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My Theatrical 2011 in Pictures

January 19, 2012 1 comment

So, most end of year wrap-ups happen… at the end of the year. But with my Christmas Panto not ending until last Saturday and my next show (The Mystery of Edwin Drood) starting rehearsals last last Monday, on top of work and auditions… let’s just say that 2012 is hopefully proving to be just as busy. πŸ™‚

So! Onto the performances, in approximate order. (I don’t have a photo for all of them.)

Improviser, The Impromaniacs, Theatresports/Theatreshorts (Jonathan Argue for The Impromaniacs, and Dave Morris for Theatresports/Theatreshorts) (VEC) – With the advent of Sin City Improv, small audiences, and Jonathan Argue finally stepping away from the helm after perhaps twenty years, The Impromaniacs disappeared into the aether. But the revived Theatreshorts provided a good place for improvisers to get their feet wet and grow as performers. (still on every 4th Sunday of every month at the VEC!)

Photo by David Lowes

Malvolio, Twelfth Night (Phoenix Theatre)

Wow. What a role. What a cast. What a production. What pants. A perfect storm of awesome.

Workshop Leader, UVic Improv. – I received four separate requests from four different people, asking me to bring back UVic Improv (which hadn’t been around for over a year). How could I say no? Thank you to Amy Culliford and Blair Moro for keeping it alive this year.

Playwright, Mannequin Men (Phoenix Theatre directing project directed by Christine Johnson, and also directed by Sarah Crowell as part of the Acadia Theatre Company’s Minifest 2011 in Nova Scotia)

Playwright, What I’d Be Without You (Acadia Theatre Company, Minifest 2011). – I really, REALLY wish they had filmed this so I could have seen how it was performed. It’s a short piece I would love to see up on its feet some day. As you can see, the pictures they sent over look amazing.

Willy Beach, the poor boy, Sin City Improv, Season One (ten episodes of a weekly improvised soap opera) – Possibly the most fun I have ever had onstage. And I have A LOT of fun onstage. πŸ™‚

Pischin/Gaev, The Cherry Orchard (directing scene) (UVic – directed by Joelle Haney)

Improv Actor/Dancer, Die Jahreszeiten (The Seasons) (UVic Chorus and Orchestra) – possibly the strangest opportunity I’ve ever had. Improvise dance-ish stuff next to opera singers and an orchestra for the third quarter of a performance? Sure, why not! (Thanks to Hayley Feigs for sharing in the experience with me.)

Mark, When We Were Awesome: A Karaoke Musical (UVic Directing Auteur Project – directed by Jesse Cooper)

Presentation Day – Movement Pieces

Presentation Day – Acting/Vocal Masque

Rowan, How Socrates Bought The Farm (Dan Hogg / Jeremy Lutter / UVic)

Stephen Harper at 8 and 18 years old, Wrecking Ball 2 (VEC)

William, William vs The World (UFV Director’s Festival)

Improviser, Good Night Harold! (Intrepid Theatre Club) – arranged by the lovely Kirsten Van Ritzen for some Sin City alumni to play for a night. A reunion of sorts. πŸ™‚

Zacchaeus, (youth event), Adam, Elijah, Peter, Pandamania (Lambrick Park Church)

Monologuist, Monobrow IV (Intrepid Theatre Club)

Bilge Rat, Pirate Adventures (Victoria Harbour)

The King of France, The Archbishop of Canterbury, Soldier, Henry V (KeepItSimple Productions)

Vincent Scott (lawyer), Unsound Innocence (Hungarian TV of BC Foundation)

Stage Manager, Sonnets for an Old Century (Victoria Fringe – Langham Court Theatre)

Director, BFA: The Musical! (Victoria Fringe – Langham Court Theatre)

William, William vs The World (Victoria Fringe – CCPA)

Alvin, Please Print Clearly (short film by Liam Sherriff) (yes, that’s me living in a filing cabinet.)

Photo Credit Lachlan McAdam

The Mad Hatter, The Mad Hatter’s Tea Party (Vancouver Fringe – Studio 1398, Granville Island)

Erronius, A Funny Thing Happened on the Way to the Forum (Fighting Chance Productions, Jericho Arts Centre)

Green Gear, 4Villains.org

Wakey Faker, Ali Baba and the 40 Thieves (Metro Theatre)

 

And for fun, here’s a list of the day jobs I worked over the course of 2011 (in rough order):

