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Choose Your Own Blog Post

   
There are so many things that have happened in the past month which deserve their own full blog post write-ups, but as is evident on my front page here, I just haven’t been able to squirrel away enough time and mental energy to do them justice. SO, I figure, why not give a brief summary of the amazingness that has been the past month of my life, and ask you what you would like me to expand upon!
   
Leave a message in the comments here (or on the facebook link, or via a twitter message, whatever) if there is anything below that you’d like me to focus a post on. 🙂
   
– One of the last words of advice our dear Floyd Collins director, Peter Jorgensen, gave us, was to adopt the philosophy of ‘instant forgiveness’. If something goes wrong onstage, AND THINGS WILL GO WRONG ONSTAGE, instant forgiveness, move on with the show. This is far from the first time I’ve heard these words, but it is a piece of advice I really do need to continue working at taking to heart.
   
– Balancing momentary opportunities to work in my career field (such as this amazing 2.5 month contract with Floyd Collins!) with stringing along dayjob employers with the odd shift here and there, whenever I can, so that I can still pay rent when the contract ends.
   
– Working with people who have found a way to drop their day-jobs and do this full-time. How they live. How they’re  not necessarily as dayjob-free as I first assumed.
   
– Our culture’s  unhealthy phobia surrounding talking about our salaries and what we make, where.
   
Jesse L. Martin saw our show!Original RENT cast member Jesse L. Martin came to see Floyd Collins. Yep. What it means to me to get seen by a celebrity, and the strangeness of fandom celebrity worship.
   
– So, in my week off, I MAY have performed, erm, a burlesque routine as the Eighth Doctor at a Doctor Who burlesque show put on by my dear friends at Geekenders. In this routine, I MAY have written up a parody of Mister Cellophane, and stripped down to my underwear. I have also never, prior to this, ever even taken my shirt off, onstage. I am always looking for performance opportunities that challenge me! Geekenders/Fairlith/et all, thank you so much for having enough faith in me to risk letting me out up there. Oh, and my sister may have heard about the show somewhere and attended it. (awkward?)
   
– Burlesque audiences are perhaps the best audiences. I mean, I had just been performing in an amazing musical for three weeks with a stunning amount of talent onstage, but the sheer energy and boisterousness of those three hundred people in the Rio, all loudly cheering and whooping and loving life, the feeling off all that delight just shocking joy into my system as I stood onstage, there… Wow. That is somethin’ else.
   
– It’s amazing what audience expectations will do. A proper hoity-toity theatre musical theatre audience expects strong choreography, brilliant singing, good acting, and at least a passable script. Exceed those expectations, and they will love the show.  That burlesque audience, on the other hand, expected to see from its performers a love of Doctor Who, a solid costume, sexy dancing, and someone stripping down to pasties and underwear through the course of their performance. It was a wondrous thing to see the shock and delight they had to see me actually sing something onstage! With character acting! Something I’d written myself! Wow! Expectations exceeded. (Which is great, because it also allowed me to get away with only a passable costume and less-than-experienced, erm, sexy moves.)
   

Burlesque routine, pre-clothing-removal. Photo: Stephen Gray.

Burlesque routine, pre-clothing-removal.
Photo: Stephen Gray.

– What am I willing to do onstage, and what am I not willing to do?
   
– Fringe festival preparations for this summer, or, How I am managing to make the exact same mistakes and good choices as last year.
   
– How does someone write a show called ‘The Most Honest Man In The World’? Has Andrew developed an ego?
   
– I am consistently surprised at how clearly I regress as a person when in a state of desperately-needing-sleep. It’s almost like it’s a direct regression through the years — I start feeling emotional pangs for old flames, take on old physical quirks like holding one arm behind my back… there may be more truth than I know to the old adage that we are everyone we once were.
   
– I fly somewhere, and promptly am sick. Just like what happened last year with London, Ontario. What’s up with that?
   
