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There’s no time like having no time.

July 4, 2015 2 comments

 
 
So much to do! So much to do! Just keep swimming… just keep swimming…
   
In the past month and a half I have:
1) performed in two very different showings of BALLS! at the rEvolver Festival,
2) workshopped two separate musicals: Carry On (the show being birthed from the 24 hour SMACKDOWN competition) and TITUS: The Light and Delightful Musical Comedy of Titus Andronicus,
3) acted out several parts of TITUS as part of a public reading for further feedback,
4) officiated my sister’s not-actually-official wedding on an island,
and
5) Opened The Most Honest Man In The World in an extended 75 minute edition as part of the Toronto Fringe Festival.
 
Phew. Six more performances here in Toronto to go, as well as preparations for William vs The World in less than a month’s time in Saskatoon, plus more fringe stops in Nanaimo, Victoria, and Vancouver, as well as another TITUS draft sometime in the next couple of weeks.
 
Busy, busy!
 
Now to go handbill some more lines. Wish me luck!
 
(if you wish to come see The Most Honest Man In The World in Toronto, my facebook event page is here: https://www.facebook.com/events/1619597668286790/ and I just received an excellent review from Mooney on Theatre, who called it “engaging, emotional, and oftentimes very funny.” Check out the review here: http://www.mooneyontheatre.com/2015/07/03/the-most-honest-man-in-the-world-spired-theatre-2015-toronto-fringe-review/ )
 
Cheers,
Andrew Wade
 
The Most Honest Man In The World - option 2b - Copy

Quick Update!

October 27, 2014 2 comments





A quick update on current and upcoming projects!




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For the VERY FIRST TIME EVER, I have made it onto the poster of something I am performing in (other than on posters I produced myself)! One week down, four more nights for the only not-for-children haunted house in town! Creepy Andrew skitters about until Halloween night!




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And then, on November 4th, at the Rio Theatre, I am in my second ever burlesque show, Weird Al Burlesque! Yep. Expect to see a man become a spy. And expect a spy… to Spy Hard.




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I am also now a spare puppeteers for Cassie And Friends , a society for children with juvenile arthritis and other rheumatoid diseases! Occasionally performing an awareness puppet show at schools around the lower mainland. And briefly appearing in this news video! : http://globalnews.ca/video/embed/1612634/




Little Women Poster 1


And, from December 4th to the 21st, at Studio 1398 on Granville Island, I will be performing in Fighting Chance’s production of  Little Women! (Katharine Hepburn, sadly, is not a part of our production.)




But wait! There’s more!




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The Confidential Musical Theatre Project lands in Vancouver on December 8th! No rehearsals, just everyone showing up on the night and putting an amazing show together.
I have no idea what the show is yet.




And that takes my performances into the new year! I am also writing a show for a local theatre company for an upcoming fringe festival, just applied with The Most Honest Man In The World for a few fringe festivals, and am soon to jump back into workshopping a children’s show for touring in the new year.


Life is full and excellent!


And for those of you who have read to the end, here’s a bonus entry I made into a penny arcade comic contest. Their art, my words. Had to be on an Australian theme:


Andrew Wade - Defecation Chamber


You’re welcome.




Cheers,
Andrew Wade

 

 

 

Thank you for the tea parties.

September 13, 2014 Leave a comment

       
A few years ago, I had a crazy idea. I had cloistered myself up in British Columbia, hid away in school for twenty straight years, I was anxious and worried that I wouldn’t get the chances to perform in the real world, once I graduated… so I made a plan. A crazy plan. I decided to write myself a one man show and take it across the country.
       
Andrew Wade 011bI had no idea if I could hold anyone’s attention for an hour. I had no idea if I could write a show that’d work. I threw every theatrical idea into the show, creating a mad, patchwork quilt of ideas, and then threw most of them out. I mostly improvised a run at Vancouver Fringe in 2011. I rewrote the darn thing from the ground up. And then I took a deep breath, spent thousands of dollars, and took my little hat and kettle show on the road. First year, I went to London, Ottawa, Toronto, and Saskatoon, spent over two months away from where I lived – the longest I had ever been on the road.
       
I got stuck backstage and had to pee in a water bottle a couple of minutes before my first performance. I sold exactly zero tickets to three of my first four performances. I was on greyhound buses for forty-three straight hours. I lost money. And it was worth it.
       
The Hatter @ Nuit Blanche in London, ONI also met with mentors and brilliant performers who just wanted to help me along my journey. I made friends, colleagues, and talent crushes. I was introduced to the ridiculous art of attempting to smuggle women into your billet’s place without them noticing. I discovered from my billets just how charitable people can be and how awesome retirement is for a lot of people. I traveled the country, flew for only the third time in ten years. I made a man in Saskatoon give me a great big hug, break down, and cry, then loudly whoop at everyone on the street to come see my show.
       
