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The Preference

November 18, 2018 Leave a comment

The Preference:

There was a me, then,

When I was with her,
A me who was better than the me who came before.
I preferred the me who was with her,
the man who knew he was loved,
who didn’t have that sense of desperation, of longing,
of will this conversation lead to a romance I need a romance I think I need a romance,
that the previous me had,
a me who was less selfish,
who knew fully what it meant to go all in on loving someone,
who knew his good qualities because she told me all about them,
because I could see them in the sparkle
in her eyes
when we shared our lives.

And then we didn’t.
And now we shouldn’t.
So here I am.
Here we go.
Without a choice.

We are always becoming,
no matter how firm we try to grip to what is now,
or to wave away the waves,
to reject the flowing tide,
we are ever-becoming
who we are
next,
the next me,

And my optimistic, foolish wish
is I want to prefer to be that person too.

(Photo from 2012)

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Categories: living, writing

How I’m Doing

November 11, 2018 Leave a comment

 

 

People have been asking how I’m feeling.
Here’s where I’m at.

I feel like time is moving strangely, impossibly slow,
as though yesterday were a week ago,
three days ago, a month,
and last month, as far back as my time in Victoria.
Last week’s happy experiences
and hard conversations
feel like they took place a year ago, happened to someone else who existed back then.
Individual events and chats and moments feel so small,

whereas the lingering feelings,
the semi-constant emotional states
that continue
from one minute
to the next,
these feel neverending,
the ocean compared to the waves,
part of who I’ve been for all of recent memory.

Earlier tonight I worked a shift at the Drake concert at Rogers Arena.
When I arrived, they put me in the elevator,
to sit in the elevator for seven hours,
to press the buttons to go up and down
and down and up
and up and down
and down and up
and up and down,
with the occasional interesting ten second conversation
peppered along seven hours of that lurching
stomach feeling
of being stuck
in an elevator.

Categories: living, writing

Hullaboo and The End of Everything

August 5, 2018 Leave a comment

I didn’t want to do it all alone anymore.

After some twenty or so festivals of performing my own one-person-shows with stage managers acquired along the way, I felt it was time to collaborate. So when I decided to put together Hullaboo and The End of Everything, I looked to see where I could include other people along the journey – people with skills and talents beyond my own. My dear friend Fairlith Harvey designed Hullaboo’s delightful costume. My fringe friend Shelby Lyn Lowe built me a giant puppet monster. And I wrote the show as a two-hander.

Hullaboo, the imaginary friend, and Mikaila the Magnificent, the girl who needed him.

Hullaboo - Claws 1000pxI wrote the script, designed the postcards and poster, bought the plane tickets, filled out the forms, and learned the main part, true, but at its core, the project wasn’t just mine anymore — it was ours. I like that feeling.

There were trials and tribulations in getting this show up on its feet. The script itself is my third try to turn Hullaboo into a show. And two and a bit weeks out from heading to Saskatoon Fringe last summer, the other actor (playing Mikaila) got an amazing theatre contract opportunity and had to drop out.

One desperate plea to facebook later… and Katie Purych agreed to step into the role. A role with a mere two weeks before we needed to be on flights bound for Saskatoon. A role that required taking two weeks off of work on very short notice. A profit-share role for a show that was likely to see very little profit.

And yet she jumped right in. And thanks to all the wonderful people around me, the show really works. It’s powerful. It’s fierce. It’s touching. It’s a Pixar movie on the stage, according to one review.

We took the show to the Theatre On The Edge festival in Salmon Arm last month, and in a restaurant, we were stopped by an audience member who told us that our show would stay with her forever.

I couldn’t have done it without the wonderful people around me.

Next up, Hullaboo comes to the Vancouver Fringe Festival. Hope to see you there.

*************

Hullaboo and The End of Everything

 

Performed by Andrew Wade and Katie Purych
Written by Andrew Wade
SM: Bonnie Duff. Monster Design: Shelby Lyn Lowe

 

The story of an imaginary friend who refuses to be forgotten.

 

Hullaboo has been Mikaila The Magnificent’s sidekick for as long as he can remember, going on incredible adventures and fighting the evil Scowl. But now Mikaila is growing up without him and a monster is hunting Hullaboo. What can an imaginary friend do to survive?

“It’s smart, funny, and poignant – Fringe theatre at its finest…
If you ever wanted to see a Pixar movie at the Fringe, this is it.”
– Saskatoon StarPhoenix

From the creator/performer of The Hatter (4.5 stars, StarPhoenix), The Most Honest Man In The World (part of TOTE in 2017), and William vs The World. Wade also wrote the book/lyrics for a Vancouver Fringe ‘PICK OF THE FRINGE’ winner, TITUS! The Light and Delightful Musical Comedy of Titus Andronicus. (5 stars, Vancouver Sun)

LOCATION: Carousel Theatre (on Granville Island)
1411 Cartwright Street

TICKETS: 15$ + Membership fee
Cheaper if purchased as part of a package.
Purchase at http://tickets.vancouverfringe.com/ or at the door.