– Billeting. What it means, and my experiences staying with people volunteering their homes, across the country.
   
– And finally, this is a thing that happened: http://www.tift.ca/floyd-collins-goes-ahead-without-sets-costumes-or-props-press-release-april-7-2014/ . Essentially, a moving company, Midland Van Lines, picked up our set and costumes and promised us a delivery time of 5-7 days to get those items from Vancouver to Barrie, Ontario, in time for our second leg of our tour. Those items were not delivered, and now we are reblocking the show in a fashion that really is quite reminiscent to the old SATCo black box theatre days as a student at UVic. The show must go on!
   
So aye, there’s a good summary of what I’ve been up to, this past month. Back into tech in an our or so. Anything you’d like me to expand on in a full post?
   
   
Cheers,
Andrew Wade

The Perfect Day (Floyd Collins)

February 24, 2014 Leave a comment

 
 
It had been a while since I’d been in a rehearsal hall.

Myself and Adam Guettel

Myself and Adam Guettel in rehearsal.


 
Oh, I’ve been steadily doing theatre for the past decade, but most of my performances in the past year, including the Chinatown Haunted House, Awkward Stage fundraiser, and The Hatter on tour, either rehearsed in someone else’s basement, someone else’s living room, or at home, in the case of The Hatter. Beggar’s Opera had a chunk of choreography and a rehearsal space, but that rehearsal space was UBC or the top floor of The Penthouse (a strip club), and while we had songs for that show, we didn’t necessarily have sheet music.
 
Earlier this week, I asked myself what my ideal day would look like. I would sleep in until I naturally woke up. I would then lie in bed and read for an hour or two. Maybe eat some cold leftover pizza. Pizza makes the best breakfast. Then I’d get up and write something. Maybe play a game or two of Magic with a dear friend. And then I’d bike out to a four hour evening rehearsal.
 
Something in there surprised me! I noticed that I said ‘rehearsal’ , not ‘performance’. Now, as someone who originally got into theatre partially due to the crowd’s reaction (as I wrote about in one of my very first blog articles), and someone who tries to get out of costume and make-up as quickly as possible after a performance so he can catch audience members on their way out and thank them for coming… I was taken aback somewhat that I picked a rehearsal rather than a performance for my ideal day.
 
And guess where I get to be for the next couple of weeks!
 
And then, come March, perhaps, just maybe, for a couple of weeks I’ll get to sleep in, wake up, read for a bit, (maybe skip the pizza), perhaps write something, and then head out for an evening performance.
 
So very many lines and notes and steps to learn before then, and characterwork to explore, and scenes to get resonating within me…
 
I get to be rehearsing! Spending time exploring this amazing show alongside these amazing performers and creative minds. So blessed.
 
It’s a good life.
 
 

An Actor Ponders

February 5, 2014 3 comments
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Whatcha thinking?”

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And now, a look behind Andrew’s furrowed brow.

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Why am I still looking at job postings? Why do I still have an active RSS feed section devoted to new possible job opportunities, combing and scanning through craigslist, Alliance for Arts, and others, for me to glance through every few days?

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I worked for eleven different employers last year. I am currently on the payroll for four organizations, with two others occasionally bringing me in every other month or so.

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Oh, and these are the non-theatre-companies. Those are separate. Workshopping a play with one right now, and performing with another company for the next two months.

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That’s right! I’m finally finding work as an actor! Fantastic! For two months. Then I’m back. Time to look for another job.

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Why? Don’t you have enough?

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But there are more opportunities out there! Ones you don’t know of, if you aren’t looking!

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An actor always looks for auditions. Always hunts for opportunities. Never ending. Heading to auditions while rehearsing for something else. Endless job interviews. Endless rejections and successes.

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I’ve been trained this way.

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I’ve been trained to approach my work-for-hire life this way.

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I don’t have enough time now to offer my employers.

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I’m spending too much time at work. I could take more time off.

