Summer in a Fringe-full World

   
   

Hello!

   
The unfortunate part about keeping a blog is that the times when I have the most to write about are also the times when I am expending all my creative energy being rather busy elsewhere!

I don’t want to leave you all in the lurch, so here’s a quick recap of all the Fringe-ful activities I am up to this summer:

   
   

Alberni Valley Fringe Theatre Festival – June 21st-22nd
The Hatter

Alberni Valley Fringe Poster - The Hatter
Right, this one already happened! In which Andrew learned the difficulty of remounting/relearning an hour-long show in a week’s time, while also acting in five performances of another show (Gay’s The Word with APPLAUSE! Musicals) and while replacing a stolen bicycle. But it happened, it was lovely, and I was awarded the only two awards the festival gave out, the People’s Choice Award and Best Quote (for ‘God Shave The Queen’)!

   
   

Regina International Fringe Theatre Festival – July 7th-13th
(these festivals have surprisingly long names!)
The Hatter
Hatter Poster - Regina 2014 textconverted
A much spiffier poster! Well done, me!
The festival in which I am actually away for more than a weekend. Also the festival in which I don’t have a stage manager… so this’ll be interesting!

   
   

Saskatoon PotashCorp Fringe Theatre Festival – July 30th-Aug 10th
The Most Honest Man In The
World
(okay, so I am sometimes partial to a long name, myself)
Honestly squareThe festival I was actually profitable in last year! This year… an experiment! A new show! It may succeed, it may fail. My attempt at a personal storytelling show, described as ‘A life-long love story about the pursuit of honesty over all happiness’. Expect me to tape tissue paper to my head, walk around in tap shoes, and neurotically ponder old relationships and what it means to let go.

   
   

Victoria Fringe Theatre Festival – August 21st-31st
The Hatter
The Hatter, picture 1
The first of two home-comings.

   
   

Vancouver Fringe Festival  – September 4th-14th
The Hatter

Photo Credit Lachlan McAdam
Photo Credit Lachlan McAdam

A return! The show was first birthed in a highly improvised fashion in Vancouver, three years ago. Now I’m bringing it back. (Also, now people know who I am in Vancouver! The first time, I had been off the mainland, over in Victoria, for seven years, and had moved back to Richmond a mere three days before Vancouver Fringe began.)

   

BUT WAIT! I’M NOT DONE!


   
   

Vancouver Fringe Festival  – September 4th-14th
Clutter and Contamination: An Obsessive Compulsive Disaster

DSC_0590For the third time in my life, I am a director, tackling my fellow UVic Writing alumni friend Kayla Hart‘s one woman play, Clutter and Contamination. The play will be performed by the lovely Christine Robinson. It has been a pleasure to work with them on the show so far! Directing a show while out on the road will be an interesting experience!

   

 And from there… new adventures and challenges await. Bring’er. 🙂

   
   

Some men run to feel the wind in their hair and the blood in their veins, excited muscles and pounding heart. Others run to get somewhere, or to get away from somewhere. Some run because they don’t know what else to do. Some run to inspire. Some to improve themselves. Some to prove to themselves that they can. And some run because they’re afraid of what might happen if they stood still.

The Hatter is a 4.5/5 star show! Wow!

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I don’t really have a blog post to go along with this, other than to say that for all we artists aren’t supposed to listen to reviews, it is SO validating to see the work I’ve put into this show over the past couple of months take it from a three star show in London to 4.5/5 stars here in Saskatoon!

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Go take a read!

Actor Andrew Wade shows fantastic range, flipping a switch between wackiness and depression.

“Why can’t we let fantastic things be,” he asks in tears.

Perhaps because they weren’t meant to last, is the silent reply.

In short, you’d be mad to miss this play. – The StarPhoenix

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I would like to contrast this with the first review I ever received for a fringe show, back in 2011, when I performed William vs. The World at Victoria Fringe, and my only review said that “Even sympathetic narcissists should avoid this show.”  Why do I want to contrast it in this way? Because I love the feeling of progress, I suppose.