  • Lab Supervisor – Studios for Integrated Media, University of Victoria
  • Peer Helping Student Coordinator -Counseling Services, University of Victoria
  • Student Caller – Student Marketing and Communications, University of Victoria
  • Compost and Recycling Supervisor – at a convention once.
  • SAT/LSAT Exam Proctor
  • Playwright – The Romantics, Vancouver Young Playwright’s Competition (1st place came with a financial prize)
  • Actor/Playwright – William vs The World, at the UFV Director’s Festival
  • Actor – Slixer Entertainment (murder mystery dinner and a corporate event – both thanks to the lovely Kirsten Van Ritzen)
  • Pirate (Actor/Improviser) – www.pirateadventures.ca
  • Director – BFA: The Musical! (hey, I earned money on it. I’ll count it. Thanks to the marvelous Meghan Bell.)
  • Background Performer/Extra – Big Time Movie
  • Improv Workshop Leader – for a birthday party.
  • Assistant – Ursa Technologies Ltd.
  • Science Facilitator – Telus World of Science

If you’re curious about any of these projects, don’t hesitate to ask!

See you all this year. πŸ™‚

Cheers,
Andrew Wade

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State of the Person Address – December 2011

December 13, 2011 2 comments

Well, then!

Life has a way of quickly coming to a head. After the madcap rush that was Vancouver Fringe, my life held to a quieter pace afterwards. Working extremely sporadically, the only large project on my plate for a while was A Funny Thing Happened On The Way To The Forum. And to be honest, in that timespan… I felt sluggish. Like I wasn’t pressing forward adequately, wasn’t being productive enough to meet my own standards. After that came to a close, I quickly stepped into rehearsals for The Metro’s Christmas Panto (Ali Baba and the Forty Thieves – with our preview on Thursday), but still, my plate was somewhat insubstantial.

Then in the past two weeks… how about a week of full-time training for my new part-time job at Science World, two bike flats, three auditions, two exciting job interviews (including one for voicework on a game), four Fringe Festival draws (none of which chose me, sadly), a ladyfriend event, a trip to Victoria, applications to other auditions, several job shifts after the end of training, and final Panto rehearsals.

Whew.

This has meant that other enterprises (such as signing up as an extra, finding a film/tv/commercials agent, learning how to drive) have fallen by the wayside for yet longer, at least temporarily, but I have also been pulled through a furious bout of productive and exciting living. So I’m relatively content.

If you know me, you know I prefer a busy, full, active life. πŸ™‚

Here are a few of the projects coming up for me:

Yes, I wear one. Yes, that makes me tickled pink happy.

  • Ali Baba and the Forty Thieves – A Christmas Pantomime! – I play Wakey Faker in this silly, funny, family-friendly funtimes pantomime, complete with Dame, singalongs, Oh-No-You-Don’ts, much musical choreography, and an audience encouraged to heckle the actors. Plus, with British parents, I needed to be in at least ONE Panto. Just had to happen. And I get to play a romantic lead! Sort of.

    • Venue: The Metro Theatre.
      The Metro’s Website.
    • Show Dates:
      Evening shows at 7.00 p.m. – Dec 16,17 ,22 ,23 ,26, 27 , 29 , 30 January 2,5,6,7
      Matinee shows at 2.00 p.m. – Dec 17, 18, 26, 27. January 1, 2, 7

Original poster.

  • The Mystery of Edwin Drood – My second foray as an actor with Fighting Chance Productions, and my first chance to work under director Ryan Mooney. Working in the ensemble, I’m sure I’ll grow my choreography skills with this Tony-Award-winning (Best Musical, Best Book of a Musical, Best Original Score, Best Direction of a Musical, Best Performance of a Leading Actor in a Musical – 1985) that comes complete with multiple endings determined by audience vote.

Geodesiceriffic!

  • Science World part-timery – An incredibly flexible part-time job encouraging curiosity in children and adults in a great working environment. True, it’s minimum wage, but there are far worse ways to earn rent to allow for more theatrical endeavors. So happy to be back. πŸ™‚

    • Venue: Telus World of Science.
      http://www.scienceworld.ca/
    • Show Dates:
      Whenever I’m scheduled!

      I made a graphic for the show! Like it?

  • The Romantics @ The You Show! – The month of May will be a busy one for my script, The Romantics, a winner of the 2011 Vancouver Young Playwrights Award. On May 12th, in Victoria as part of The You Show!, a full-length, two act version will be performed/workshopped, script-in-hand (so, a staged reading, with two or three rehearsals having taken place beforehand).

  • The Romantics @ IGNITE! Youth Festival 2012 – As part of the prize for winning the 2011 Vancouver Young Playwrights’ Award, I get to see the first act performed as a one act play at IGNITE!, full costume, with mentored young actors and director. But before that, I get to be mentored on script edits by Vancouver playwright Amiel Gladstone

  • Sin City Improv – While I’m not in Victoria anymore, I’m hoping to come back and guest-act for an episode or two, if I can, because the show is fantastic, the show is challenging, the show is hilarious, and the people are simply… family.