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I could miss out on more opportunities.

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Maybe I should check my RSS feeds one more time.

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Oh. Right. I’m doing Fringe Festivals this summer. Who’s going to hire a guy who disappears for several weeks at a time, over and over again?

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Right. My lovely, current employers. Who I enjoy working for! Not as much as I enjoy working on shows and being a theatre creator and performer, of course. But I appreciate and enjoy them.

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But I could appreciate and enjoy something else!

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Or maybe I should be dropping everything for a few months and see if this whole ‘actor and writer’ career thing can sustain itself!

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That seems somewhat foolish and unnecessary. And maybe I’ll find out I don’t enjoy living only that way, very much! That could shatter me. A lot of sunken cost time into this theatre acting thing. Or maybe I’d get lazy. If I give myself too much free time, maybe I’d just squander it by hiding in books and games. Besides, my employers are happy to trade me 80$ for my day. I can’t turn that down!

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Well, I could, I suppose. Technically.

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And I guess I have! Sorta. For this and the next two months, living the life of the working actor.

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This’ll be a grand experiment. I’m thrilled. I’m just so thrilled. Really. I am. Just peached to the extreme. Don’t lose that, Andrew! That excitement! Those butterflies! Hee!

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And then it’s done, and I’m back to the dayjobs until Fringe festivals. Where I’ll likely lose money again, when considering travel costs.

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I should check those job postings. Or accept more shifts in the couple days I have off before the theatre contract.

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No! I’m not superhuman… I need some time to recharge. Groceries, laundry, as well, I suppose.

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No, Andrew, people aren’t going to laden you down unreasonably. They expect you to need some time to yourself each day. Most people only work five shifts a week.

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But I could pick up shifts on those other weeks? Or find someone willing to pay me to do something new!

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I should check those feeds again. After all, as a pay-for-hire, I’m really contracting out my time to organizations. Makes sense to continually look for new clients, right? Diversification. Allows me to stick with my favourites and perhaps others fall to the wayside. Or find you unreliable because you’re never free and always gallivanting off to to theatre stuff.

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Theatre stuff! I get to do theatre stuff this year! Yay! And maybe next year?

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I don’t think I can take on any more than I’m doing.

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But maybe there’s something better out there!

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But I can’t get trapped in single full-time job life! Right? Right? That’s where people stop pursuing crazy things like acting, isn’t it? Where people get complacent?

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I think I’m afraid of becoming complacent.

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Or is that contentment? Is that what those people have?

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I feel like I’m planning my life so that whenever I want to, I can leave everything and go pursue something else. Keeping one foot out the door. Or at least, holding the door open. Like an actor does, always on the hunt for the next opportunity.

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Do I have a problem, or am I doing this right?

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Oy.

The year Twenty Thirteen – That’s Life

January 4, 2014 Leave a comment
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Twenty-thirteen was the year I toured a show of my own for the first time, the first time I visited any part of Canada outside of BC, the year I went out on dates and put myself out there, the year I got perhaps a little too subsumed by day-jobs, the year I accepted Richmond as a home base even as I became intoxicated by being out there performing on the road. It was the year I designed lights and called the shots for a Diversity Talent Show, gave tours of a National Historic Site, and was given the delightful  news that “we’re going to write you a song”. It was the year I performed a creepy puppet show while a guy did cocaine off a passport in the front row, had the biggest role in the opening number in a musical (in concert), became a bartender, worked for nine employers (and myself), auditioned for one show both in Vancouver AND Toronto, was nominated for an OVATION! Award, and was picked as one of Richmond’s 30 under 30.

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The Hatter @ Nuit Blanche in London, ONWhen I put a chunk of it in one paragraph like that, it doesn’t sound half bad.

