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Posts Tagged ‘Floyd Collins’

Choose Your Own Blog Post

   
There are so many things that have happened in the past month which deserve their own full blog post write-ups, but as is evident on my front page here, I just haven’t been able to squirrel away enough time and mental energy to do them justice. SO, I figure, why not give a brief summary of the amazingness that has been the past month of my life, and ask you what you would like me to expand upon!
   
Leave a message in the comments here (or on the facebook link, or via a twitter message, whatever) if there is anything below that you’d like me to focus a post on. 🙂
   
– One of the last words of advice our dear Floyd Collins director, Peter Jorgensen, gave us, was to adopt the philosophy of ‘instant forgiveness’. If something goes wrong onstage, AND THINGS WILL GO WRONG ONSTAGE, instant forgiveness, move on with the show. This is far from the first time I’ve heard these words, but it is a piece of advice I really do need to continue working at taking to heart.
   
– Balancing momentary opportunities to work in my career field (such as this amazing 2.5 month contract with Floyd Collins!) with stringing along dayjob employers with the odd shift here and there, whenever I can, so that I can still pay rent when the contract ends.
   
– Working with people who have found a way to drop their day-jobs and do this full-time. How they live. How they’re  not necessarily as dayjob-free as I first assumed.
   
– Our culture’s  unhealthy phobia surrounding talking about our salaries and what we make, where.
   
Jesse L. Martin saw our show!Original RENT cast member Jesse L. Martin came to see Floyd Collins. Yep. What it means to me to get seen by a celebrity, and the strangeness of fandom celebrity worship.
   
– So, in my week off, I MAY have performed, erm, a burlesque routine as the Eighth Doctor at a Doctor Who burlesque show put on by my dear friends at Geekenders. In this routine, I MAY have written up a parody of Mister Cellophane, and stripped down to my underwear. I have also never, prior to this, ever even taken my shirt off, onstage. I am always looking for performance opportunities that challenge me! Geekenders/Fairlith/et all, thank you so much for having enough faith in me to risk letting me out up there. Oh, and my sister may have heard about the show somewhere and attended it. (awkward?)
   
– Burlesque audiences are perhaps the best audiences. I mean, I had just been performing in an amazing musical for three weeks with a stunning amount of talent onstage, but the sheer energy and boisterousness of those three hundred people in the Rio, all loudly cheering and whooping and loving life, the feeling off all that delight just shocking joy into my system as I stood onstage, there… Wow. That is somethin’ else.
   
– It’s amazing what audience expectations will do. A proper hoity-toity theatre musical theatre audience expects strong choreography, brilliant singing, good acting, and at least a passable script. Exceed those expectations, and they will love the show.  That burlesque audience, on the other hand, expected to see from its performers a love of Doctor Who, a solid costume, sexy dancing, and someone stripping down to pasties and underwear through the course of their performance. It was a wondrous thing to see the shock and delight they had to see me actually sing something onstage! With character acting! Something I’d written myself! Wow! Expectations exceeded. (Which is great, because it also allowed me to get away with only a passable costume and less-than-experienced, erm, sexy moves.)
   

Burlesque routine, pre-clothing-removal. Photo: Stephen Gray.

Burlesque routine, pre-clothing-removal.
Photo: Stephen Gray.

– What am I willing to do onstage, and what am I not willing to do?
   
– Fringe festival preparations for this summer, or, How I am managing to make the exact same mistakes and good choices as last year.
   
– How does someone write a show called ‘The Most Honest Man In The World’? Has Andrew developed an ego?
   
– I am consistently surprised at how clearly I regress as a person when in a state of desperately-needing-sleep. It’s almost like it’s a direct regression through the years — I start feeling emotional pangs for old flames, take on old physical quirks like holding one arm behind my back… there may be more truth than I know to the old adage that we are everyone we once were.
   
– I fly somewhere, and promptly am sick. Just like what happened last year with London, Ontario. What’s up with that?
   
– Billeting. What it means, and my experiences staying with people volunteering their homes, across the country.
   
