty brave experiment, in both theater and life. If it’s true.
All I can say is, I aim to be truthful. I aim to be honest. I wanted to try a storytelling show, be myself onstage. The idea of that terrified me. I also knew I would have to plan for a quick turnaround between festivals this year… I would need to make a show anchored in genuine connection rather than complex artifice. A blank page is the hardest thing in the world, so I threw away the page instead, and grabbed a stack of flashcards. :)
This rather positive review also has what has got to be the best/worst anti-pull-quote I have had… “His life experiences are just as banal as 99 per cent of the population’s. What we usually see in non-fiction is the one percent, stories so amazing you can hardly believe them.”
He then said that it was this very fact that made my show intriguing. Relatable, I hope.
So… I am the 99%? Sure. Let’s go with that.
I am also the FOUR STAR REVIEW. Let’s go with that too. :)
Work continues apace on getting The Most Honest Man In The World in shape for the Saskatoon/PotashCorp Fringe Festival! Here’s an interview I did with my friend, Rebecca Zimmer, for her first podcast in her Roving Round series. We talk about what it’s like to tour Fringe Festivals, about The Hatter, and about The Most Honest Man In The World.
The unfortunate part about keeping a blog is that the times when I have the most to write about are also the times when I am expending all my creative energy being rather busy elsewhere!
I don’t want to leave you all in the lurch, so here’s a quick recap of all the Fringe-ful activities I am up to this summer:
Alberni Valley Fringe Theatre Festival – June 21st-22nd
Right, this one already happened! In which Andrew learned the difficulty of remounting/relearning an hour-long show in a week’s time, while also acting in five performances of another show (Gay’s The Word with APPLAUSE! Musicals) and while replacing a stolen bicycle. But it happened, it was lovely, and I was awarded the only two awards the festival gave out, the People’s Choice Award and Best Quote (for ‘God Shave The Queen’)!
Regina International Fringe Theatre Festival – July 7th-13th
(these festivals have surprisingly long names!)
A much spiffier poster! Well done, me!
The festival in which I am actually away for more than a weekend. Also the festival in which I don’t have a stage manager… so this’ll be interesting!
Saskatoon PotashCorp Fringe Theatre Festival – July 30th-Aug 10th
The Most Honest Man In The World
(okay, so I am sometimes partial to a long name, myself)
The festival I was actually profitable in last year! This year… an experiment! A new show! It may succeed, it may fail. My attempt at a personal storytelling show, described as ‘A life-long love story about the pursuit of honesty over all happiness’. Expect me to tape tissue paper to my head, walk around in tap shoes, and neurotically ponder old relationships and what it means to let go.
Vancouver Fringe Festival – September 4th-14th
A return! The show was first birthed in a highly improvised fashion in Vancouver, three years ago. Now I’m bringing it back. (Also, now people know who I am in Vancouver! The first time, I had been off the mainland, over in Victoria, for seven years, and had moved back to Richmond a mere three days before Vancouver Fringe began.)
BUT WAIT! I’M NOT DONE!
Vancouver Fringe Festival – September 4th-14th
Clutter and Contamination: An Obsessive Compulsive Disaster
For the third time in my life, I am a director, tackling my fellow UVic Writing alumni friend Kayla Hart‘s one woman play, Clutter and Contamination. The play will be performed by the lovely Christine Robinson. It has been a pleasure to work with them on the show so far! Directing a show while out on the road will be an interesting experience!
And from there… new adventures and challenges await. Bring’er. :)
Some men run to feel the wind in their hair and the blood in their veins, excited muscles and pounding heart. Others run to get somewhere, or to get away from somewhere. Some run because they don’t know what else to do. Some run to inspire. Some to improve themselves. Some to prove to themselves that they can. And some run because they’re afraid of what might happen if they stood still.
Here you go, everyone.
Video of my performance as the maligned, unused, and nearly forgotten Eighth Doctor at the Geekenders event, ‘Don’t Blink: A Burlesque Tribute to Doctor Who’.
I wish all shows had such awesome, amazing, excellent, vocal audiences.
There are so many things that have happened in the past month which deserve their own full blog post write-ups, but as is evident on my front page here, I just haven’t been able to squirrel away enough time and mental energy to do them justice. SO, I figure, why not give a brief summary of the amazingness that has been the past month of my life, and ask you what you would like me to expand upon!