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My financials spreadsheet tells me I earned 21114.94$ in a combination of pre- and post-tax income, not including my Fringe tour, as I lost money on that. Of that money, just under half of it went into savings. A bit of breathing room so that I don’t feel pressured against, say, taking days off work to go to auditions, or months off to possibly lose money performing in Fringe Festivals. I keep my expenses low with good habits, luck, friends, biking and skytraining rather than driving, and the fact that I’m a bachelor without kids. I also live frugally in a single-room accommodation in a building I expect will get demolished in 2014. That’s probably the biggest reason.

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I am grateful that I have been able to find a number of employers who are content with seeing me disappear for a month or two at a time, pursuing my performing career. Hopefully those opportunities will build up enough that I can make a more complete transition at some point.

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Perhaps it’s a credit and a curse to the standards I hold for myself that I’m disappointed that I was only involved in five large-scale productions this year… even if one of those productions I wrote, self-produced, and performed in four different cities over the course of two and a half months. A far cry from the ~12 productions I was a part of in 2012. I also nearly doubled my yearly income. These two things are perhaps not unrelated. 😛

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Regardless, I now know I can earn enough to support myself as I pursue what excites me. I just need to do more pursuing!

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This year was also the year I had a couple of hits with my blog, including one article, A First Fringe Tour – By The Numbers , which has had over 480 hits and was read and shared by people I deeply respect. It was even discussed in a university classroom! Exciting! So now, after a bit of a hiatus, I think I’m about ready to get back to blogging. But first, what the heck was I up to in 2013?

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My theatre life this past year:
Revue at the Revue as Jesus, Santa, and others, if you count the first hour or two of 2013. 🙂
– Nominated for ‘Outstanding Gypsy – Male’ at the 2013 Ovation Awards
– ‘The Boss’ in Fighting Chance’s ‘Side Show‘ (in concert)
– Mr. Zapatella and chorus in APPLAUSE! Musicals’ ‘Fiorello!‘ (also in concert.)
– Singing, creeping, having an all around marvelous time as Filch (and a prisoner, and a thief, and so forth) in Seven Tyrants’ production of Beggar’s Opera. (They’re remounting in March, at the Jericho Arts Centre! Go see it! My dear friend, Chris Lam, will be putting his own marvelous spin on the role as I will be busy with Floyd Collins during the run.)
– Wolf Mountain Writing Collective, staged reading of my short ten-minute piece, What I’d Be Without You, with the lovely Mika Laulainen.

Fiorello!

(Photo: Wikipedia)

The Hatter, The Hatter, so much The Hatter! Who knew you needed to write all your publicity for a June production, way back in February! Hiring a (wonderful) photographer for publicity photos, and putting together the script, and props, and travel plans to take me (economically) from Vancouver to London to Ottawa to Toronto to Saskatoon and back home, finding stage managers in each city, finding ways to get around once I am within each city, designing and printing posters and business cards, oh, and performing the show 34 or so times, plus previews and tech runs… Looking forward to getting back to it in Regina and Vancouver this year!
– Indulging my over-the-top-creepy joys as Panduin The Puppeteer in Judge Dee’s Haunted House at the Sun Yat Sen Classical Chinese Gardens, also with Seven Tyrants. A twenty-minute play that starts every ten minutes, this amounted to three hours of performing (without breaks) every night, eighteen performances each night, for a week. And we sold out! Pretty much every run! Far more successful than ANYONE was expecting. Lots of leaping on bannisters and singing in RIDICULOUS pitches. Loved it. And now, back to applications for The Hatter for next year’s Fringe festivals, for which I shall update you in a couple of weeks!
– Awkward Stage fundraiser, Baby It’s Cold Outside, of which I was a chorus member with a puppet for all of a minute, so I’m not sure that one really counts. If we include that, let’s also include singing a zombie-themed Christmas song for a room full of people holding ukeleles, which, by the by, is an awesome idea for a date.