  • 4villains.org

    4Villains.org – I’ve been recast after they decided to move their Master Malevolent scene to a better location. But no worries! They are writing me a larger, recurring role that I should do some filming for relatively soon into the new year. The dedication this crew has for this project is nothing short of inspiring. Marvelous people. The website is up now! First episode airing later this month! Check’em out!

  • Clown Doctoring? –Β  Next month I have an interview to potentially become a clown doctor? Another part-time job, and it’s unlikely I’ll get it (strong competition for limited spots), but too amazing an opportunity not to want to share with you. πŸ™‚
  • Auditions ahoy! – Aaaaand hopefully one of my recent auditions will pan out and become a paying acting opportunity – my first since graduating, outside of Fringe. Thus far, the shows I’ve been doing have been out of the kindness of my hear, for training, and just because while paid opportunities take priority, I would rather act and not be paid than not act at all. πŸ™‚

    • Venue: Vancouver? Victoria? Vancouver Island? Alberta? Toronto? Anywhere!
    • Show Dates:
      Hopefully soon!

My summer is looking rather nebulous, with a string of Fringe Festival rejections (Okay, I just wasn’t picked out of their hats, but they still sting like rejections, a bit). Thus far, I’ve only been accepted into London, Ontario’s and Regina’s Fringe Festivals. Not enough for a tour. Winnipeg chooses next.Β  Hopefully, one of those paying acting opportunities panning out will make this decision for me, but if not… I need to realistically look at whether or not I would be able to break even on this Fringey endeavor, this year.
I hope to see you at the Panto! Be loud! Be grand! Stay awesome.

Cheers,
Andrew Wade

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The Mad Hatter’s Tea Party! – Postmortem

October 13, 2011 2 comments

The Recap

Reading poetry from a journal of Adlerian Psychology at SAY WHA?! - right before getting upstaged by a skunk.

It has been close to a month since I served my last cup of tea as The Mad Hatter. Feels like yesterday. When it comes to continuing creative work, I follow John August’s advice, that a piece isn’t finished until you cease to be excited by it. I’m still excited by the Hatter.

The soul of the play is in his fight with forgiveness, with guilt; a battle I hadn’t found until the day of the first performance (and thus improvised into the script, from thereon in). I want to take this script and imbue it with more heartfelt pain, fear, grasping, gaining, hope. Take a page or two from Little Orange Man, performed by my friend Ingrid Hansen, which combined audience interaction, humour, character, and story in a poetic and beautiful way. For all the silly set-pieces like the epic fight with the (audience-filled) Jabberwocky, most people told me at the end of the day that their favourite moment was that frantic final five minutes where I worked in the Hatter’s emotional collapse (occasionally at frenetic speed to fit within my time limit). The soul of the show should pervade the whole script throughout. So, that’s my next step.

Only one review emerged, but a positive one: http://www.plankmagazine.com/review/mad-hatters-tea-party-tumble-fun

“Playwright and actor Andrew Wade manages to assemble components of the original story into a cohesive tale of the Mad Hatter, whose personal demons drive him to take refuge in the rabbit hole… I really enjoyed the enthusiasm and joy that he brought to his performance.”

Okay, not me.

I have applied for the CAFF lottery, which, if I win it (about a 10% chance), would automatically place me in eight different fringe festivals across Canada for next summer, with the next iteration of this show. If that falls through, I’ll apply to each one individually. This character still has so much farther to fly. πŸ™‚

A few things I learned at the Vancouver International Fringe Festival:

Me in 24h.

– Volunteers LOVED the show, but audiences were small, otherwise. I need to up my advertising/flyering, especially in the first few days of the festival.
– Take a day to go over the blurb before submitting it! At the last minute, I panicked about thinking about how I was going to wash all those teacups, and included ‘please, bring your own cup’ in the blurb. Then I just bought a bunch of disposable styrofoam cups from Zellers when I came to my senses. Who knows how many people decided not to see the show because of that little tag.
– While I’d much rather have a Dormouse help serve tea, when I take the show on the road, it won’t be a backbreaker to need to serve the tea myself as the audience comes in.
– I now have near total confidence that if I really want to create something, I will be able to find the resources to bring it all together in time. Feels like God giving me a leg-up, sometimes.
– It’s okay to get upstaged by a skunk when performing outside.
– For Jacqueline Irvine to tell me right at the right time that she wanted to get involved in theatre stuff again… for her to be willing to commit her time to sewing together the gigantic hat timeline backdrop, for all her last minute work (we finished that hat in the half-hour before the first performance), I am SO GRATEFUL for her help. Why try fight through it all alone with so many wonderful friends and collaborators around?