And then, this summer, I brought The Hatter home. ‘Previewed’ it in Port Alberni to an empty town full of good intentions, brought it to Regina and was fed fancy meats while swatting mosquitoes and having a grand ol’ time. Then came the real homecoming tour.
       
Next, I went to Saskatoon, which had welcomed me so warmly, it felt like home. There’s a reason I was able to perform the most personal work I’ve ever written, there: a new show, The Most Honest Man In The World. Me being me. And most people still called me The Hatter, anyhow.
       
Then came Victoria. The big gulp of nervous air, a city of people I had treasured for seven years, then skipped out on when my degree was up. Spent a quarter of my life there. Felt like I was awaiting their judgment, wanting the city, old friends, ex-girlfriends, to tell me I had made the right call, that I’d made something of myself, out there in that bigger ol’ world. And the people who matter, they gave me just that. And oddly, most reassuringly of all, Victoria, well, it didn’t feel like home anymore. The Hatter is a play about searching for home. In its first draft, it was muchly a play of regretting leaving someplace, some people, somewhere. Now, it’s not that.
       
Now, The Hatter is about moving on.
       
And here we are in Vancouver, at home, and The Hatter is about to hang up his hat. No future plans for him. Nothing set. Just one more celebration, tonight at 8:15pm.
       
Thank you for the tea parties.
       
       
The Hat

The Most Honest Man In The World gets Four Stars

August 4, 2014 2 comments

       
It is hard to find the time and energy to blog between performing, flyering, radio interviews, flyering, promoting, flyering, prepping, seeing shows, and trying to escape the Saskatoon sun! As is, I’m writing this at 3am. That said, I did want to mention that my highly experimental, Sam-Mullins-esque-but-weird personal storytelling show, The Most Honest Man In The World, has received a four star review from the Saskatoon StarPhoenix! And from the reviewer whom other performers had warned me about, no less!
   

Photograph by Michelle Berg , The StarPhoenix

Photograph by Michelle Berg , The StarPhoenix


   
Huzzah!
   
For me, the fact that this show works… HUGE confidence boost. One one-man-show (William vs The World), well, that’s an experiment. Two one-man-shows (The Hatter), that could be a coincidence. But to have three now under my belt… that shows that I’m really doing something here.
   
(Not that I want to keep doing nothing but one-man-shows, but hey, maybe one day I’ll even strike gold and put together a show that actually sells well enough to make fringe touring the profitable choice as well!)
   
Anyway, onto the review! : http://www.thestarphoenix.com/Review+Most+Honest+World/10086802/story.html
   

Andrew Wade, who had a Fringe hit last year in The Hatter, bares his soul in this romantic tell-all that spans his childhood, adolescence and early adulthood… The content itself is cleverly arranged… It’s a pretty brave experiment, in both theater and life. If it’s true.

   
All I can say is, I aim to be truthful. I aim to be honest. I wanted to try a storytelling show, be myself onstage. The idea of that terrified me. I also knew I would have to plan for a quick turnaround between festivals this year… I would need to make a show anchored in genuine connection rather than complex artifice. A blank page is the hardest thing in the world, so I threw away the page instead, and grabbed a stack of flashcards. 🙂
   
This rather positive review also has what has got to be the best/worst anti-pull-quote I have had… “His life experiences are just as banal as 99 per cent of the population’s. What we usually see in non-fiction is the one percent, stories so amazing you can hardly believe them.”
   
He then said that it was this very fact that made my show intriguing. Relatable, I hope.
   
So… I am the 99%? Sure. Let’s go with that.
   
I am also the FOUR STAR REVIEW. Let’s go with that too. 🙂

Summer in a Fringe-full World

   
   

Hello!

   
The unfortunate part about keeping a blog is that the times when I have the most to write about are also the times when I am expending all my creative energy being rather busy elsewhere!

I don’t want to leave you all in the lurch, so here’s a quick recap of all the Fringe-ful activities I am up to this summer:

   
   

Alberni Valley Fringe Theatre Festival – June 21st-22nd
The Hatter

Alberni Valley Fringe Poster - The Hatter
Right, this one already happened! In which Andrew learned the difficulty of remounting/relearning an hour-long show in a week’s time, while also acting in five performances of another show (Gay’s The Word with APPLAUSE! Musicals) and while replacing a stolen bicycle. But it happened, it was lovely, and I was awarded the only two awards the festival gave out, the People’s Choice Award and Best Quote (for ‘God Shave The Queen’)!