SHOWTIMES: (show length: 50 minutes)
September 6th (Thursday) – 6:15pm
September 7th (Friday) – 10:30pm
September 8th (Saturday) – 10pm
September 9th (Sunday) – 7:30pm
September 10th (Monday) – 6:15pm
September 12th (Wednesday) – 10:30pm
September 15th (Saturday) – 10pm
September 16th (Sunday) – 7:30pm

MEDIA CONTACTS:
Andrew Wade: actorwade@gmail.com 778.985.1617
Vancouver Fringe: publicity@vancouverfringe.com 604.257.0350

Hullaboo - Audra Balion Art smaller

Beautiful fan art by the lovely Audra Balion.  https://www.facebook.com/AudraBalionArt/

 

 

 

Categories: acting

My 2017 Fringe – By The Numbers

January 12, 2018 1 comment
!

Hullaboo - Riding 1350pxFor the past few years (2013) (2014) (2015) (2016),I have put out a blog post with financial breakdowns of my fringe festival experiences. With draws for Vancouver and Victoria fringe festivals coming up, I figure it is long overdue for me to write my annual Fringe Financials post for 2017!

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In 2017, I decided to go ambitious with my new project, Hullaboo and The End of Everything. I had a costume designer friend help me create a custom look for Hullaboo. I wrote a TWO PERSON show (twice my regular number of people), knowing that it would also double my transportation costs. I booked a photoshoot just for this show. I had a puppet-maker friend help me out. The challenge for 2017 was going to be making a very professional-looking show.

In reality, the challenge ended up being that AND finding a new co-start with less than two weeks to go when the original actor got a long-term, paying contract elsewhere (which I totally understand and was okay with versus the uncertainty of profit-share fringing!).

So how did our 4.5/5 star-reviewed show do?

“This is a show that I can recommend enthusiastically. It’s smart, it’s fun, it tugs at the heartstrings — if you ever wanted to see a Pixar movie at the Fringe, this is it.” – Saskatoon Starphoenix

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And at what cost?

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***************

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For summer of 2017, I applied for seven lottery/first-come-first-serve draws: Saskatoon Fringe (first-come-first serve, put on waitlist, later got in), the CAFF lottery (did not win), Winnipeg Fringe (did not win), Edmonton Fringe (did not win), Calgary Fringe (did not win), Vancouver Fringe (did not win), Victoria Fringe (did not win).

So, I went 1 / 7.

All in all, those application fees (aka ‘put my name in the hat’ fees) set me back a fair amount:

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EXPENSES:

Failed Fringe Application fees:
CAFF Lottery: -25.00$
Winnipeg: -25.00$
Edmonton: -36.75$ (in a super awkward way of paying 708.75$ and then getting 672.00$ of that back, a month later)
Calgary: -35.00$
Vancouver: -50.00$
Victoria: -30.00$
TOTAL: -201.75$

Hullaboo - Claws 1000px
Hullaboo production costs:

Hullaboo tuxedo costume: -208.69$
Hullaboo costume shirts: -20.98$
Hullaboo costume make-up (green eyeliner): -22.40$
Hullaboo photoshoot (for posters and handbills): -131.00$
Hullaboo props: -1.40$
Giant puppet monster/costume: -100.00$
TOTAL: -466.47$

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Saskatoon-specific production costs:
Application fee: -50.00$
Festival fee: -680.00$
Plane ticket to Saskatoon (Me): -156.58$
Plane ticket from Saskatoon (Me): -156.58$
Plane ticket to Saskatoon (Katie): -156.58$
Plane ticket (Katie left a couple of days before I did, on a slightly more expensive flying day): -183.88$
Total cost to switch plane tickets to work for my wonderful replacement actor: 0$
(actual cost was 262.50$, but the first actor reimbursed that amount)
Handbills from eprintfast: -63.25$
Poster printing from Clubcard: -13.33$
Packing tape for posters: -3.35$
TOTAL: -1463.55$

Expenses not included:
– Fringe bar beers
– Rent paid back home
– Food eaten / groceries bought
– Lost income from not working dayjobs.

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Ooof! That’s a significant amount for a guy who doesn’t earn all that much.

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So let’s take a look at the income:

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Hullaboo - Scared 1500px

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INCOME:
Ticket sales: +489.49$
TOTAL: +489.48$

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!



Eeeep.

!

How’s that? Let’s break it down:

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Ticket sales:
Advance ticket sales (12$): 0+0+0+0+2+2+4 = 8 sales (+96.00$)
Company/volunteer comps: 4+8+4+9+6+7+5 (I let volunteers in) = 43 tickets (0.00$)
Rush Media: 0+1+0+0+0+0+0 = 1 ticket (with that review quote above! 0.00$)
Frequent Fringer 5 Pack (11$): 0+2+0+2+0+0+1 = 5 sales (+55.00$)
Frequent Fringer 10 Pack (10$): 0+0+0+0+2+0+1 = 3 sales (+30.00$)
Frequent Fringer 20 Pack (9$): 0+1+0+0+1+2+0 = 4 sales (+36.00$)
Frequent Fringer – Child (7$): 0+0+4+0+0+0+0 = 4 sales (+28.00$)
And then this fringe removes GST (the only festival in the country to so do): -31.52$
= 489.48$

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Needless to say, that profit share with Katie didn’t really work out. We still had a fun time, though.

