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My Theatrical 2011 in Pictures

January 19, 2012 1 comment

So, most end of year wrap-ups happen… at the end of the year. But with my Christmas Panto not ending until last Saturday and my next show (The Mystery of Edwin Drood) starting rehearsals last last Monday, on top of work and auditions… let’s just say that 2012 is hopefully proving to be just as busy. πŸ™‚

So! Onto the performances, in approximate order. (I don’t have a photo for all of them.)

Improviser, The Impromaniacs, Theatresports/Theatreshorts (Jonathan Argue for The Impromaniacs, and Dave Morris for Theatresports/Theatreshorts) (VEC) – With the advent of Sin City Improv, small audiences, and Jonathan Argue finally stepping away from the helm after perhaps twenty years, The Impromaniacs disappeared into the aether. But the revived Theatreshorts provided a good place for improvisers to get their feet wet and grow as performers. (still on every 4th Sunday of every month at the VEC!)

Photo by David Lowes

Malvolio, Twelfth Night (Phoenix Theatre)

Wow. What a role. What a cast. What a production. What pants. A perfect storm of awesome.

Workshop Leader, UVic Improv. – I received four separate requests from four different people, asking me to bring back UVic Improv (which hadn’t been around for over a year). How could I say no? Thank you to Amy Culliford and Blair Moro for keeping it alive this year.

Playwright, Mannequin Men (Phoenix Theatre directing project directed by Christine Johnson, and also directed by Sarah Crowell as part of the Acadia Theatre Company’s Minifest 2011 in Nova Scotia)

Playwright, What I’d Be Without You (Acadia Theatre Company, Minifest 2011). – I really, REALLY wish they had filmed this so I could have seen how it was performed. It’s a short piece I would love to see up on its feet some day. As you can see, the pictures they sent over look amazing.

Willy Beach, the poor boy, Sin City Improv, Season One (ten episodes of a weekly improvised soap opera) – Possibly the most fun I have ever had onstage. And I have A LOT of fun onstage. πŸ™‚

Pischin/Gaev, The Cherry Orchard (directing scene) (UVic – directed by Joelle Haney)

Improv Actor/Dancer, Die Jahreszeiten (The Seasons) (UVic Chorus and Orchestra) – possibly the strangest opportunity I’ve ever had. Improvise dance-ish stuff next to opera singers and an orchestra for the third quarter of a performance? Sure, why not! (Thanks to Hayley Feigs for sharing in the experience with me.)

Mark, When We Were Awesome: A Karaoke Musical (UVic Directing Auteur Project – directed by Jesse Cooper)

Presentation Day – Movement Pieces

Presentation Day – Acting/Vocal Masque

Rowan, How Socrates Bought The Farm (Dan Hogg / Jeremy Lutter / UVic)

Stephen Harper at 8 and 18 years old, Wrecking Ball 2 (VEC)

William, William vs The World (UFV Director’s Festival)

Improviser, Good Night Harold! (Intrepid Theatre Club) – arranged by the lovely Kirsten Van Ritzen for some Sin City alumni to play for a night. A reunion of sorts. πŸ™‚

Zacchaeus, (youth event), Adam, Elijah, Peter, Pandamania (Lambrick Park Church)

Monologuist, Monobrow IV (Intrepid Theatre Club)

Bilge Rat, Pirate Adventures (Victoria Harbour)

The King of France, The Archbishop of Canterbury, Soldier, Henry V (KeepItSimple Productions)

Vincent Scott (lawyer), Unsound Innocence (Hungarian TV of BC Foundation)

Stage Manager, Sonnets for an Old Century (Victoria Fringe – Langham Court Theatre)

Director, BFA: The Musical! (Victoria Fringe – Langham Court Theatre)

William, William vs The World (Victoria Fringe – CCPA)

Alvin, Please Print Clearly (short film by Liam Sherriff) (yes, that’s me living in a filing cabinet.)