– And finally, this is a thing that happened: http://www.tift.ca/floyd-collins-goes-ahead-without-sets-costumes-or-props-press-release-april-7-2014/ . Essentially, a moving company, Midland Van Lines, picked up our set and costumes and promised us a delivery time of 5-7 days to get those items from Vancouver to Barrie, Ontario, in time for our second leg of our tour. Those items were not delivered, and now we are reblocking the show in a fashion that really is quite reminiscent to the old SATCo black box theatre days as a student at UVic. The show must go on!
   
So aye, there’s a good summary of what I’ve been up to, this past month. Back into tech in an our or so. Anything you’d like me to expand on in a full post?
   
   
Cheers,
Andrew Wade

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The Perfect Day (Floyd Collins)

February 24, 2014 Leave a comment

 
 
It had been a while since I’d been in a rehearsal hall.

Myself and Adam Guettel

Myself and Adam Guettel in rehearsal.


 
Oh, I’ve been steadily doing theatre for the past decade, but most of my performances in the past year, including the Chinatown Haunted House, Awkward Stage fundraiser, and The Hatter on tour, either rehearsed in someone else’s basement, someone else’s living room, or at home, in the case of The Hatter. Beggar’s Opera had a chunk of choreography and a rehearsal space, but that rehearsal space was UBC or the top floor of The Penthouse (a strip club), and while we had songs for that show, we didn’t necessarily have sheet music.
 
Earlier this week, I asked myself what my ideal day would look like. I would sleep in until I naturally woke up. I would then lie in bed and read for an hour or two. Maybe eat some cold leftover pizza. Pizza makes the best breakfast. Then I’d get up and write something. Maybe play a game or two of Magic with a dear friend. And then I’d bike out to a four hour evening rehearsal.
 
Something in there surprised me! I noticed that I said ‘rehearsal’ , not ‘performance’. Now, as someone who originally got into theatre partially due to the crowd’s reaction (as I wrote about in one of my very first blog articles), and someone who tries to get out of costume and make-up as quickly as possible after a performance so he can catch audience members on their way out and thank them for coming… I was taken aback somewhat that I picked a rehearsal rather than a performance for my ideal day.
 
And guess where I get to be for the next couple of weeks!
 
And then, come March, perhaps, just maybe, for a couple of weeks I’ll get to sleep in, wake up, read for a bit, (maybe skip the pizza), perhaps write something, and then head out for an evening performance.
 
So very many lines and notes and steps to learn before then, and characterwork to explore, and scenes to get resonating within me…
 
I get to be rehearsing! Spending time exploring this amazing show alongside these amazing performers and creative minds. So blessed.
 
It’s a good life.
 
 

Well Cast

February 17, 2014 Leave a comment

 

FloydCollins_portraitFirst rehearsal for Floyd Collins today.

 

A number of other actors told me how perfectly cast I am for my role. “And because he doesn’t need to be any age, you can keep playing him for a long time to come.”

 

For whatever reason, that comment stuck in me. Came from a Toronto actor, and he’s right, in his world, you can stick with a show, find it wherever it resurfaces and keep with it. Find runs that go on for as long as people buy tickets. And there are unicorns and magical space robots too, I imagine. But I’m still a young BC pup – such notions don’t really occur to me. Shows last a few weeks, then they’re done, followed by a month or two of part-time low wage work until the next show comes along. I’ve only once ever returned to perform in something I’d been in before; that was a production of Henry V that took me back to Victoria for a week at Fringe. My squirmy, powerless, irish-sounding French King.

 

My own show counts too, I suppose. But that’s different – that show keeps coming back because I’m the one bringing it back. But to be hired to a new production of an old show? That some producer somewhere might want me more thanks to my prior experience?

 

What an obvious and strange concept.

 

Coming into the first rehearsal here for Floyd, I had two options for how to present myself to the group. One, I could own the fact that I was cast for this show same as all them others, and swagger about with the best of them, confident in my career as an actor and in my equal worth with anyone else in the show. Decided that we were all picked evenhandedly and excitedly by Peter, and trust that we are going to make something brilliant because we are all gen-u-ine pro-fessionals, income-tax-form Actors who know what we’re doing.