 

Hullaboo - Cross 1500px

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!

*********

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BUT ANDREW, YOU GOT A GREAT 4.5 STAR REVIEW!

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Yes, yes I did. Unfortunately, they never printed the review in their print paper – it was only online, if you scrolled down a bunch. They didn’t even include it in their ‘best of fringe’ feature where they reprinted reviews, even though that feature included a large number of shows with worse review scores. Alas. And Saskatoon is a ‘reads the paper’ kind of town. That’s my guess as to why so few people saw the show. But I really don’t know.

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FINAL FINANCIAL VERDICT: -1642.29$

Compare to 2016’s -58.21
Compare to 2015’s +897.63$ (due to fee for writing TITUS)
Compare to 2014’s +83.51$
Compare to 2013’s -1671.16$

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BUT!

Let’s not leave it on that rather dour (albeit tax deductible) note. For there were other fringe-related developments in 2017! I took part in a number of non-fringe festivals with previously fringe shows, and performed a few of them at the Heritage Grill as part of Way Off Wednesdays (run by the lovely Devon More). Let’s take a look at those:

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20374450_10155006831608155_5516162208895623601_n

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Non-Fringe with Fringe Shows:

In March, I performed my Hatter show twice in New Westminster at the Heritage Grill as a by donation show:
First Performance Donations: +134.90$
Second Performance Donations: +10$ (yeah, it was a bit of a bust)
I also performed The Most Honest Man in the World at the same location that month, by donation:
Donations: +102.55$
And in December, I performed Hullaboo and The End of Everything once at that location, by donation:
Donations: +156.40$
Profit share to Katie: -78.20$
Heritage Grill by donation total: +325.65$

Due to previously being in Port Alberni during their fringe, I was invited back to their Solstice Festival to perform William vs The World:
Solstice artist fee: +650.00$
Ferry Expenses: -16.95$ (there)
Ferry Expenses: -16.95$ (back)
Stage manager pay: -66.09$
Solstice total: +550.01$

I also took my show, The Most Honest Man in the World, to a separate non-fringe festival in Salmon Arm, Theatre On The Edge, for two performances:
Festival fee: -225.00$
Greyhound to Salmon Arm: -62.90$
Return trip cost thanks to the lovely Andrew Bailey and thanks to his lovely girlfriend: 0$
Artist take-home from ticket sales: +757.90$
Salmon Arm total: +470.00$

I also performed in a Geekenders show (Slumber Here) at Vancouver Fringe, but it did not make any money. Which was to be expected, as we had to hire a live donkey for the show!

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More generous end verdict:

If I balance these fringe show fees beside my fringe losses from Saskatoon, we get an end of 2017 financial figure of…. : -296.63$

Which doesn’t seem as bad. What do you think?

Hullaboo - Audra Balion Art

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Hullaboo - Poster

My 2016 Fringe: By The Numbers – Vancouver Edition

October 6, 2016 Leave a comment


My 2016 Fringe: By The Numbers – Vancouver Edition

Hello!williamvstheworld-image-01

Every (2013) single (2014) year (2015), I put out a blog post with financial breakdowns of my fringe festival experiences. This summer, however, I took a break from the tour as a whole and only performed in Vancouver.

Before I get started, I just want to give Vancouver Fringe kudos for making the ticket costs more transparent this year, at least online, clearly separating the amount of each ticket price that is given to the performer versus the fringe festival fee attached to each ticket.

This year (2016), Vancouver Fringe had 100 shows – more than ever before, but fewer than the advertised number of 110 due to ‘Generation HOT’ and special event shows – and gave $260,213.00 in revenues to artists.

Divide that number by the number of shows, and the average revenue per company would be 2,602.13$ . Given how successful many companies are, it’s safe to peg the median revenue figure somewhere lower than that.

(thanks to Shantini Klaassen for getting these numbers to me.)

So let’s take a look at how I did compared to the average!:

Vancouver audience numbers (for William vs The World):
# of performances: 9
BYOV Venue capacity (Arts Umbrella): 31
Total # of audience members: 10 + 30 + 23 + 24 + 23 + 13 + 15 + 30 + 29 = 197.
Average # of audience members per show: 21.8
Total # of paying audience members: 4 + 17 + 15 + 20 + 13 + 10 + 8 + 18 + 19 = 124.
Average # of paying audience members per show: 13.78

Comp ticket breakdown:
# of Kids Up Front ticket donation: 12
(I gave four comp tickets to each of my first three shows to https://www.kidsupfrontvancouver.com/ , a charity that Vancouver Fringe partners with.)
# of Super Pass comps (given to those who billet artists – let artists stay with them): 1
# of Exchange Vouchers (another option for those who billet artists): 1
# of Kick Ass Pass comps (free fringing given out by the festival to staff and big donors): 3
# of Artist Request comps: 5
(I had a few friends arrive late to one show so I booked them comps for another, and I traded show tickets with another friend.)
# of ‘Comp-Advance’ (any comps booked in advance): 17
# of volunteer/artist rush comps (Vancouver Fringe has an awesome rush line system where volunteers and other artists can see non-sold-out shows for free): 34