Photo Credit Lachlan McAdam

The Mad Hatter, The Mad Hatter’s Tea Party (Vancouver Fringe – Studio 1398, Granville Island)

Erronius, A Funny Thing Happened on the Way to the Forum (Fighting Chance Productions, Jericho Arts Centre)

Green Gear, 4Villains.org

Wakey Faker, Ali Baba and the 40 Thieves (Metro Theatre)

 

And for fun, here’s a list of the day jobs I worked over the course of 2011 (in rough order):

  • Lab Supervisor – Studios for Integrated Media, University of Victoria
  • Peer Helping Student Coordinator -Counseling Services, University of Victoria
  • Student Caller – Student Marketing and Communications, University of Victoria
  • Compost and Recycling Supervisor – at a convention once.
  • SAT/LSAT Exam Proctor
  • Playwright – The Romantics, Vancouver Young Playwright’s Competition (1st place came with a financial prize)
  • Actor/Playwright – William vs The World, at the UFV Director’s Festival
  • Actor – Slixer Entertainment (murder mystery dinner and a corporate event – both thanks to the lovely Kirsten Van Ritzen)
  • Pirate (Actor/Improviser) – www.pirateadventures.ca
  • Director – BFA: The Musical! (hey, I earned money on it. I’ll count it. Thanks to the marvelous Meghan Bell.)
  • Background Performer/Extra – Big Time Movie
  • Improv Workshop Leader – for a birthday party.
  • Assistant – Ursa Technologies Ltd.
  • Science Facilitator – Telus World of Science

If you’re curious about any of these projects, don’t hesitate to ask!

See you all this year. πŸ™‚

Cheers,
Andrew Wade

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Victoria Fringeamania!

August 27, 2011 Leave a comment

It’s 1am on a Friday night. Well, okay, 1am on a Saturday, I suppose. In the past five days, I have had four rehearsals, three tech rehearsals, one short film rehearsal, and four performances. Up tomorrow to film a short film, perform my one-man-show, stage manage another, and then watch the show I directed.

Phew. How awesome is this!

https://www.facebook.com/event.php?eid=249348868426429

β€œAndrew Wade is not just a terrific actor, he’s written one heckuva’ script.” – Ian Ferguson
β€œAn incredible and honestly portrayed one man riot!” – James McDougall
β€œVery talented young man who will have your inner nerd out and showing.” – TheAnne, an audience member
β€œHis rash emotions buckle you in and loop you around on an intense roller coaster ride.” – Garth, an audience member
β€œIf you are looking to fall in love with an actor, here is the place. But maybe that is just me being girly… the writing will have you on the edge of your seat to laughing your arse off.” – Wilbur, an audience member

William vs The World lives again! Formerly workshopped at UVic with Jeff Leard and Jane Sanden, I performed it at the UFV Director’s Festival in May, and it has been good to put it back on its feet. Small crowds, but the people who have come have quite enjoyed it – lots of laughs! Even some ‘awwwww’s! Well, one reviewer didn’t care for it, but hey, it’s the first time I’ve ever performed in Fringe! Doesn’t faze me! The theatre cannot hurt me, because the theatre’s in my heeeeeeeeart! (sorry, that’s a lyric from the next show…

https://www.facebook.com/event.php?eid=221027037942418

I am SO impressed with everyone I’ve had the great fortune to collaborate with through directing this show, from Meghan’s fun script to Natalie’s fantastic prop-making skills to Jess’s inspired choreography to the cast’s amazing performances to the audiences’Β  loud reactions, I am just peached all around. Hee!

Sonnets for an Old Century

Β https://www.facebook.com/event.php?eid=139905722760543

Β And finally, the show I am stage managing! Thank you again to Holly Jonson for allowing me the opportunity to step back into stage management shoes. I officially called my first show earlier today! (well, technically yesterday. As we’ve discussed.)

Thank you to everyone who has come out to support these shows, and for everyone else, I hope to see you later this week! Huzzah!

Cheers,
Andrew Wade

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State of the Person Address – August 2011

August 2, 2011 Leave a comment

Life keeps rolling forward!

With a future move to Vancouver on the horizon (without a job or a place to stay yet in place), my needing to leave the house I’m currently living in right in the middle of Victoria Fringe, my pushing to spend valuable time with people in Victoria before my soft exit, and all my many theatrical ventures, life is full and busy and excellent.

Here’s what I have on my plate:

BFA: The Musical!

    • BFA: The Musical! – I am directing this show as part of the Victoria Fringe Theatre Festival. It is a fun, silly musical surrounding graduates with shiny new Bachelor of Fine Arts degrees coming to terms with the fact that having a degree does not make you immediately a ‘local celebrity’. The show comes complete with a brilliant seven person cast, a fine tech crew, original and local music, dancing, large props, and much silliness. It is a blast to work on.

William vs. The World

William vs. The World – A few new venues opened up, which has let me sneak in my one man show into The Victoria Fringe Theatre Festival!