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My day-jobs this past year:
(with a whole lot of acting in them, really!)
Science Facilitator – Science World!
The occasional centre-stage show as well. I am now trained for the Grossology, Bubbles, Balloons, and Hot Stuff shows. 🙂
Heritage Interpreter – Gulf of Georgia Cannery
Leading tours and teaching school programs.
Bartender – Gateway Theatre
Unexpected and enjoyable!
Standardized Patient – Medical student exams
Pretending to be ill!
Simulations ActorJustice Institute of BC
Pretending to be a criminal, witness, or a victim!
Convention worker – BBW International
No, not THAT ‘BBW’. Though I did get to dress up in full Scottish garb (kilt and sporran and all) for a week at a Urology Congress!
Walk Leader – Creatures of the Night – Stanley Park Ecology Society
At those times when you’re so busy you can’t possibly do anything else, and then a good, old friend phones you up and offers you a job. So much fun!
Voting Officer – Elections BC
One long day, but definitely an interesting experience.
Stage Director/Manager – Culture Club Diversity Talent Show – Richmond Multicultural Community Services
Amazingly comprehensive, in that I used skills I’ve learned from so many different places. Lighting design, working with youth, directing, stage management, producing… marvelous experience.
Background Actor – A big, highly talked about film.
I was an extra in a film for the first time in a year or so!
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Actor – The Hatter and others
I may not have made money on it this year, but producing my own darn show is certainly a job, as is much of the acting work above, gosh darnit. 🙂

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And now onto 2014, where I already have workshifts scheduled with three different employers, and have  the chance-of-a-lifetime to put all that silliness aside for a couple of months and focus on a travelling production of Floyd Collins.

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Hey, now I’m excited! Yay!

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And, as I have a microphone here on the desk with me, here’s a song about hoping for the future. Don’t read into the darker suicide-y bit to it. That part isn’t relevant.

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What are you looking forward to in 2014?

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Cheers,
Andrew Wade

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Hallow’s Ever Performing

October 21, 2013 Leave a comment
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Hello, intrepid blog-readers!

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So sorry for my extended absence. I’m afraid I have been otherwise detained. When I finished my two and a half month tour of The Hatter across the country, I found that, for the first time in at least six years, I didn’t have that desperate ‘I NEED TO BE PERFORMING IN SOMETHING THIS MONTH NOW WHAT IS HAPPENING WHY’ feeling eating away at my inner psyche. Instead I found myself somewhat disturbingly content to work day-jobs for a couple of months and earn enough money for the CAFF lottery, while living a more leisurely life. So I contacted a few places where I had considered working in the past, and figured I’d have plenty of time to get some more writing done.

… Yeah, we all know life isn’t that simple.

So what happened? Well, those employers… they all said yes. ALL of them. Right. So… in the month of October I will have had eight different employers. Most of them only a few days a month, sure, and a couple of them disappear when the month ends, but… yeah. Eight.

And the CAFF Lottery… the odds were not in my favour. Considering attempting a ‘Western’ tour this summer, Regina-Winnipeg-Saskatoon-Edmonton-Victoria-Vancouver, if I can get into them. Saskatoon, at least, will get to see a new show from me! Something that may or may not work as a show. Intimidating! Yep. Gotta see if a ‘show’ will come out of my ideas for that one… y’know, in all my free time…

Oh, and that whole ‘not acting for a bit’ thing? Well, my dear friend David Perry needed people to lead Creatures Of The Night walks in Stanley Park. I was only able to offer him a few days, but it really is a lot of fun. Interactive theatre with children is AWESOME.

My final chance to wander the moonlit trail up in the park will be on November 2nd. Here’s what that’s all about:

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And why couldn’t I give him more evenings to work with that awesome project? WELL, that’s because from the 24th to the 31st, I shall be playing the part of THE PUPPETMASTER in Seven Tyrant’s Chinatown Haunted House in the Dr. Sun Yat-Sen Classical Chinese Garden.