 

williamvstheworld-image-02

 

EXPENSES:

Failed Fringe Application fees:
Saskatoon: -50.00$ (actually got in, but had to drop out.)
Orlando: -33.43$
Winnipeg: -25.00$
CAFF (Canadian Association of Fringe Festivals lottery): -25.00$
San Diego: -56.99$ (got in, but dropped due to potential border issues due to citizenship problems)
Nanaimo: -25.00$
TOTAL: -215.42$

Vancouver Fringe fees:
Lottery draw (did not get in): -50.00$
Vancouver Fringe BYOV fee: -450.00$
Arts Umbrella venue fee: -500.00$
Arts Umbrella-required extra venue insurance: -43.75$ (+time to find insurance broker)
TOTAL: -1043.75$

Other:

Photoshoot: 0$ (reused content from previous year.)
Packing tape for posters: -3.55$
25 Posters from Clubcard: -12.26$
1000 postcard handbills from ePrintFast: -75.28$
Chuck the Third (cactus prop/character): -8.95$
TOTAL: -100.04$

TOTAL EXPENSES:
-1359.21$

Expenses not included:
Fringe bar beers (5?): Roughly -27.50$
– Rent paid (as I live here)
– Food eaten
– Lost income from not working dayjobs (although during the festival I DID admittedly work one standardized patient shift, one Science World shift, one SFU-Woodwards front of house shift, and put in a few hours on Richmond Arts Coalition items in my role there as Administrative Assistant.)

 

INCOME:20160906_135729_west-11th-avenue

Vancouver Fringe:
Frequent Fringer 4: 10$ per ticket = 0$ to the festival, 10$ to the artist.
Frequent Fringer 10 or 30: 9$ per ticket = 0$ to the festival, 9$ to the artist.
Full ticket price: 14$ = 3$ to the festival, 11$ to the artist.

# of Frequent Fringer 4 tickets sold: 5 tickets :: at 10$ per ticket = 50.00$
# of Frequent Fringer 10 + 30 tickets sold: 29 tickets :: at 9$ per ticket = 261.00$
# of full tickets sold: 90 tickets sold = 990.00$
Average amount per ticket, paid to the artist: 10.49$

Total: +1301.00$

 

FINAL FINANCIAL VERDICT: 1301.00$ – 1359.21$ = -58.21


Compare to 2015’s +897.63$ (due to fee for writing TITUS)
Compare to 2014’s +83.51$
Compare to 2013’s -1671.16$

 


Conclusion:

William vs The World is a harder show to sell than The Most Honest Man In The World, and I didn’t have any other festivals this year to build any sort of momentum or media push, so I expected a smaller turnout, and that happened. All the same, the only reason the number was negative this year was due to festival fees for festivals I ended up not getting into or dropping out of, so I’m content. It was a lot of fun to get to be a part of at least one fringe this year.

Felt like home.


williamvstheworld-image-03-cropped-700x350

And a final image of how I transported my set to and from Granville Island. 🙂

20160918_023855_west-11th-avenue

 

Personal Reassurance – State Of The Andrew

August 1, 2016 Leave a comment

I don’t feel like a writer unless I am writing. I don’t feel like an actor unless I am auditioning or acting. And if I am not actively writing or acting, I can feel like I’m not doing much of anything with my life.

So with that in mind, every once in a while I need to remind myself both of what I’ve done recently and what is set as still to come. A career-wise State Of The Andrew, if you will. So as I feel all insecure and whatnot, let’s take a look at what I’ve actually been involved with this year:

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Several months: Cassie And Friends
Puppeteered a show about Juvenile Rheumatoid Arthritis in elementary schools (yes, with puppets) once a week for a while!

886924_594003430746922_3184563629082407803_o

January: The Undocumented Trial of William C. Hopkinson
A sold-out run of a socially important (and darn good) show that zero members of the theatre community saw. It was fascinating to work mostly within the Sikh community on this piece, both in creative collaborators and audience attendees. I also loved getting a chance to be in a non-musical show – only the second one I’ve had the opportunity of acting in (other than shows I’ve written myself) since I came back to Vancouver in 2011. (The other show was The Boys In The Band.)

January: OVATION! Awards
I performed a song from Carry On at the OVATION! Awards. And lost the best new musical award, alas. Three time nominee! Gotta get to Leonardo DiCaprio runner-up level status!

20160327_230122March: Richmond Arts Coalition
While not a creative exercise in itself, my part-time job at the Richmond Arts Coalition is 1000% about supporting other artists. Which is nifty.

 

March: The 2nd Annual 24-Hour Musical Theatre SMACKDOWN Competition
My team won! In the span of a day, we put together a 20 minutes+ musical with required elements such as The CN Tower, the 1930’s, a rubber horse head mask, and a song style that I can’t remember. I was the head book-writer for our group. SO MUCH FUN. And I am frankly astonished that our team took the prize, given that the stiff competition included incredibly talented and witty theatre creators like Sebastian Archibald! (I am now the only person to be on both winning teams from year one and two!)

April: The Mad Tea Party Cabaret
Performed The Unbirthday Song as The King of Hearts at a fundraiser cabaret.