So much fun.

– I’m a decent judge of who in audiences is willing to play along and take a part in the show.
– Theatre tech people are just generally awesome, awesome, awesome.
– It IS possible to make friends with fellow theatre practitioners, even if you only see them after hours every day for a week or so. Especially if you see each other’s performances. You learn so much about a person from seeing them perform a piece they wrote themselves. So very revealing.
– Warming up a crowd, improv style, is a lot of fun.
– While I certainly can improvise my way through a play with a bare-bones script, finding the right physicality and voices for each character within that piece take a lot longer to figure out. Wasn’t happy with my Cheshire Cat or Flowers. Something to work on.
– Vocal warm-ups are NECESSARY when doing a 50 minute long show by yourself with three songs and much shouting and screaming. And some hidden water (or tea!) is not a bad idea as a safety net for if the voice goes.
– People want to help. I had a hot water urn donated by a church, tea from friends, Jacqueline’s amazing contributions… fantastic.
– Fight music and dramatic flashing red lighting make ANYTHING awesome.
– Every audience is different. I already knew this, but it’s even more evident when said audience is pretending to be a giant monster attacking you in an epic battle scene.
– Plug your fellow actors and their shows (especially if you liked them)!
– Let the audience see the real you at the end of the show. Build a relationship that way. Thank them as they leave. Every little moment to make them want to see you again, or make them connect with you and want you to do well.
– I can do this.

Cheers,
Andrew Wade

State of the Person Address – August 2011

August 2, 2011 Leave a comment

Life keeps rolling forward!

With a future move to Vancouver on the horizon (without a job or a place to stay yet in place), my needing to leave the house I’m currently living in right in the middle of Victoria Fringe, my pushing to spend valuable time with people in Victoria before my soft exit, and all my many theatrical ventures, life is full and busy and excellent.

Here’s what I have on my plate:

BFA: The Musical!

    • BFA: The Musical! – I am directing this show as part of the Victoria Fringe Theatre Festival. It is a fun, silly musical surrounding graduates with shiny new Bachelor of Fine Arts degrees coming to terms with the fact that having a degree does not make you immediately a ‘local celebrity’. The show comes complete with a brilliant seven person cast, a fine tech crew, original and local music, dancing, large props, and much silliness. It is a blast to work on.

William vs. The World

William vs. The World – A few new venues opened up, which has let me sneak in my one man show into The Victoria Fringe Theatre Festival!

  • William vs. The World is a hilarious, geeky adventure surrounding that narcissistic guy at the hobbies store who knows the world revolves around him. With Chuck, his trusty cactus, at his side, William is happy… until – to his horror – a woman falls for him, the All-Spark fails him, his life falls apart, and William loses himself in Bat Country. Through it all, he may become a better person. Maybe.
  • Previously work-shopped through UVic‘s Festival for Innovative and New Drama (FIND) and performed at this year’s UFV Director’s Festival, William vs. The World layers references to He-Man, Transformers, Spider-man, Serenity, The Ghost-busters, and pop culture with a frantic, manic character study of a man desperately clinging on to a life that may not be as grand as he suggests it is.
  • Venue:Venue 12 – Canadian College of Performing Arts (CCPA) – 1701 Elgin Road, Victoria, BC
  • Show times:
    Thu, Aug 25 – 8:30pm
    Fri, Aug 26 – 7:45pm
    Sat, Aug 27 – 6:00pm
    Thu, Sept 1 – 5:30pm
    Sat, Sept 3 – Noon
    Sun, Sept 4 – 5:30pm
  • Event page: http://www.facebook.com/event.php?eid=249348868426429

Sonnets for an Old Century

Sonnets for an Old Century – Completing my triumvirate of Victoria Fringe Theatre Festival shows, as of a few days ago, I am Stage Managing this show, written by JosΓ© Rivera, a two-time Obie Award-winning playwright and Academy Award-nominated screenplay writer. Which is pretty darn sweet.

  • I am delighted to get to work again with so many great people in Victoria’s acting community, from Holly Jonson, to Mily Mumford, to Shaan Rahman, to Bill Nance, to Alan Penty (who also features in BFA: The Musical!).
  • Venue:Venue 8 – Langham Court Theatre – 805 Langham Crt, Victoria, BC
  • Show times:
    Fri., Aug 26, 5:45
    Sat., Aug 27, 7:45
    Sun., Aug 28, 9:45
    Wed., Aug 31, 9:00
    Fri., Sept 2, 5:30
    Sun., Sept 4, 12:45 pm
  • Event Page: http://www.facebook.com/event.php?eid=139905722760543

Photo by Sarah Koury

The Mad Hatter’s Tea Party – Come drink tea with the Mad Hatter!