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The Hatter began as a cobbled together series of experiments in Vancouver, two years ago, and then went on to London Fringe, where for three of its first four performances, THERE WASN’T A SINGLE PAYING AUDIENCE MEMBER IN THE HOUSE. That’s right, three of my first four performances this summer went to tiny houses of strictly media/volunteers/other-performers, all of whom were watching it for free. And since then I have worked on the show, refined elements of it, added in a scene previously cut, and through Ottawa and Toronto, figured out just what its emotional core, its soul, really is. Financially, in both cities I didn’t quite break even, but the show was progressing. I could feel it. And my pitches on the street were also improving.

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Not going to lie, I am loving it here in Saskatoon right now. The street festival atmosphere is fantastic, people yell things at me left and right on the street (due to my costume), the locals are lovely, I’ve had many people ask to take photos with me, people are enjoying my show, and now a review that just blows me out of the water.

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Well played, Saskatoon. Well played. I shall certainly come here again. And I get to enjoy your company for four more performances and seven more days!

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Cheers,

Andrew Wade

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The Hatter vs. The Reviews!

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Okay, not so much The Hatter VERSUS The Reviews, given how positive they have been!

Let’s look at how The Hatter has fared with more write-ups from Ottawa and Toronto!

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The HatFirst, a late review from Meaghan Flaherty at New Ottawa Critics:

The script is well written and interesting, as Wade jumps from one creative medium to the next: songs, to poetry, to monologues, to audience participation. He manages to keep the audience guessing about what exactly it is that he’ll do next.

Wade also successfully plays many of the most beloved characters from Wonderland. He gives each one just enough of its designated personality so that the audience is able to recognize each one without the Hatter having to tell us.

She admittedly does mention the limited technical side of the show, but that’s what happens when you perform in a church gymnasium without a lighting rig!

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Post-show eyes.
Post-show eyes.

Next up, the lovely Charlebois Post’s Lisa McKeown had this to say:

The Hatter is a kind of sad clown – trying to befriend the audience but clearly suffering from some kind of internal conflict that he’s attempting to avoid.

The writing is clever and Andrew Wade’s performance is comedic but containing a depth that allows the audience to identify with him despite the clownish façade.

Definitely a good one to catch, especially if you’re feeling whimsical or are in the mood for a little audience participation.

Personally, I LOVE that she called me a sad clown! I’ve never gotten to be a clown before! I mean, sure, I have played physically over-the-top characters before, but to be called a clown fills me with an illogically grand amount of glee. Been spending too much time with actual trained-as-clowns performers like Aji from Geek Life and Ask Aggie’s Christine Lesiak, clearly. 🙂

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The Visitorium didn’t write up a full review, but he sent me this kind twitter comment:

@AndrewActs ‘ HATTER is a good time indeed…great storytelling, fantasy, and a lovely cuppa tea. #ottfringe

So that was kind of him.

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Hatter Poster - Saskatoon - for printerAnd finally, Mike Anderson at Mooney on Theatre wrote me an appropriately strange and wonderful review, written as a personal letter to me:

Did you notice how, any time you got to improvise, the audience would involuntarily lean forward in their seats? I know actors who would kill their own mothers to have an audience do that for them. It’s great!

We want to ride that wave with you, Andrew. We want to share in the joy you clearly take from working with a lively audience, from the unpredictability of live theatre, from the freedom you have when you aren’t dependent on light and sound cues to convey your message. When you get out there and act freely, the effect is phenomenal.

Seriously, possibly my favourite review I have ever received. I even took it as constructive criticism and used it to improve my run in Toronto! Heresy, I know! But that’ll have to wait for another blog post (possibly in a few days time!)

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Thank you everyone for all your support; this tour has been a wild and crazy ride thus far! Only Saskatoon remains! Bring on the 43 hour long greyhound trip.

Wait, HOW LONG DID I SAY THAT WAS? Really wishing I could have afforded that train-ride or plane ticket right about now.

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Cheers,
Andrew Wade

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