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You may remember me playing the parts of Filch, a crazy prisoner, a thief, and more, in Beggar’s Opera with the same company, back in May. But now? I seriously get to be a guy called ‘The Puppetmaster’ in a Haunted House which is REALLY a 20-minute long play that starts every ten minutes. (Yep. Requires some logistical finesse, that one.)

Come check it out if you’re so inclined! I am inclined to wish you would be there! At least, I certainly haven’t been doing any easy reclining. Okay, that was a bit of a stretch.

Well, when it comes to finding that rest and relaxation, there’s always next month, right? ALWAYS next month. Never the month I am currently in.

Hmm… my November calendar is looking a little sparse… maybe I should look for two more employers… or learn to drive…

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Stay shiny,
Andrew Wade

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A First Fringe Tour: By The Numbers

September 3, 2013 10 comments
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A First Fringe Tour by the Numbers: For my 2013 inaugural tour of The Hatter.

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London audience numbers:
# of performances: 10
# of comps to media in audience: 4
# of comp VIP tickets: 13
# of comp Trouper tickets recorded: 1
# of comp performer tickets: 16
# of paying audience members: 54
Average # of paying ticket holders per show: 5.4
# of audience members (total): 87
Average size of audience: 8.7
# of shows without a single paying audience member: 3
# of advance tickets sold: 0
Average ticket price paid to me: 9.94$

INVISIBLE!
INVISIBLE!

Ottawa audience numbers:
Number of performances: 9
# of comps to media in audience: 4
# of comp VIP tickets: 2
# of comp Promo tickets: 2
# of comp volunteer tickets: 9
# of comp performer tickets: 3
# of advance tickets sold: 9
# of paying audience members: 81
Average # of paying ticket holders per show: 9
# of audience members (total): 101
Average size of audience: 11.2
Average ticket price paid to me: 9.35$

INVISIBLE!
INVISIBLE!

Toronto audience numbers:
Number of performances: 7
# of comps to media in audience: 8
# of comps (poor friend): 1
# of comp volunteer tickets: 11
# of comp 10x10x10 tickets: 33
# of comp VIP tickets: 8
# of advance tickets sold: 23
# of paying audience members: 90
Average # of paying audience members: 12.86
# of audience members (total): 151
Average size of audience: 21.57
Average size of audience, not including 10x10x10: 16.71
Average ticket price paid to me: 8.92$

INVISIBLE!
INVISIBLE!

Saskatoon audience numbers:
Number of performances: 7
# of comps to media in audience: 3
# of comp staff tickets: 1
# of comp company (performers with password) tickets: 27
# of comp volunteer tickets: 20
# of comp promo tickets (???): 16
# of advance tickets sold: 15
# of paying audience members: 118
Average # of paying audience members: 16.86
# of audience members (total): 195
Average size of audience: 27.86
Average ticket price paid to me: 11.20$

INVISIBLE!
INVISIBLE!

EXPENSES:

Failed Fringe application fees:
Edmonton: -36.75$
CAFF lottery: -25$
Winnipeg: -20$
Vancouver: -50$
Nanaimo: -25$
Victoria: -28$
San Francisco: -35.60$
Total: -220.35$

INVISIBLE!
INVISIBLE!

Pre-tour expenses:
Photographer for promo shots: ~-100$
New hat: ~-25$
Hot water urn: -68.95$
Pocketwatch: -13.44$
Total: -207.39$

INVISIBLE!
INVISIBLE!

London Expenses:
Festival fee: -650$
Props/supplies: ~-11.37$
500 Handbills (business cards): -34.47$
25 posters: -20.95$
Stolen bike light (bought for use in London): -20.33$
Beer for my techie: -11.25$
Total: -748.37$

INVISIBLE!
INVISIBLE!

Ottawa Expenses:
Festival fee: -632.80$
Cider: -6$
Stage Manager: -100$
500 Handbills (business cards): -34.47$
25 posters: -20.95$
Props/supplies/tea: -7.94$
New backpack (other one broke in so many ways): -58.76$
Extremely generous BYOV venue fee: -80$
Gift to billets: ~-15$
Total: -955.92$

INVISIBLE!
INVISIBLE!