Leave a message in the comments here (or on the facebook link, or via a twitter message, whatever) if there is anything below that you’d like me to focus a post on. :)
– One of the last words of advice our dear Floyd Collins director, Peter Jorgensen, gave us, was to adopt the philosophy of ‘instant forgiveness’. If something goes wrong onstage, AND THINGS WILL GO WRONG ONSTAGE, instant forgiveness, move on with the show. This is far from the first time I’ve heard these words, but it is a piece of advice I really do need to continue working at taking to heart.
- Balancing momentary opportunities to work in my career field (such as this amazing 2.5 month contract with Floyd Collins!) with stringing along dayjob employers with the odd shift here and there, whenever I can, so that I can still pay rent when the contract ends.
– Working with people who have found a way to drop their day-jobs and do this full-time. How they live. How they’re not necessarily as dayjob-free as I first assumed.
- Our culture’s unhealthy phobia surrounding talking about our salaries and what we make, where.
- Original RENT cast member Jesse L. Martin came to see Floyd Collins. Yep. What it means to me to get seen by a celebrity, and the strangeness of fandom celebrity worship.
– So, in my week off, I MAY have performed, erm, a burlesque routine as the Eighth Doctor at a Doctor Who burlesque show put on by my dear friends at Geekenders. In this routine, I MAY have written up a parody of Mister Cellophane, and stripped down to my underwear. I have also never, prior to this, ever even taken my shirt off, onstage. I am always looking for performance opportunities that challenge me! Geekenders/Fairlith/et all, thank you so much for having enough faith in me to risk letting me out up there. Oh, and my sister may have heard about the show somewhere and attended it. (awkward?)
- Burlesque audiences are perhaps the best audiences. I mean, I had just been performing in an amazing musical for three weeks with a stunning amount of talent onstage, but the sheer energy and boisterousness of those three hundred people in the Rio, all loudly cheering and whooping and loving life, the feeling off all that delight just shocking joy into my system as I stood onstage, there… Wow. That is somethin’ else.
– It’s amazing what audience expectations will do. A proper hoity-toity theatre musical theatre audience expects strong choreography, brilliant singing, good acting, and at least a passable script. Exceed those expectations, and they will love the show. That burlesque audience, on the other hand, expected to see from its performers a love of Doctor Who, a solid costume, sexy dancing, and someone stripping down to pasties and underwear through the course of their performance. It was a wondrous thing to see the shock and delight they had to see me actually sing something onstage! With character acting! Something I’d written myself! Wow! Expectations exceeded. (Which is great, because it also allowed me to get away with only a passable costume and less-than-experienced, erm, sexy moves.)
- What am I willing to do onstage, and what am I not willing to do?
– Fringe festival preparations for this summer, or, How I am managing to make the exact same mistakes and good choices as last year.
- How does someone write a show called ‘The Most Honest Man In The World’? Has Andrew developed an ego?
– I am consistently surprised at how clearly I regress as a person when in a state of desperately-needing-sleep. It’s almost like it’s a direct regression through the years — I start feeling emotional pangs for old flames, take on old physical quirks like holding one arm behind my back… there may be more truth than I know to the old adage that we are everyone we once were.
- I fly somewhere, and promptly am sick. Just like what happened last year with London, Ontario. What’s up with that?
– Billeting. What it means, and my experiences staying with people volunteering their homes, across the country.
- And finally, this is a thing that happened: http://www.tift.ca/floyd-collins-goes-ahead-without-sets-costumes-or-props-press-release-april-7-2014/ . Essentially, a moving company, Midland Van Lines, picked up our set and costumes and promised us a delivery time of 5-7 days to get those items from Vancouver to Barrie, Ontario, in time for our second leg of our tour. Those items were not delivered, and now we are reblocking the show in a fashion that really is quite reminiscent to the old SATCo black box theatre days as a student at UVic. The show must go on!
So aye, there’s a good summary of what I’ve been up to, this past month. Back into tech in an our or so. Anything you’d like me to expand on in a full post?
It had been a while since I’d been in a rehearsal hall.