 

Or two, I could own up to my ’emerging’ actor status. Point out Science World just out the window and let them know that I worked three different day-jobs last week. Shake my head at the director apologizing at length for paying us far less than we’re worth, far less than we’re warranted, and far less than we’d be making elsewhere, when this equity scale sum is far more than I’ve ever earned before from theatre work. Tell’em how I live an hour and a river away, in an office building, sandwiched between pot fumes and an abandoned gym. Let them know how grateful I am for all of this, and tell’em how doggone hard I’m going to work to reach the level all these others are already at.

 

We’ve got impressive specimens of charisma like Daren Herbert and Michael Torontow. Krystin Pellerin from The Tudors and Republic of Doyle. The talent in the room is so impressive.

 

And I’m in there with them. One of them.

 

So, which approach did I take? Well, truth be told, as I do, I didn’t make a firm choice, so what shone through were my defaults of TOO MUCH INFORMATION, GRATITUDE, and CONFIDENCE. Because can I bring Skeets Miller to life? Heck yes! Am I just plum grateful to be in the room? You betcha! Do I earn most of my living performing on the stage or screen? Definitely not. Yet.

 

The ol’ puff up pull down ying-yang that makes me just neurotic enough for these loveable squirmy outsider little-guy roles.

 

Well cast.

 

The year Twenty Thirteen – That’s Life

January 4, 2014 Leave a comment
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Twenty-thirteen was the year I toured a show of my own for the first time, the first time I visited any part of Canada outside of BC, the year I went out on dates and put myself out there, the year I got perhaps a little too subsumed by day-jobs, the year I accepted Richmond as a home base even as I became intoxicated by being out there performing on the road. It was the year I designed lights and called the shots for a Diversity Talent Show, gave tours of a National Historic Site, and was given the delightful  news that “we’re going to write you a song”. It was the year I performed a creepy puppet show while a guy did cocaine off a passport in the front row, had the biggest role in the opening number in a musical (in concert), became a bartender, worked for nine employers (and myself), auditioned for one show both in Vancouver AND Toronto, was nominated for an OVATION! Award, and was picked as one of Richmond’s 30 under 30.

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The Hatter @ Nuit Blanche in London, ONWhen I put a chunk of it in one paragraph like that, it doesn’t sound half bad.

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My financials spreadsheet tells me I earned 21114.94$ in a combination of pre- and post-tax income, not including my Fringe tour, as I lost money on that. Of that money, just under half of it went into savings. A bit of breathing room so that I don’t feel pressured against, say, taking days off work to go to auditions, or months off to possibly lose money performing in Fringe Festivals. I keep my expenses low with good habits, luck, friends, biking and skytraining rather than driving, and the fact that I’m a bachelor without kids. I also live frugally in a single-room accommodation in a building I expect will get demolished in 2014. That’s probably the biggest reason.

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I am grateful that I have been able to find a number of employers who are content with seeing me disappear for a month or two at a time, pursuing my performing career. Hopefully those opportunities will build up enough that I can make a more complete transition at some point.

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Perhaps it’s a credit and a curse to the standards I hold for myself that I’m disappointed that I was only involved in five large-scale productions this year… even if one of those productions I wrote, self-produced, and performed in four different cities over the course of two and a half months. A far cry from the ~12 productions I was a part of in 2012. I also nearly doubled my yearly income. These two things are perhaps not unrelated. 😛

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Regardless, I now know I can earn enough to support myself as I pursue what excites me. I just need to do more pursuing!

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This year was also the year I had a couple of hits with my blog, including one article, A First Fringe Tour – By The Numbers , which has had over 480 hits and was read and shared by people I deeply respect. It was even discussed in a university classroom! Exciting! So now, after a bit of a hiatus, I think I’m about ready to get back to blogging. But first, what the heck was I up to in 2013?