May/June: VanDeca performances
I took on the challenge this year of performing in a choir (alongside my little sister!).

AndrewWade_Diamond'sEdgePhotography_WEB

May: People Like Us
A chance to sing songs I’ve always wanted to sing (Quiet from Matilda, Falling Slowly from Once, Sea of Pebbles from TITUS), and to raise money for a good cause (Myalgic Encephalomyelitis/Chronic Fatigue Syndrome and Fibromyalgia), as well as an opportunity to connect with a grassroots opera company run by friends.

June: The Solstice Arts Festival – The Hatter and William vs The WorldIMG_20160618_140119
I offered to perform two different one-man-shows in two days, which was perhaps not the best for my sanity, but it made for a solid challenge. It turns out that relearning two hours solid just-me-talking takes a lot of hard work! Especially as I hadn’t performed The Hatter in two and a half years, and had only once taken this version of William vs The World to a festival. It was lovey to get another chance to perform in Port Alberni, especially in this otherwise fringe-tour-less summer.

 

June: TITUS!: The Light and Delightful Musical Comedy of Titus Andronicus – Edits
Finished the words side of rewrites for TITUS, coming to The York Theatre this month! The show is my dear, dear baby, in two act form for the very first time.

June: Elkwalk
Puppeteered some giant Irish Elk skeleton puppets around downtown at 3am one night. As ya do.

July: Student Films
In July I began auditioning in earnest for student film projects in order to get more screentime under my belt. Nothing has been filmed yet. There have been complications around scheduling due to my dayjobs and other performance commitments — apparently all student films only want to record on Saturdays and Sundays!

July: La Serva Padrona
Opera Mariposa asked me back to be in an actual opera! Admittedly in a non-singing, non-speaking clownish servant character role, but I was onstage for the majority of the show. I never saw a script, and only vaguely knew what the other characters were saying (in archaic Italian). I functioned off a loose set of ‘be here when this happens, there when that happens’ choreography, and otherwise follow the specific instructions to steal focus from the singers and try to be as ridiculous as possible. SO. MUCH. FUN.

Fakespeare-Festival-Photo-3-768x548

August (to come): TITUS! The Light and Delightful Musical Comedy of Titus Andronicus
Come! Please do!

August (to come): Gorepalooza IV
I am currently slated to wrestle in a kiddy pool filled with fake blood as an over-the-top pro wrestling character. Too fantastic to NOT do.

September (to come): The Mad Hatter
I will be roaming around the Richmond World Festival as The Mad Hatter for a few hours.

September (to come): Who Killed Kraft Bier?
I will be a character in a one day site-specific show that has people travelling around, drinking beer!

WilliamvsTheWorld - image 01September (to come): William vs The World at Vancouver Fringe
Come! Please do!
Here’s the blurb:

William has built for himself a perfect fortress of solitude. A dream job at a geek store and all the time he could want to watch superhero cartoons, become the ultimate Dragonborn, and avoid other people. But how will William and Chuck (his cactus) survive when their perfect world collapses?

Performing September 7th-17th at Arts Umbrella on Granville Island, as part of the Vancouver Fringe Festival!

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Looking at it, I feel I would be happier now if I had devoted more time this year to writing (perhaps at the expense of a few paying-the-rent dayjob shifts) and I need to get better at making this screenacting thing happen. That said, while I haven’t worked a long contract this year, I can’t say I haven’t been active.

What do you think – Am I adequately maintaining my theatre creator credibility? Am I accomplishing anything at a rate at which future accomplishment is inevitable? Am I just spinning my wheels? Inquiring insecurities want to know! 🙂

Cheers,
Andrew

My 2015 Fringe Tour: By The Numbers!

March 24, 2016 5 comments

 
 
My 2015 Fringe Tour: By The Numbers!
 
As it is tax season, I am finally getting to my fringe receipts for last summer.
 
These are the numbers with which Andrew Wade traveled to five different cities and performed in their Fringe Festivals.
In 2013, I estimated that I SPENT 1671.16$ more on my tour in expenses than I earned.
In 2014 I figured that I earned a grand total of 83.51$ after travelling through five festivals.
 
So how did I do on my summer tour of 2015?
 
 

Toronto audience numbers
(for The Most Honest Man In The World):

The Most Honest Man In The World - option 2b - Copy# of performances: 7
Total # of audience members: 156
(this number is actually lower — skewed by artist comps not used by people for 1st and 2nd performances)
Average # of audience members per performance: 22 (without 1st comps: 17)
# of comps given away to 1st show to try and build word of mouth: 30
# of comps given away to 2nd show to try and build word of mouth: 10
# of comps to media: 3
# of artist comps (it is SUPER awkward to get other artists comps in Toronto): 5
# of comps to outreach (including to a group of new immigrants): 21
# of comps to VIPS (like artistic directors): 9
# of comps to volunteers: 11
Total # of paying audience members: 11 + 5 + 7 + 9 + 4 + 15 + 15 = 66
Average @ of paying audience members per performance: 9
 

Saskatoon audience numbers
(for William vs The World):

WilliamvsTheWorld - image 01# of performances: 7
Total # of audience members: 120
Average # of audience members per performance: 17
# of comps to fringe staff: 0
# of comps to fellow performers: 37

# of comps to media: 1
# of volunteer comps: 20
Total # of paying audience members: 6+11+8+11+8+6+11 = 61
Average # of paying audience members per performance: 9

(last year’s average of paying ticket holders for Honest Man in Saskatoon was 21.)
 