Toronto Expenses:
Application fee: -27.50$
Festival fee: -750.00$
Stage manager: -80$
Props/supplies/tape/tea: -20.41$
Timbits offered at last four performances: -13.56$
Beer: -14.60$
500 Handbills (business cards): -34.47$
25 posters: -20.95$
Weekly transit pass: -38.50$
Total: -999.99$

INVISIBLE!
INVISIBLE!

Saskatoon Expenses:
Application fee: -30$
Festival fee: -670.00$
Stage manager: -100.00$
Props: -11.03$
1000 Handbills (business cards): -51.41$
25 posters: -20.95$
Beer: -23.50$
Gift to billet/volunteers: -7.74$
Total: -914.63$

INVISIBLE!
INVISIBLE!

Travel costs to each city:
Plane ticket from Vancouver to London, through family friend: -120$
Suitcase-full-of-props as extra bag on Westjet: -21.00$
Greyhound to Ottawa: -59.33$
Cost to take suitcase-full-of-props on greyhound to Ottawa: -16.95$
Gas money to artist for ride to Toronto: -20$
Transit tokens in Toronto while waiting for Saskatoon: -53$
Greyhound (43 hours) Toronto to Saskatoon: -139.56$
Cost to take suitcase-full-of-props on greyhound to Saskatoon: -15$
Greyhound (25 hours) Saskatoon to Vancouver: -110.78$
Cost to take suitcase-full-of-props on greyhound back to Vancouver: -15.75$
Total: -571.37$

INVISIBLE!
INVISIBLE!

Expenses back home:
Rent/storage costs in Richmond for 2.5 months = ~550$
Total: -550.00$

INVISIBLE!
INVISIBLE!

INCOME:

London Income:
Donation: 5$
Ticket sales at door: 532.00$
Average ticket price paid to me: 9.94$
Total: 537.00$

INVISIBLE!
INVISIBLE!

Ottawa Income:
6 two-for-one ticket sales (5$): 30$
17 five/ten show passes (7$): 119$
9 Advance ticket sales (10$): 90$
40 ticket sales at door (10$): 400$
stage managed a show twice: 30$
Average ticket price paid to me: 9.35$
Total: 787.00$

INVISIBLE!
INVISIBLE!

Toronto Income:
23 advance ticket sales (9$ to me): 207$
41 ticket sales at door (10$): 410$
3 Five-pack (7.5$): 22.50$
17 ten-pack (7.5$): 127.50$
6 performer (6$): 36$
Average ticket price paid to me: 8.92$
Total: 803.00$

INVISIBLE!
INVISIBLE!

Saskatoon Income:
Ticket breakdown made very complicated with 2$ deducted from each ticket for administrative fees, plus GST removed from payout on each ticket. (Saskatoon is the only Fringe Festival that does this.)
Donation: 47.75$
Paid by drunks for a photo taken with me: 3$
Payout from festival: 1322.11$
Average ticket price paid to me: 11.20$
Total: 1369.86$

INVISIBLE!
INVISIBLE!

Other numbers:
Hours on greyhound buses: 8+43+25 = 76 hours.
Food not considered: Grocery/food bill, as it was kept to my usual 200$ per month.
Days away: 71
Homes graciously opened to me to stay in: 5
# of stars in London review (London Free Press): 3 (out of five)
# of stars in Saskatoon review (The StarPhoenix): 4.5 (out of five)

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Total Expenses:
Failed Fringe application fees: -220.35
Pre-tour expenses: -207.39$
London expenses: -748.37$
Ottawa expenses: -955.92$
Toronto expenses: -999.99$
Saskatoon expenses: -914.63$
Travel costs to each city: -571.37$
Expenses back home: -550.00$
Total: -5168.02$