Oh, I’ve been steadily doing theatre for the past decade, but most of my performances in the past year, including the Chinatown Haunted House, Awkward Stage fundraiser, and The Hatter on tour, either rehearsed in someone else’s basement, someone else’s living room, or at home, in the case of The Hatter. Beggar’s Opera had a chunk of choreography and a rehearsal space, but that rehearsal space was UBC or the top floor of The Penthouse (a strip club), and while we had songs for that show, we didn’t necessarily have sheet music.
Earlier this week, I asked myself what my ideal day would look like. I would sleep in until I naturally woke up. I would then lie in bed and read for an hour or two. Maybe eat some cold leftover pizza. Pizza makes the best breakfast. Then I’d get up and write something. Maybe play a game or two of Magic with a dear friend. And then I’d bike out to a four hour evening rehearsal.
Something in there surprised me! I noticed that I said ‘rehearsal’ , not ‘performance’. Now, as someone who originally got into theatre partially due to the crowd’s reaction (as I wrote about in one of my very first blog articles), and someone who tries to get out of costume and make-up as quickly as possible after a performance so he can catch audience members on their way out and thank them for coming… I was taken aback somewhat that I picked a rehearsal rather than a performance for my ideal day.
And guess where I get to be for the next couple of weeks!
And then, come March, perhaps, just maybe, for a couple of weeks I’ll get to sleep in, wake up, read for a bit, (maybe skip the pizza), perhaps write something, and then head out for an evening performance.
So very many lines and notes and steps to learn before then, and characterwork to explore, and scenes to get resonating within me…
I get to be rehearsing! Spending time exploring this amazing show alongside these amazing performers and creative minds. So blessed.
It’s a good life.
First rehearsal for Floyd Collins today.
A number of other actors told me how perfectly cast I am for my role. “And because he doesn’t need to be any age, you can keep playing him for a long time to come.”
For whatever reason, that comment stuck in me. Came from a Toronto actor, and he’s right, in his world, you can stick with a show, find it wherever it resurfaces and keep with it. Find runs that go on for as long as people buy tickets. And there are unicorns and magical space robots too, I imagine. But I’m still a young BC pup – such notions don’t really occur to me. Shows last a few weeks, then they’re done, followed by a month or two of part-time low wage work until the next show comes along. I’ve only once ever returned to perform in something I’d been in before; that was a production of Henry V that took me back to Victoria for a week at Fringe. My squirmy, powerless, irish-sounding French King.
My own show counts too, I suppose. But that’s different – that show keeps coming back because I’m the one bringing it back. But to be hired to a new production of an old show? That some producer somewhere might want me more thanks to my prior experience?
What an obvious and strange concept.
Coming into the first rehearsal here for Floyd, I had two options for how to present myself to the group. One, I could own the fact that I was cast for this show same as all them others, and swagger about with the best of them, confident in my career as an actor and in my equal worth with anyone else in the show. Decided that we were all picked evenhandedly and excitedly by Peter, and trust that we are going to make something brilliant because we are all gen-u-ine pro-fessionals, income-tax-form Actors who know what we’re doing.
Or two, I could own up to my ‘emerging’ actor status. Point out Science World just out the window and let them know that I worked three different day-jobs last week. Shake my head at the director apologizing at length for paying us far less than we’re worth, far less than we’re warranted, and far less than we’d be making elsewhere, when this equity scale sum is far more than I’ve ever earned before from theatre work. Tell’em how I live an hour and a river away, in an office building, sandwiched between pot fumes and an abandoned gym. Let them know how grateful I am for all of this, and tell’em how doggone hard I’m going to work to reach the level all these others are already at.
We’ve got impressive specimens of charisma like Daren Herbert and Michael Torontow. Krystin Pellerin from The Tudors and Republic of Doyle. The talent in the room is so impressive.
And I’m in there with them. One of them.
So, which approach did I take? Well, truth be told, as I do, I didn’t make a firm choice, so what shone through were my defaults of TOO MUCH INFORMATION, GRATITUDE, and CONFIDENCE. Because can I bring Skeets Miller to life? Heck yes! Am I just plum grateful to be in the room? You betcha! Do I earn most of my living performing on the stage or screen? Definitely not. Yet.
The ol’ puff up pull down ying-yang that makes me just neurotic enough for these loveable squirmy outsider little-guy roles.