Nanaimo audience numbers
(for The Most Honest Man In The World):

# of performances: 6
Total # of audience members: 82
Average # of audience members per performance: 14
# of comps to VIPs: 13
# of comps to ‘Buck’ (volunteer bucks?): 6
# of comps to artists via password: 9
Total # of paying audience members: 0 + 14 + 11 + 12 + 6 + 9 = 54
(yes, I had zero paying ticket holders to my first performance. Seven comps, though.)
Average # of paying audience members per performance: 9
 
Victoria audience numbers
(for The Most Honest Man In The World):

# of performances: 6
Total # of audience members: 26 + 19 + 34 + 25 + 18 + 47 = 169
Average # of audience members per performance: 28
# of comps: 11 + 4 + 6 + 8 + 6 + 10 = 45
Total # of paying audience members: 124
Average # of paying audience members per performance: 21
 
Vancouver audience numbers
(for The Most Honest Man In The World):

(Note: the venue could only hold between 30-39 people. The capacity expanded mid-run.)
# of performances: 8 (due to being a BYOV)
Total # of audience members: 238
Average # of audience members: 30
Smallest house: 9
Second smallest house: 25. No one comes out to a 1pm Saturday show apparently.)
# of advance comps: 15
# of artist’s choice comps (videographer): 1
# of comps plus membership purchase: 10 (no income to me on these.)
# of comps to media: 2
# of comps to Rush Passes: 38
# of comps to Super Passes: 5
# of comps to Kick Ass Passes: 6
# of comps to Golden Ass Passes: 3

# of Frequent Fringer 10 or 30 packs: 11
# of Frequent Fringer 4 packs: 11
# of regular tickets sold (with or without memberships): 13 + 12 + 2 + 12 + 22 + 19 + 31 + 25 = 136
Average # of paying audience members per performance: 17

(Vancouver has a LOT of ticket categories!)
 
 
Honest Man advertisement for TITUS program
 
 
EXPENSES:
 
 
Failed Fringe Application Fees:
Winnipeg: -20.00$
Edmonton: -26.25$
CAFF: -25.00$
Total: -71.25$

Toronto Fringe Expenses:
Application fee: -27.50$
Festival fee: -750.00$
Flight to Toronto: -334.00$
Poster printing (25) from Clubcard: -13.27$
Handbills (1000) from ePrintFast: -50.55$
Weekly transit pass: -40.75$
Gift of pillow for billet: -10.00$
Booze = -10.00$
1/2 of cost of flight to Saskatoon: -121.65$
1/2 of Baggage fee of flight to Saskatoon: ~-16.58$
Total: -1374.30$
 
Saskatoon Fringe Expenses:
11780505_10153160690958155_1082156576_n
Festival Fee: -730.00$
1/2 of cost of flight to Saskatoon: -121.65$
1/2 of Baggage fee of flight to Saskatoon: ~-16.58$
Photoshoot cactus prop: -5.59$
Chuck the Cactus in Saskatoon: -11.00$
Poster printing (25) from Clubcard: -13.27$
Handbills (1000) from ePrintFast: -53.94$
Bottle of Fireball Whiskey for my spoof on Spoof Night: -15.95$
Booze = -6.00$
Flight home from Saskatoon: -185.98$
Baggage fee from Saskatoon: -26.25$
Total: -1186.21$

 
Nanaimo Fringe Expenses:
Application Fee: -25.00$
Festival Fee: -175.00$
Poster printing (25) from Clubcard: -13.27$
Handbills (500) from ePrintFast: -39.98$
Booze: -9.26$ + -5.70$ + -6.30$ + -20.00$ = -41.26$
Ferry to Nanaimo (with bike): -18.85$
Ferry from Nanaimo (with bike): -16.85$
Total: -330.21$

 
Victoria Fringe Expenses:
Festival application fee: -28.00$
Festival fee: -572.00$
Poster printing (25) from Clubcard: -13.27$
Rechargeable batteries for blood pressure monitor: ~-19.00$
Handbills (1000) from ePrintFast: -44.07$
Booze from the store: -25.37$
Other booze: -7.40$ + -10.00$ = -17.40$
Ferry to Victoria: -16.70$
Ferry from Victoria: -16.70$
Ferry from Nanaimo (had to head down to Victoria via the mainland mid-Nanaimo-festival for a promo): -16.70$
Bus tickets to/from the Showdown Preview: -6.00$
Bus from ferry: -2.50$
Bus to ferry: -2.50$
Ferry back to Nanaimo: -16.85$
Total: -813.76$


 
Vancouver Fringe Expenses:
Application fee: -50.00$
BYOV Festival fee to the Fringe: -450.00$
BYOV Festival fee to Arts Umbrella: -400.00$
Poster printing (25) from Clubcard: -13.27$
Handbills (1000) from ePrintFast: 44.07$
Booze: -11.00$
Total: -968.34$