  • William vs. The World is a hilarious, geeky adventure surrounding that narcissistic guy at the hobbies store who knows the world revolves around him. With Chuck, his trusty cactus, at his side, William is happy… until – to his horror – a woman falls for him, the All-Spark fails him, his life falls apart, and William loses himself in Bat Country. Through it all, he may become a better person. Maybe.
  • Previously work-shopped through UVic‘s Festival for Innovative and New Drama (FIND) and performed at this year’s UFV Director’s Festival, William vs. The World layers references to He-Man, Transformers, Spider-man, Serenity, The Ghost-busters, and pop culture with a frantic, manic character study of a man desperately clinging on to a life that may not be as grand as he suggests it is.
  • Venue:Venue 12 – Canadian College of Performing Arts (CCPA) – 1701 Elgin Road, Victoria, BC
  • Show times:
    Thu, Aug 25 – 8:30pm
    Fri, Aug 26 – 7:45pm
    Sat, Aug 27 – 6:00pm
    Thu, Sept 1 – 5:30pm
    Sat, Sept 3 – Noon
    Sun, Sept 4 – 5:30pm
  • Event page: http://www.facebook.com/event.php?eid=249348868426429

Sonnets for an Old Century

Sonnets for an Old Century – Completing my triumvirate of Victoria Fringe Theatre Festival shows, as of a few days ago, I am Stage Managing this show, written by JosΓ© Rivera, a two-time Obie Award-winning playwright and Academy Award-nominated screenplay writer. Which is pretty darn sweet.

  • I am delighted to get to work again with so many great people in Victoria’s acting community, from Holly Jonson, to Mily Mumford, to Shaan Rahman, to Bill Nance, to Alan Penty (who also features in BFA: The Musical!).
  • Venue:Venue 8 – Langham Court Theatre – 805 Langham Crt, Victoria, BC
  • Show times:
    Fri., Aug 26, 5:45
    Sat., Aug 27, 7:45
    Sun., Aug 28, 9:45
    Wed., Aug 31, 9:00
    Fri., Sept 2, 5:30
    Sun., Sept 4, 12:45 pm
  • Event Page: http://www.facebook.com/event.php?eid=139905722760543

Photo by Sarah Koury

The Mad Hatter’s Tea Party – Come drink tea with the Mad Hatter!

  • Share his journey into Wonderland – and his descent into madness – in an overly, underly, and aroundly eager show full of storytelling, songs, audience participation, improv, silliness, gravitas, and grins. Whether it’s your unbirthday or your actual one, this is one show it would be mad to miss!
    Tea is provided, but if you can, please bring your own cup.
  • Venue: Studio 1398 on Granville Island!
  • Show times:
    Fri Sep 09 = 22:15 to 23:05
    Sat Sep 10 = 16:30 to 17:20
    Sun Sep 11 = 13:00 to 13:50
    Mon Sep 12 = 18:45 to 19:35
    Thu Sep 15 = 20:30 to 21:20
    Sat Sep 17 = 20:00 to 20:50
  • Good Night Harold! – A night of long-form improv from some of the cast of Sin City Improv!
  • Theatreshorts – Possibly my last Victoria Theatreshorts!
  • 4Villains.orgActing in roles for the 4Villains webseries/organization. Thus far, I have played Master Malevolent and The Green Gear for them.

    • Venue: www.4villains.org
    • Show Dates: The first episode should go up by the end of the year.
  • PirateAdventures.ca – Acting and improvising as a pirate, leading children and adults on a pirate adventure based out of Fisherman’s Wharf. Currently only for one or two days per week.
    • Venue: Fisherman’s Wharf
    • Show Dates: Intermittent shifts until I leave town in early September.
  • Unsound Innocence – Acting as a lawyer in a shortish film by HTVBC– excellent and crazy Hungarians who run a non-profit film company in their spare time. We wrap shooting on Saturday, hopefully.
    • Venue: Film Festivals
    • Show Dates: Unknown!
  • Steinway Grand – Also with HTVBC, this one will be a huge and exciting acting challenge for me – acting in a two-hander film.
    • Venue: Film Festivals
    • Show Dates: Should start filming whenever I can jump back to Victoria in Sept/October, I assume!
  • Vancouver Young Playwrights Competiton / IGNITE! 2012, for The Romantics – I won 1st prize with my play, The Romantics. The prize comes with mentorship by a Vancouver playwright from November through March, and a performance in the festival come May.

    • Venue: Probably The Cultch.
    • Show Dates: Performs in May of 2012.
  • Auditions, auditions, auditions! – Auditioning throughout Vancouver and Victoria. Many ferry rides, trying to secure something, acting-wise, for beyond September. No luck thus far. Which is to be expected. I need to work more on my auditioning prowess.