  • Share his journey into Wonderland – and his descent into madness – in an overly, underly, and aroundly eager show full of storytelling, songs, audience participation, improv, silliness, gravitas, and grins. Whether it’s your unbirthday or your actual one, this is one show it would be mad to miss!
    Tea is provided, but if you can, please bring your own cup.
  • Venue: Studio 1398 on Granville Island!
  • Show times:
    Fri Sep 09 = 22:15 to 23:05
    Sat Sep 10 = 16:30 to 17:20
    Sun Sep 11 = 13:00 to 13:50
    Mon Sep 12 = 18:45 to 19:35
    Thu Sep 15 = 20:30 to 21:20
    Sat Sep 17 = 20:00 to 20:50
  • Good Night Harold! – A night of long-form improv from some of the cast of Sin City Improv!
  • Theatreshorts – Possibly my last Victoria Theatreshorts!
  • 4Villains.orgActing in roles for the 4Villains webseries/organization. Thus far, I have played Master Malevolent and The Green Gear for them.

    • Venue: www.4villains.org
    • Show Dates: The first episode should go up by the end of the year.
  • PirateAdventures.ca – Acting and improvising as a pirate, leading children and adults on a pirate adventure based out of Fisherman’s Wharf. Currently only for one or two days per week.
    • Venue: Fisherman’s Wharf
    • Show Dates: Intermittent shifts until I leave town in early September.
  • Unsound Innocence – Acting as a lawyer in a shortish film by HTVBC– excellent and crazy Hungarians who run a non-profit film company in their spare time. We wrap shooting on Saturday, hopefully.
    • Venue: Film Festivals
    • Show Dates: Unknown!
  • Steinway Grand – Also with HTVBC, this one will be a huge and exciting acting challenge for me – acting in a two-hander film.
    • Venue: Film Festivals
    • Show Dates: Should start filming whenever I can jump back to Victoria in Sept/October, I assume!
  • Vancouver Young Playwrights Competiton / IGNITE! 2012, for The Romantics – I won 1st prize with my play, The Romantics. The prize comes with mentorship by a Vancouver playwright from November through March, and a performance in the festival come May.

    • Venue: Probably The Cultch.
    • Show Dates: Performs in May of 2012.
  • Auditions, auditions, auditions! – Auditioning throughout Vancouver and Victoria. Many ferry rides, trying to secure something, acting-wise, for beyond September. No luck thus far. Which is to be expected. I need to work more on my auditioning prowess.

    • Venue: Mostly Vancouver.
    • Show Dates: Never ends. NEVER, EVER, EVER.

The future beyond September is a blank slate, but the next month and a half will be a wild, exciting adventure! Writing, acting, directing, and stage managing for Victoria Fringe (spread over three shows)! Performing a DIFFERENT show for Vancouver Fringe (why, Andrew, why?)! Looking for work and a place to live in Vancouver!

Life is joyous, hectic fun.

Cheers,
Andrew Wade

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Predicting Future Careers

Arabic Question mark

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Predicting Future Careers

It is said that people of my generation will have more careers than ever before – the world moves too quickly, too insecurely, too excitingly, for many of us latch on to one profession and hold it for 40 years before retiring. That in mind, I thought it might be a good thought exercise to try some long term planning/predicting on my own career threads as they weave through my life.

Essentially, I have just highlighted certain areas that excite me, and am extrapolating somewhat from there to guess at when each thread might assume some degree of prominence.

Note: The year I designate as the year the career starts suggests that it becomes more of a focus in that year – not that the new career eliminates prior careers (I take them as cumulative). For example, I plan on acting all my life – the subsequent careers don’t exclude doing so.

This is far from an exhaustive list.

PAST:

1986 – Born in Lansing, Michigan, USA
1987 (eight months old?) – Moved to Richmond, BC, Canada
1990 (age 4) – FIRST CAREER – STUDENT – entered kindergarten.
1993 (age 8) – First acting role as the title character in The Littlest Christmas Tree.
1996 (age 10) – Entered Late French Immersion.
1998 (age 12) – Entered Hugh McRoberts Secondary School. Performed in over a dozen theatrical productions while in high school.
2004 (age 17) – Directed Opening Night.
2004 (age 17) – Awarded the Outstanding Theatre Performance Award from Hugh McRoberts Secondary.
2004 (age 17) – My first venture as a playwright – Teenspeak performed Pinecone Wars, an exaggerated, autobiographical story from my elementary school days. Brilliant to experience.
2004 (age 17) – Entered the University of Victoria, in the Writing program.
2006 (age 19) – Missed acting too much. Joined the theatre department as well.
2006 (age 19) – Auditioned for the acting stream. Did not get in.
2007 (age 19) – Assistant stage managed (props) for Wind In The Willows. 31 actors and almost 400 props in the show.
2007 (age 20) – Auditioned for the acting stream. Got in.
2007 (age 20) – SECOND CAREER – SCIENCE FACILITATOR – Second summer co-op work term, as a Science Facilitator at the Telus World of Science. Included designing a puppet show book.