 
Other Expenses:
Travel insurance (admittedly including a two week visit to the States) = -91.98$
Professional photoshoot with Dominic Chan for both shows: -140.00$
Foamcore Posterboards (for all Honest Man shows): -22.29$
Index Cards (for all Honest Man shows): -7.04$
Total: -261.31$
 
Expenses not considered:
Rent paid back home
– Groceries while on tour and between festivals, at home
– Lost income from not working my dayjobs
 
TITUS-banner2-1-980x380
 
 
INCOME:
 
Toronto Fringe:
Advance Ticket Price: 12$ with 2$ Admin fee = 10$ to artist
Full Ticket Price: 10$
(which they thankfully didn’t advertise so much this year as in years past as being amazing because it has never gone up in 20 years, to which all artists respond with ‘inflation is a real thing, you guys’…)
5-Play Ticket Price: 8$
Advance Pass Ticket Price: 7.5$
10-Play Ticket Price: 7.5$

Advance Pass (’10SP85′ and ’10SPOF’ on paysheet) ticket sales: 9 = 67.50$
10-Play ticket sales: 1 = 7.50$
5-Play ticket sales: 1 = 8.00$
At Door and FP (??) ticket sales: 7 + 4 + 4 + 8 + 4 + 14 + 14 = 55 = 550.00$

Average amount per bought ticket, paid to the artist: 9.60$
Total: 633.00$
 
Saskatoon Fringe:
(all numbers confused by the festival removing GST from payout)
Full Ticket Price: 14$
5 Pack Ticket Price: 13$
10 Pack Ticket Price: 12$
Admin fee per ticket: -2$
Artist take-home of ticket price: 10$-12$
Advance ticket sales (14$ – 2$ = 12$ per ticket): 10 tickets = 120.00$
5 Pack ticket sales (13$ – 2$ = 11$ per ticket): 2 tickets = 22.00$
10 Pack ticket sales (12$ – 2$ = 10$ per ticket): 6 tickets = 60.00$
Ticket sales at door (14$ – 2$ = 12$ per ticket): 43 tickets = 516.00$

GST awkwardly deducted (the only festival to do so): -39.99$
Audience donation!: 10.00$
Found a 20$ bill in a gutter one night: 20.00$

Average amount per bought ticket, paid to the artist: 11.77$
Total: 708.01$

 
Nanaimo Fringe:
Full Ticket Price: 12$
Festival Pass Ticket Price: 8$
Advance ticket sales (12$): 7 = 84.00$
Regular ticket sales (12$): 15 = 180.00$
Festival pass ticket sales (8$): 32 = 256.00$

Average amount per bought ticket, paid to the artist: 9.29$
Total: 520.00$

 
Victoria Fringe:
Full Ticket Price: 11$
‘Munch’ Ticket Price: 11$
Frequent Fringer Ticket Price: 8$
(I did not elect to use discounted tickets for students/seniors, which was an option.)

Total Frequent Fringer ticket sales: 9 = 72.00$
Total Full + Munch ticket sales (advance and at the door): 115 = 1265.00$

Average amount per bought ticket, paid to the artist: 10.79$
Total: 1337.00$


 
Vancouver Fringe:
Full Ticket Price: 14$
Frequent Fringer 4 Ticket Price: 13$
Frequent Fringer 10/30 Ticket Price: 12$
Admin fee per ticket on all tickets: -3$
Artist take-home of ticket prices: 9$-11$

Total Frequent Fringer 10 or 30 pack ticket sales (9$ per ticket to artist): 11 = 99.00$
Total Frequent Fringer 4 pack ticket sales (10$ per ticket to artist): 11 = 110.00$
Regular ticket sales (11$ per ticket to artist): 136 = 1496.00$
Total Vancouver ticket sales to artist: 1705.00$

Average amount per bought ticket, paid to the artist: 10.80$
 
Income for writing TITUS: The Light and Delightful Musical Comedy of Titus Andronicus: 1000.00$
Total: 2705.00$

 
 
Honest Man - wide arms 700x350
 
 
Total Expenses (including travel costs):
Failed Fringe application fees: -71.25$
Toronto expenses: -1374.30$
Saskatoon expenses: -1186.21$
Nanaimo expenses: -330.21$
Victoria expenses: -813.76$
Vancouver expenses: -968.34$
Other expenses: -261.31$
 
Total: -5005.38$
 
 
Total Income:
Toronto income: 633.00$
Saskatoon income: 708.01$
Nanaimo income: 520.00$
Victoria income: 1337.00$
Vancouver income: 2705.00$
Total: 5903.01$

 
 
FINAL FINANCIAL VERDICT: +897.63$
(due entirely to the 1000$ fee paid for writing TITUS.)

 
Compare to 2014’s +83.51$
Compare to 2013’s -1671.16$
 
 
Conclusion:
It seems that as a producer/performer, I am still only a roughly break-even fringe artist. Plane tickets are expensive, Toronto is a hard nut to crack, and Saskatoon doesn’t want a show-in-progress.
 
As a writer, well, it seems I need to get commissioned to write shows more often.
 