   
   

Regina International Fringe Theatre Festival – July 7th-13th
(these festivals have surprisingly long names!)
The Hatter
Hatter Poster - Regina 2014 textconverted
A much spiffier poster! Well done, me!
The festival in which I am actually away for more than a weekend. Also the festival in which I don’t have a stage manager… so this’ll be interesting!

   
   

Saskatoon PotashCorp Fringe Theatre Festival – July 30th-Aug 10th
The Most Honest Man In The
World
(okay, so I am sometimes partial to a long name, myself)
Honestly squareThe festival I was actually profitable in last year! This year… an experiment! A new show! It may succeed, it may fail. My attempt at a personal storytelling show, described as ‘A life-long love story about the pursuit of honesty over all happiness’. Expect me to tape tissue paper to my head, walk around in tap shoes, and neurotically ponder old relationships and what it means to let go.

   
   

Victoria Fringe Theatre Festival – August 21st-31st
The Hatter
The Hatter, picture 1
The first of two home-comings.

   
   

Vancouver Fringe Festival  – September 4th-14th
The Hatter

Photo Credit Lachlan McAdam

Photo Credit Lachlan McAdam

A return! The show was first birthed in a highly improvised fashion in Vancouver, three years ago. Now I’m bringing it back. (Also, now people know who I am in Vancouver! The first time, I had been off the mainland, over in Victoria, for seven years, and had moved back to Richmond a mere three days before Vancouver Fringe began.)

   

BUT WAIT! I’M NOT DONE!


   
   

Vancouver Fringe Festival  – September 4th-14th
Clutter and Contamination: An Obsessive Compulsive Disaster

DSC_0590For the third time in my life, I am a director, tackling my fellow UVic Writing alumni friend Kayla Hart‘s one woman play, Clutter and Contamination. The play will be performed by the lovely Christine Robinson. It has been a pleasure to work with them on the show so far! Directing a show while out on the road will be an interesting experience!

   

 And from there… new adventures and challenges await. Bring’er. 🙂

   
   

Some men run to feel the wind in their hair and the blood in their veins, excited muscles and pounding heart. Others run to get somewhere, or to get away from somewhere. Some run because they don’t know what else to do. Some run to inspire. Some to improve themselves. Some to prove to themselves that they can. And some run because they’re afraid of what might happen if they stood still.

Choose Your Own Blog Post

   
There are so many things that have happened in the past month which deserve their own full blog post write-ups, but as is evident on my front page here, I just haven’t been able to squirrel away enough time and mental energy to do them justice. SO, I figure, why not give a brief summary of the amazingness that has been the past month of my life, and ask you what you would like me to expand upon!
   
Leave a message in the comments here (or on the facebook link, or via a twitter message, whatever) if there is anything below that you’d like me to focus a post on. 🙂
   
– One of the last words of advice our dear Floyd Collins director, Peter Jorgensen, gave us, was to adopt the philosophy of ‘instant forgiveness’. If something goes wrong onstage, AND THINGS WILL GO WRONG ONSTAGE, instant forgiveness, move on with the show. This is far from the first time I’ve heard these words, but it is a piece of advice I really do need to continue working at taking to heart.
   
– Balancing momentary opportunities to work in my career field (such as this amazing 2.5 month contract with Floyd Collins!) with stringing along dayjob employers with the odd shift here and there, whenever I can, so that I can still pay rent when the contract ends.
   
– Working with people who have found a way to drop their day-jobs and do this full-time. How they live. How they’re  not necessarily as dayjob-free as I first assumed.
   
– Our culture’s  unhealthy phobia surrounding talking about our salaries and what we make, where.
   
Jesse L. Martin saw our show!Original RENT cast member Jesse L. Martin came to see Floyd Collins. Yep. What it means to me to get seen by a celebrity, and the strangeness of fandom celebrity worship.
   
– So, in my week off, I MAY have performed, erm, a burlesque routine as the Eighth Doctor at a Doctor Who burlesque show put on by my dear friends at Geekenders. In this routine, I MAY have written up a parody of Mister Cellophane, and stripped down to my underwear. I have also never, prior to this, ever even taken my shirt off, onstage. I am always looking for performance opportunities that challenge me! Geekenders/Fairlith/et all, thank you so much for having enough faith in me to risk letting me out up there. Oh, and my sister may have heard about the show somewhere and attended it. (awkward?)
   
– Burlesque audiences are perhaps the best audiences. I mean, I had just been performing in an amazing musical for three weeks with a stunning amount of talent onstage, but the sheer energy and boisterousness of those three hundred people in the Rio, all loudly cheering and whooping and loving life, the feeling off all that delight just shocking joy into my system as I stood onstage, there… Wow. That is somethin’ else.
   