Question mark in Armenian

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2008 (age 21) – THIRD CAREER – WRITER – Won second place and honourable mention in the Vancouver Young Playwrights Competition – Hullaboo and High School Noir were performed the next summer at IGNITE! 2009. Had script chosen for the CineVic Film Slam – β€œThe Just The Facts Ma’am Show”; the subsequent (really well done) video can be seen here: http://www.youtube.com/watch?v=CN0ZEJmpIJM .
2008 (age 21) – Acclaimed to UVic Senate as the Fine Arts Student Senator.
2008 (age 21) – Third summer co-op work term, as an Outreach / Tour Assistant at TRIUMF, Canada’s National Laboratory for Particle and Nuclear Physics. Included designing tour signs.
2008 (age 21) – Awarded the Keith Provost Memorial Scholarship in Theatre for possessing Keith’s special qualities such as dedication, a love for acting and playwriting, a humble gratefulness for opportunities, a positive and upbeat nature, a freeβˆ’spirited and somewhat rebellious side, and an unselfish and modest attitude.
2008 (age 22) – Joined the Impromaniacs.
2009 (age 22) – Elected to UVic Senate as the Fine Arts Student Senator (had to defeat someone else in the election this time).
2009 (age 22) – Fourth summer co-op work term, as an Astronomy Interpreter at the Centre of the Universe / Herzberg Institute for Astrophysics (HIA-NRC). Included making posters.
2010 (age 23) – Acclaimed to UVic Senate as Fine Arts Student Senator.
2010 (age 23) – Fifth summer co-op work term, again as an Astronomy Interpreter at the Centre of the Universe / Herzberg Institute for Astrophysics (HIA-NRC). Included making posters for guest speaker events.
2010 (age 23) – Won the Martlet Short Fiction Competition for A Journey of Barren Landscapes.
2010 (age 23) – Won the Keith and Shirley Wagner Prize for Writing – Most outstanding achievement in the field of dramatic writing, stage play, radio play, or script.
2011 (age 24) – Won 1
st Prize in the Vancouver Young Playwright’s Competition for The Romantics, to be workshopped, then performed in May 2012.
2011 (age 24) – Performed with Sin City Improv. Huge highlight.
2011 (age 24) – Won UVic’s Humanities, Fine Arts, and Professional Writing Co-op Student of the Year award.
2011 (age 24) – Graduation from the University of Victoria with a BA in Writing.
2011 (age 24) – Graduation from the University of Victoria with a BFA in Acting.
2011 (age 24) – Performed self-written William vs. The World (then William Fights The World) at the UFV Director’s Festival in Chilliwack. First time ever performing a longer piece of my own writing.
2011 (age 24) – Act in the film Unsound Innocence with Hungarian Television – my second project with them.

 

The Question Is What Is the Question?

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POSSIBLE FUTURE:

2011 (age 24) – FOURTH CAREER – ACTOR
2011 (age 24) – Audition for Bard on the Beach.
2011 (age 24) – Directing BFA: The Musical! for the Victoria Fringe Theatre Festival.
2011 (age 24) – Performing self-written William vs. The World at the Victoria Fringe Theatre Festival.
2011 (age 24) – Learn how to drive.
2011 (age 24) – Move to Vancouver area.
2011 (age 24) – Performing self-written The Mad Hatter’s Tea Party at the Vancouver International Fringe Festival.
2011 (age 24) – Return to the Telus World of Science? (Hopefully? I need to contact them this week about seeing if that’s a possibility).
2011 (age 24) – Otherwise, work to pay my rent partly through extra / background performer work.
2011 (age 25) – I make my plays easily accessible online for cheaply licensing performances.
2011 (age 25) – Act in film Steinway Grand with Hungarian Television, in Victoria.
2011 (age 25) – Physically strengthen myself, so I can better remind people somewhat of a young Marlon Brando. πŸ™‚
2012 (age 25) – Find a film and TV agent.
2012 (age 25) – Audition for Stratford.
2012 (age 25) – Take singing lessons.
2012 (age 25) – Perform at additional Fringe Festivals. Perhaps for several years.
2012 (age 25) – The Romantics is performed as part of IGNITE! 2012.
2012 (age 25) – National Voice Intensive in Vancouver
2012 (age 25) – Perform with Bard on the Beach (Hey, I can dream! And I have performed in six productions of Shakepeare’s plays in the past three years).
2013 (age 26) – Either joins a long-form improv group, or creates one.
2013 (age 26) – Get a short story printed in a well-respected literary journal.
2014 (age 27) – Go down to the States for the TV pilot season.