 
WilliamvsTheWorld - image 02
 
 
Other numbers:
 
According to Toronto Fringe…
Total # of ticket sales at Toronto Fringe, according to them: 64,000.
Total # of dollars returned to Fringe artists, according to them: 467,000$.
Therefore, average ticket price return for an artist for Toronto Fringe: 7.30$ per ticket ‘sold’.
Note: this is below the supposed minimum of 8.5$ that an artist should be receiving from 10-play-pass purchasers, which implies that the festival heralds comp/free tickets as ‘sold’ tickets in its marketing.
 
5: TITUS: The Light and Delightful Musical Comedy of Titus Andronicus received a FIVE STAR REVIEW from The Vancouver Sun! It was also Picked as a Pick Of The Fringe!
 
3.5: The number of stars this iteration of William vs The World received from the StarPhoenix in Saskatoon.
 
17: I have been a part of 17 different fringe festivals since 2011. (2011: Victoria, Vancouver. 2012: Victoria. 2013: London, Ottawa, Toronto, Saskatoon. 2014: Port Alberni, Regina, Saskatoon, Victoria, Vancouver. 2015: Toronto, Saskatoon, Nanaimo, Victoria, Vancouver. )
 
22: I have been a part of 22 different Fringe festival shows since 2011. (Directed BFA: The Musical! and Clutter and Contamination, Acted in Henry V, Stage-managed Sonnets For An Old Century, Wrote TITUS.)
 
 
Assorted Thoughts:
 
This summer began AWFUL and ended wonderfully. I was super worried after Toronto and Saskatoon, though. Ooof.
 
I can’t get my footing at Toronto Fringe. I just don’t know how to reach an audience there. I felt I had a good show, I had an amazing reception from audience members who came, but never found traction. Not sure I’ll go back unless I’m working with a local Torontonian.
 
Also, the Tarragon Theatre is ridiculously stingy with their furniture. I needed two chairs and a surface to put things on. I had to go wandering on garbage day to find chairs people were throwing out, because the theatre was unwilling to lend me a couple of their own. And then carry those back to my billet on my back to be hosed down/cleaned. Boooo.
 
Toronto Fringe is still THE WORST for trying to get other artists to see your show… they essentially don’t allow any artist comps unless you give them a specific name of a specific person hours before your show begins. Which just isn’t practical. And they wouldn’t let us artists all use a given name as a password of sorts, either. We tried.
 
I had one AMAZING experience at Toronto Fringe, though… a man came up to me after the show, in tears. He actually fell to his knees, then cried into my shoulder a bit. He was a new immigrant from Bolivia who really connected to a moment in the middle of my show when I talk about being the new person to French Immersion, knowing no one, and what courage it takes to do something as simple as start a conversation. It’s moments like that that are why I perform.
 
Okay, and moments like the night in Nanaimo when a pretty lady kissed me on the cheek after a night of karaoke. I’m a sucker for things like that.
 
And the dozen-deep cuddle-puddle of fringe artists by the bridge in Saskatoon at 3am.
 
My Saskatoon show was a rushed job. I fully admit it. I ended up with a good show, but I spent my first while in town finishing and memorizing the script… it’s a good show now, and it’ll be great when I revise it further for Vancouver Fringe this upcoming summer, but aye… I was inside learning lines instead of outside handing out flyers, and the numbers show this. I’m still not sure how to best market the show.
 
This year’s Saskatoon Fringe had the potential to be much the same, so I dropped out. I’ve done the last-minute-build challenge. The idea I’m percolating… I want to give it a year to workshop at home and improve and grow.
Saskatoon’s Spoof Night is still the best part of the entire Fringe tour.
 
Nanaimo Fringe had a steep discount for festival passes, lowering the actual ticket price considerably from the 12$ sticker price.
 
500 Handbills is about 350 handbills too many for Nanaimo.
 
Handbill cost variation is due to where they were being shipped (Saskatoon vs Toronto vs Vancouver) and due to whether they were being shipped together with other orders or separately.
 
The gamer in me loves that my final payout in Victoria was 1337.00$ (1337 = LEET = Elite)
 
Colin Thomas, the big Vancouver reviewer, saw Honest Man in Victoria, and liked it! Well, his review was essentially ‘This was much better than his last show.’ Which I guess is a compliment. He didn’t much care for The Hatter.
 
Vancouver Fringe was my first time ever selling out a house. Granted, it was a house of fewer than 40 seats, but still. Thank you.
 
Also, thank you to the tiny Vancouver Fringe audience of other performers who were willing to catch a Saturday afternoon performance just so that I wasn’t doing the show for two people. I put out a message on the fringe facebook thread and a half-dozen kind souls came over to see the show with them. I love this community.
 
It’ll be hard to see everyone else’s adventures on the tour this summer as I mostly take a backseat.
 
I am trying to get a venue lined up for a couple more performances of The Most Honest Man In The World here in town. Let me know if you have any leads (or can get the Dusty Flowerpot to get back to me)!
 
If you missed TITUS, it’s being remounted at The York this August! And a re-invigorated and refocused William vs The World will be at the Arts Umbrella once more for Vancouver Fringe.
 
 
Nanaimo Fringe wall of love 06crop