– It’s amazing what audience expectations will do. A proper hoity-toity theatre musical theatre audience expects strong choreography, brilliant singing, good acting, and at least a passable script. Exceed those expectations, and they will love the show.  That burlesque audience, on the other hand, expected to see from its performers a love of Doctor Who, a solid costume, sexy dancing, and someone stripping down to pasties and underwear through the course of their performance. It was a wondrous thing to see the shock and delight they had to see me actually sing something onstage! With character acting! Something I’d written myself! Wow! Expectations exceeded. (Which is great, because it also allowed me to get away with only a passable costume and less-than-experienced, erm, sexy moves.)
   

Burlesque routine, pre-clothing-removal. Photo: Stephen Gray.

Burlesque routine, pre-clothing-removal.
Photo: Stephen Gray.

– What am I willing to do onstage, and what am I not willing to do?
   
– Fringe festival preparations for this summer, or, How I am managing to make the exact same mistakes and good choices as last year.
   
– How does someone write a show called ‘The Most Honest Man In The World’? Has Andrew developed an ego?
   
– I am consistently surprised at how clearly I regress as a person when in a state of desperately-needing-sleep. It’s almost like it’s a direct regression through the years — I start feeling emotional pangs for old flames, take on old physical quirks like holding one arm behind my back… there may be more truth than I know to the old adage that we are everyone we once were.
   
– I fly somewhere, and promptly am sick. Just like what happened last year with London, Ontario. What’s up with that?
   
– Billeting. What it means, and my experiences staying with people volunteering their homes, across the country.
   
– And finally, this is a thing that happened: http://www.tift.ca/floyd-collins-goes-ahead-without-sets-costumes-or-props-press-release-april-7-2014/ . Essentially, a moving company, Midland Van Lines, picked up our set and costumes and promised us a delivery time of 5-7 days to get those items from Vancouver to Barrie, Ontario, in time for our second leg of our tour. Those items were not delivered, and now we are reblocking the show in a fashion that really is quite reminiscent to the old SATCo black box theatre days as a student at UVic. The show must go on!
   
So aye, there’s a good summary of what I’ve been up to, this past month. Back into tech in an our or so. Anything you’d like me to expand on in a full post?
   
   
Cheers,
Andrew Wade

The year Twenty Thirteen – That’s Life

January 4, 2014 Leave a comment
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Twenty-thirteen was the year I toured a show of my own for the first time, the first time I visited any part of Canada outside of BC, the year I went out on dates and put myself out there, the year I got perhaps a little too subsumed by day-jobs, the year I accepted Richmond as a home base even as I became intoxicated by being out there performing on the road. It was the year I designed lights and called the shots for a Diversity Talent Show, gave tours of a National Historic Site, and was given the delightful  news that “we’re going to write you a song”. It was the year I performed a creepy puppet show while a guy did cocaine off a passport in the front row, had the biggest role in the opening number in a musical (in concert), became a bartender, worked for nine employers (and myself), auditioned for one show both in Vancouver AND Toronto, was nominated for an OVATION! Award, and was picked as one of Richmond’s 30 under 30.

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The Hatter @ Nuit Blanche in London, ONWhen I put a chunk of it in one paragraph like that, it doesn’t sound half bad.

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My financials spreadsheet tells me I earned 21114.94$ in a combination of pre- and post-tax income, not including my Fringe tour, as I lost money on that. Of that money, just under half of it went into savings. A bit of breathing room so that I don’t feel pressured against, say, taking days off work to go to auditions, or months off to possibly lose money performing in Fringe Festivals. I keep my expenses low with good habits, luck, friends, biking and skytraining rather than driving, and the fact that I’m a bachelor without kids. I also live frugally in a single-room accommodation in a building I expect will get demolished in 2014. That’s probably the biggest reason.

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I am grateful that I have been able to find a number of employers who are content with seeing me disappear for a month or two at a time, pursuing my performing career. Hopefully those opportunities will build up enough that I can make a more complete transition at some point.

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Perhaps it’s a credit and a curse to the standards I hold for myself that I’m disappointed that I was only involved in five large-scale productions this year… even if one of those productions I wrote, self-produced, and performed in four different cities over the course of two and a half months. A far cry from the ~12 productions I was a part of in 2012. I also nearly doubled my yearly income. These two things are perhaps not unrelated. 😛

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Regardless, I now know I can earn enough to support myself as I pursue what excites me. I just need to do more pursuing!