Opening (inverted) and closing question marks ...

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2014 (age 27) – FIFTH CAREER – STAGE MANAGEMENT – I would love to do more of this. So long as I can act and write elsewhere as well. πŸ™‚
2015 (age 28) – become financially self-sustaining off theatre, film, TV,internet, and writing work.
2017 (age 30) – either get my masters (in acting? Playwriting? Directing?), or enter a conservatory?
2018 (age 31) – First published novel.
2025 (age 38) – If unmarried, may choose to adopt.
2029 (age 42) – SIXTH CAREER – DIRECTOR
2035 (age 48) – SEVENTH CAREER – POLITICIAN – Run for some form of elected office.
2048 (age 61) – EIGHTH CAREER – VISUAL ARTIST
2052 (age 65) – I defeat cancer in hand-to-hand combat.
2063 (age 76) – Canada secedes from Quebec. I have little to do with this.
2084 (age 97) – Final stage appearance.
2085 (age 98) – Witty and wise, die a serene death.

 

Any thoughts? Do you think this is a valuable exercise?

Question mark

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State of the Person Address – May 2011

June 3, 2011 3 comments

Ah, post graduation life.

For the past seven years (aside from the first summer), I have leaped straight from classes (Septembers through Aprils) to full-time jobs (Aprils through Septembers), with very little in the way of breaks. This time, however… well… there’s no co-op job to hold my summertime, and no school year hiding along the horizon. For the first time in 20 years (including kindergarten), I don’t have school coming up in a few months, and I haven’t even been working a full-time job.

So this month has been the closest I’ve had to a vacation in a long, long time. So of course I have done my darndest to fill it to the brim. Thought I’d write out a few of the projects I’m currently engaged with:

BFA Logo Mk1

    • BFA: The Musical! – Directing the show, complete with a brilliant seven person cast, music, dancing, large props, and much silliness, for the Victoria Fringe Festival.
      • Pays: Profit Share. So, perhaps 20$.
      • Timing: From now until the run, August 25th to September 3rd.
  • The Mad Hatter’s Tea Party – Writing, producing, and performing for the Vancouver International Fringe Festival. Just found out my show will be performing in Studio 1398 on Granville Island!
    • Pays: Hopefully I’ll make my money back, with a bit of spare change? Also, to positively expose myself to the Vancouver theatre community would be invaluable. I plan on offering a lot of comp tickets to do this.
    • Timing: Fri Sep 09 = 22:15 to 23:05. Sat Sep 10 = 16:30 to 17:20. Sun Sep 11 = 13:00 to 13:50. Mon Sep 12 = 18:45 to 19:35. Thu Sep 15 = 20:30 to 21:20. Sat Sep 17 = 20:00 to 20:50.

    Photo by Sarah Koury

  • Sin City Improv – a weekly, live, improvised soap opera every Tuesday night at the Victoria Event Centre (with only 3 episodes left in the season!)
    • Pays: with Booze and Pizza
    • Timing: Season finale on June 21st!
  • Theatreshorts – One Sunday night each month, performing Improv, and (as a gift from Dave Morris) directing an improvised scene in the second half.
    • Pays: with a drink and much laughter.
    • Timing: Every 4th Sunday of every month, until I leave town or until the show folds.
  • Henry V – Acting as the Duke of Canterbury and the King of France, in a KeepItSimple production.
    • Pays: with a challenge
    • Timing: Performances: July 21st, 22nd, and 24th, in the Phillip T. Young recital hall at UVic.
  • 4Villains.orgActing secret roles for the 4Villains webseries/organization.

    • Β Pays: Dude, I get to be a supervillain. Oh, and I had a burger at a BBQ.
    • Timing: I honestly hope to be coming back to work with these fine people for years to come.
  • PirateAdventures.ca – Being a pirate, leading children and adults on a pirate adventure based out of Fisherman’s Wharf. Currently only for one or two days per week.

    • Pays: ~12.00$ per hour, plus tips. Also pays in sunburns wherever I neglect to apply sunscreen. Though the sun-bleached hair highlights are cool.
    • Timing: Ends in early September.