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My theatre life this past year:
Revue at the Revue as Jesus, Santa, and others, if you count the first hour or two of 2013. 🙂
– Nominated for ‘Outstanding Gypsy – Male’ at the 2013 Ovation Awards
– ‘The Boss’ in Fighting Chance’s ‘Side Show‘ (in concert)
– Mr. Zapatella and chorus in APPLAUSE! Musicals’ ‘Fiorello!‘ (also in concert.)
– Singing, creeping, having an all around marvelous time as Filch (and a prisoner, and a thief, and so forth) in Seven Tyrants’ production of Beggar’s Opera. (They’re remounting in March, at the Jericho Arts Centre! Go see it! My dear friend, Chris Lam, will be putting his own marvelous spin on the role as I will be busy with Floyd Collins during the run.)
– Wolf Mountain Writing Collective, staged reading of my short ten-minute piece, What I’d Be Without You, with the lovely Mika Laulainen.

Fiorello!

(Photo: Wikipedia)

The Hatter, The Hatter, so much The Hatter! Who knew you needed to write all your publicity for a June production, way back in February! Hiring a (wonderful) photographer for publicity photos, and putting together the script, and props, and travel plans to take me (economically) from Vancouver to London to Ottawa to Toronto to Saskatoon and back home, finding stage managers in each city, finding ways to get around once I am within each city, designing and printing posters and business cards, oh, and performing the show 34 or so times, plus previews and tech runs… Looking forward to getting back to it in Regina and Vancouver this year!
– Indulging my over-the-top-creepy joys as Panduin The Puppeteer in Judge Dee’s Haunted House at the Sun Yat Sen Classical Chinese Gardens, also with Seven Tyrants. A twenty-minute play that starts every ten minutes, this amounted to three hours of performing (without breaks) every night, eighteen performances each night, for a week. And we sold out! Pretty much every run! Far more successful than ANYONE was expecting. Lots of leaping on bannisters and singing in RIDICULOUS pitches. Loved it. And now, back to applications for The Hatter for next year’s Fringe festivals, for which I shall update you in a couple of weeks!
– Awkward Stage fundraiser, Baby It’s Cold Outside, of which I was a chorus member with a puppet for all of a minute, so I’m not sure that one really counts. If we include that, let’s also include singing a zombie-themed Christmas song for a room full of people holding ukeleles, which, by the by, is an awesome idea for a date.

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My day-jobs this past year:
(with a whole lot of acting in them, really!)
Science Facilitator – Science World!
The occasional centre-stage show as well. I am now trained for the Grossology, Bubbles, Balloons, and Hot Stuff shows. 🙂
Heritage Interpreter – Gulf of Georgia Cannery
Leading tours and teaching school programs.
Bartender – Gateway Theatre
Unexpected and enjoyable!
Standardized Patient – Medical student exams
Pretending to be ill!
Simulations ActorJustice Institute of BC
Pretending to be a criminal, witness, or a victim!
Convention worker – BBW International
No, not THAT ‘BBW’. Though I did get to dress up in full Scottish garb (kilt and sporran and all) for a week at a Urology Congress!
Walk Leader – Creatures of the Night – Stanley Park Ecology Society
At those times when you’re so busy you can’t possibly do anything else, and then a good, old friend phones you up and offers you a job. So much fun!
Voting Officer – Elections BC
One long day, but definitely an interesting experience.
Stage Director/Manager – Culture Club Diversity Talent Show – Richmond Multicultural Community Services
Amazingly comprehensive, in that I used skills I’ve learned from so many different places. Lighting design, working with youth, directing, stage management, producing… marvelous experience.
Background Actor – A big, highly talked about film.
I was an extra in a film for the first time in a year or so!
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Actor – The Hatter and others
I may not have made money on it this year, but producing my own darn show is certainly a job, as is much of the acting work above, gosh darnit. 🙂

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And now onto 2014, where I already have workshifts scheduled with three different employers, and have  the chance-of-a-lifetime to put all that silliness aside for a couple of months and focus on a travelling production of Floyd Collins.

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Hey, now I’m excited! Yay!

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And, as I have a microphone here on the desk with me, here’s a song about hoping for the future. Don’t read into the darker suicide-y bit to it. That part isn’t relevant.

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What are you looking forward to in 2014?

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Cheers,
Andrew Wade

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