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This year was also the year I had a couple of hits with my blog, including one article, A First Fringe Tour – By The Numbers , which has had over 480 hits and was read and shared by people I deeply respect. It was even discussed in a university classroom! Exciting! So now, after a bit of a hiatus, I think I’m about ready to get back to blogging. But first, what the heck was I up to in 2013?

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My theatre life this past year:
Revue at the Revue as Jesus, Santa, and others, if you count the first hour or two of 2013. 🙂
– Nominated for ‘Outstanding Gypsy – Male’ at the 2013 Ovation Awards
– ‘The Boss’ in Fighting Chance’s ‘Side Show‘ (in concert)
– Mr. Zapatella and chorus in APPLAUSE! Musicals’ ‘Fiorello!‘ (also in concert.)
– Singing, creeping, having an all around marvelous time as Filch (and a prisoner, and a thief, and so forth) in Seven Tyrants’ production of Beggar’s Opera. (They’re remounting in March, at the Jericho Arts Centre! Go see it! My dear friend, Chris Lam, will be putting his own marvelous spin on the role as I will be busy with Floyd Collins during the run.)
– Wolf Mountain Writing Collective, staged reading of my short ten-minute piece, What I’d Be Without You, with the lovely Mika Laulainen.

Fiorello!

(Photo: Wikipedia)

The Hatter, The Hatter, so much The Hatter! Who knew you needed to write all your publicity for a June production, way back in February! Hiring a (wonderful) photographer for publicity photos, and putting together the script, and props, and travel plans to take me (economically) from Vancouver to London to Ottawa to Toronto to Saskatoon and back home, finding stage managers in each city, finding ways to get around once I am within each city, designing and printing posters and business cards, oh, and performing the show 34 or so times, plus previews and tech runs… Looking forward to getting back to it in Regina and Vancouver this year!
– Indulging my over-the-top-creepy joys as Panduin The Puppeteer in Judge Dee’s Haunted House at the Sun Yat Sen Classical Chinese Gardens, also with Seven Tyrants. A twenty-minute play that starts every ten minutes, this amounted to three hours of performing (without breaks) every night, eighteen performances each night, for a week. And we sold out! Pretty much every run! Far more successful than ANYONE was expecting. Lots of leaping on bannisters and singing in RIDICULOUS pitches. Loved it. And now, back to applications for The Hatter for next year’s Fringe festivals, for which I shall update you in a couple of weeks!
– Awkward Stage fundraiser, Baby It’s Cold Outside, of which I was a chorus member with a puppet for all of a minute, so I’m not sure that one really counts. If we include that, let’s also include singing a zombie-themed Christmas song for a room full of people holding ukeleles, which, by the by, is an awesome idea for a date.

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My day-jobs this past year:
(with a whole lot of acting in them, really!)
Science Facilitator – Science World!
The occasional centre-stage show as well. I am now trained for the Grossology, Bubbles, Balloons, and Hot Stuff shows. 🙂
Heritage Interpreter – Gulf of Georgia Cannery
Leading tours and teaching school programs.
Bartender – Gateway Theatre
Unexpected and enjoyable!
Standardized Patient – Medical student exams
Pretending to be ill!
Simulations ActorJustice Institute of BC
Pretending to be a criminal, witness, or a victim!
Convention worker – BBW International
No, not THAT ‘BBW’. Though I did get to dress up in full Scottish garb (kilt and sporran and all) for a week at a Urology Congress!
Walk Leader – Creatures of the Night – Stanley Park Ecology Society
At those times when you’re so busy you can’t possibly do anything else, and then a good, old friend phones you up and offers you a job. So much fun!
Voting Officer – Elections BC
One long day, but definitely an interesting experience.
Stage Director/Manager – Culture Club Diversity Talent Show – Richmond Multicultural Community Services
Amazingly comprehensive, in that I used skills I’ve learned from so many different places. Lighting design, working with youth, directing, stage management, producing… marvelous experience.
Background Actor – A big, highly talked about film.
I was an extra in a film for the first time in a year or so!
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Actor – The Hatter and others
I may not have made money on it this year, but producing my own darn show is certainly a job, as is much of the acting work above, gosh darnit. 🙂

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And now onto 2014, where I already have workshifts scheduled with three different employers, and have  the chance-of-a-lifetime to put all that silliness aside for a couple of months and focus on a travelling production of Floyd Collins.

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Hey, now I’m excited! Yay!

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And, as I have a microphone here on the desk with me, here’s a song about hoping for the future. Don’t read into the darker suicide-y bit to it. That part isn’t relevant.

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What are you looking forward to in 2014?

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Cheers,
Andrew Wade

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