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Total Income:
London income: 537.00$
Ottawa income: 787.00$
Toronto income: 803.00$
Saskatoon income: 1369.86$
Total: 3496.86$

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Cost/Tuition for a two and a half month cross-country adventure: 1671.16$

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The numbers are bit surprising. I’ll put my thoughts/reactions in my next post in a few days. Hope this is useful for some of you out there to see as well! Feel free to leave your feedback/advice/comments below. 🙂

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Cheers,
Andrew Wade

The Emotions of Fringe

August 25, 2013 1 comment
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These are a number of little thoughts and phrases I jotted down throughout my tour. The emotions of being on tour.

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I literally collapsed within my first few days on the tour. Stress, sickness, low blood pressure, and a particularly poorly chosen hot bath.

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“Damn you for making me cry.”

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Someone in Toronto told me they loved me. In that way. They meant it, with all the power of sincerity.

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Two starred reviews. 3 stars in London, 4.5 stars in Saskatoon. The first, other artists apologize to you for, for some reason. The second, they cheer you on, all day long.

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English: Robert Plutchik's Wheel of Emotions

Robert Plutchik’s Wheel of Emotions (Wikipedia)

That giddy grin for no reason whatsoever.

That giddy grin for oh so many reasons.

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Laughing home on a borrowed bicycle at 3am.

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Performing for three people (two performers and a volunteer) in London. Performing for 45 people in Saskatoon. Getting the standing ovation.

I don’t care if standing ovations don’t mean what they used to. They still mean a lot to me.

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Getting teary-eyed onstage. Having your story honestly hit yourself in the feels.

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For the past decade, I have been asking myself, ‘where is home’? This summer, I felt kisses of it all across the country. Let me tell you stories. Lead me into your home. Let’s be together, and if it’s only for a short time, then we’ll make that time mean something. Home is a loving invitation.

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“If you haven’t seen The Hatter, GO SEE THE HATTER! It’s incredible.”

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A guy came to see my show. Throughout the week, he was staffing a street store as a favour to a merchant friend of his. After the show, this man went out of his way to track me down and get a stack of handbills from me, so he could pitch my show to people who came to buy things from him.

He later told me he used to work in a prison. The job took its toll on him, including him finding a number of suicides, which traumatized him quite severely, to the point where he didn’t leave his house for years. Eventually, slowly, with many tiny steps, he began to reintegrate with the rest of the world, a process he is still working through. The street crowds intimidated him, but to be out in the sun left him gloriously shouting joy to the heavens. He told me he could really relate to Earnest and The Hatter, to the idea of hiding down a rabbithole. That my show really touched him.

Alice——————

“Oh yeah, that actress told me she might hook up with you.”
“Why didn’t she tell ME?”

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“My last bus comes in twenty minutes. Am I taking the last bus home?”

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The Hatter is the story of a man trying to get home. Desperately, desperately trying to get back home.

In hindsight, I would’ve thought that taking such a show on tour would have made me more homesick.

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“You have so much talent, and it would be a shame for you to miss out on even one opportunity to hear that. You are a brilliant actor, but also a positively amazing writer. Your show made me feel something, and that’s what good theatre should do. Thank you for that. I hope you know how much your art matters.”

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My show gets emotional. I imagined it, I wrote it, and I’m performing it. Which means that through all of it are real emotions, which, when shared through the art of storytelling, create a sort of lopsided level of intimacy between myself and each person in the audience. Which is an odd way to kickstart a relationship.

I say kickstart, because after the show is over, these lovely audience members already now know enough about me to know whether or not they want to have a conversation with me, before I’ve even met them. I don’t need to go through the other half of ‘here’s who I am’. They’re strangers to me, while I am now someone ‘known’ to them. This means I can keep the first conversation I have with them, about them. It was really quite refreshing to jump into conversations with complete strangers with an eager curiosity, knowing that that they’ve already seen much of what makes me, me.

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They’ve already seen my heart.

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