      Sin City Improv

  • Victoria Walking Tours – leading tours around downtown Victoria.
    • Pays: Around 12.00$ per hour. Pay may depend on whether or not it’s a successful venture. Minimal hours per week.
    • Timing: Hasn’t started yet, should end in early September.
  • How Socrates Bought The Farm – Student film, I’m acting in it.
    • Pays: wih gratitude and a clip for my film reel. And experience.
    • Timing: Filming should begin, and wrap, over this upcoming week.
  • Unsound Innocence – Acting as a lawyer in a shortish film by HTVBC– excellent and crazy Hungarians who run a non-profit film company in their spare time.
    • Pays: They feed me, and there is a potential for royalties if it wins cash awards. Clips for my film reel.
    • Timing: Filming should wrap in July.

Henry V

Vancouver Young Playwrights Competiton / IGNITE! 2012, for The Romantics – I won 1st prize with my play, The Romantics. The prize comes with mentorship by a Vancouver playwright from November through March, and a performance in the festival come May.

    • Pays: a 600$ prize plus the above mentioned mentorship.
    • Timing: Performs in May of 2012.
  • Auditions, auditions, auditions! – Auditioning throughout Vancouver and Victoria. Many ferry rides, trying to secure something, acting-wise, for beyond September. No luck thus far. Which is to be expected. I need to work more on my auditioning prowess.
    • Pays: Pretty, pretty please?
    • Timing: Never ends. NEVER, EVER, EVER.

As you can see, outside of IGNITE!, my schedule beyond September (with the Vancouver International Fringe Festival) is still an inky void, and I’m not earning quite as much as I’m spending right now, but I have had a string of opportunities I’ve reached for, say yes to me in turn, so I am currently a happy, busy artist. Until September, at least, and more specifically, until my birthday, September 18th, the day the Vancouver International Fringe Festival ends. I’m content with being a working actor, writer, improviser, and performer as much as possible for now, with the hopes that the ‘paid actor’ part will come along in time. We’ll see.

Cheers,
Andrew Wade

Beating The Actor’s Nightmare

April 18, 2011 Leave a comment

Sin City Improv

I currently perform in a weekly improvised soap opera: Sin City Improv. The show itself is a delight to be a part of, filled with the best improvisers in town; I feel I’m absorbing so much from working with them. I’m also seeing a side benefit in my dreamworld.

Almost every actor is familiar with The Actor’s Nightmare. It’s that dream of being backstage when someone comes up to you and says you’re late for your cue and need to get onstage, NOW! And you step onstage and the audience looks expectantly at you, judging your every move, and the lights beam bright and hot and sweat pours down and the bottom of your stomach sinks away suddenly as you realize you have no idea what your line is… no idea what to do onstage…

And that’s normally when the actor wakes up in a cold sweat with a deep-seated ache of irresponsibility, insecurity, and guilt filling their throat, their gut, their head.

Well, for the past few weeks, in the midst of a huge transition period for me as I finally exit my life as a professional student and try to become a professional, I have been having different variations on this dream. But they’ve taken a different turn.

I’ve been performing improv, on and off, for the past two years. Perhaps two dozen performances in total in that timespan. And it has been rubbing off, I suppose, because when I have the dream, I’m thrust on that stage, and my mind goes blank, and I… well… I make stuff up. I roll with it. I take control of the stage and say the first thing off the top of my head, and make it work.

Then, feeling pretty chuffed (1st definition) with myself, I step offstage, and find somewhat annoyed co-actors who accuse me of speaking far more than I should have, and of going off on a bit of a ramble, which, in each case, I did.

Inception World Premiere: Sir Michael Caine is...

Image by Craig Grobler via Flickr

What do I take from this? Well, it shows that my internal level of confidence is building; if the actor’s nightmare occurs, I know I can handle the situation. That said, I don’t seem to have enough confidence quite yet to believe I can handle the situation very well. But still… improvement!

Even in those nightmarish moments when all the lines fade away, I take stock in the fact thatΒ I still have a toolbox of skills at my disposal. And above and beyond that, I still feel comfortable. Beyond comfortable, even. When I am standing on a stage in front of a crowd, with their expectant energies directed toward me, well, that’s when I feel more at home than anywhere else. More free to express myself. More free to go big and be home.

Even on those days when everything else around the craft feels like work, the moment I step onto that stage and create, I know I’m meant to be an actor. Which is why I love improv so much. I’m not the funniest man in the room, but I will gleefully seize onto the opportunity, every time, to just get up and be a character.

The air is so crisp and clear, crackling with electricity, up on that stage. What a beautiful vista.

Cheers,
Andrew Wade

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