    • Venue: Mostly Vancouver.
    • Show Dates: Never ends. NEVER, EVER, EVER.

The future beyond September is a blank slate, but the next month and a half will be a wild, exciting adventure! Writing, acting, directing, and stage managing for Victoria Fringe (spread over three shows)! Performing a DIFFERENT show for Vancouver Fringe (why, Andrew, why?)! Looking for work and a place to live in Vancouver!

Life is joyous, hectic fun.

Cheers,
Andrew Wade

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Predicting Future Careers

Arabic Question mark

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Predicting Future Careers

It is said that people of my generation will have more careers than ever before – the world moves too quickly, too insecurely, too excitingly, for many of us latch on to one profession and hold it for 40 years before retiring. That in mind, I thought it might be a good thought exercise to try some long term planning/predicting on my own career threads as they weave through my life.

Essentially, I have just highlighted certain areas that excite me, and am extrapolating somewhat from there to guess at when each thread might assume some degree of prominence.

Note: The year I designate as the year the career starts suggests that it becomes more of a focus in that year – not that the new career eliminates prior careers (I take them as cumulative). For example, I plan on acting all my life – the subsequent careers don’t exclude doing so.

This is far from an exhaustive list.

PAST:

1986 – Born in Lansing, Michigan, USA
1987 (eight months old?) – Moved to Richmond, BC, Canada
1990 (age 4) – FIRST CAREER – STUDENT – entered kindergarten.
1993 (age 8) – First acting role as the title character in The Littlest Christmas Tree.
1996 (age 10) – Entered Late French Immersion.
1998 (age 12) – Entered Hugh McRoberts Secondary School. Performed in over a dozen theatrical productions while in high school.
2004 (age 17) – Directed Opening Night.
2004 (age 17) – Awarded the Outstanding Theatre Performance Award from Hugh McRoberts Secondary.
2004 (age 17) – My first venture as a playwright – Teenspeak performed Pinecone Wars, an exaggerated, autobiographical story from my elementary school days. Brilliant to experience.
2004 (age 17) – Entered the University of Victoria, in the Writing program.
2006 (age 19) – Missed acting too much. Joined the theatre department as well.
2006 (age 19) – Auditioned for the acting stream. Did not get in.
2007 (age 19) – Assistant stage managed (props) for Wind In The Willows. 31 actors and almost 400 props in the show.
2007 (age 20) – Auditioned for the acting stream. Got in.
2007 (age 20) – SECOND CAREER – SCIENCE FACILITATOR – Second summer co-op work term, as a Science Facilitator at the Telus World of Science. Included designing a puppet show book.

Question mark in Armenian

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2008 (age 21) – THIRD CAREER – WRITER – Won second place and honourable mention in the Vancouver Young Playwrights Competition – Hullaboo and High School Noir were performed the next summer at IGNITE! 2009. Had script chosen for the CineVic Film Slam – β€œThe Just The Facts Ma’am Show”; the subsequent (really well done) video can be seen here: http://www.youtube.com/watch?v=CN0ZEJmpIJM .
2008 (age 21) – Acclaimed to UVic Senate as the Fine Arts Student Senator.
2008 (age 21) – Third summer co-op work term, as an Outreach / Tour Assistant at TRIUMF, Canada’s National Laboratory for Particle and Nuclear Physics. Included designing tour signs.
2008 (age 21) – Awarded the Keith Provost Memorial Scholarship in Theatre for possessing Keith’s special qualities such as dedication, a love for acting and playwriting, a humble gratefulness for opportunities, a positive and upbeat nature, a freeβˆ’spirited and somewhat rebellious side, and an unselfish and modest attitude.
2008 (age 22) – Joined the Impromaniacs.
2009 (age 22) – Elected to UVic Senate as the Fine Arts Student Senator (had to defeat someone else in the election this time).
2009 (age 22) – Fourth summer co-op work term, as an Astronomy Interpreter at the Centre of the Universe / Herzberg Institute for Astrophysics (HIA-NRC). Included making posters.
2010 (age 23) – Acclaimed to UVic Senate as Fine Arts Student Senator.
2010 (age 23) – Fifth summer co-op work term, again as an Astronomy Interpreter at the Centre of the Universe / Herzberg Institute for Astrophysics (HIA-NRC). Included making posters for guest speaker events.
2010 (age 23) – Won the Martlet Short Fiction Competition for A Journey of Barren Landscapes.
2010 (age 23) – Won the Keith and Shirley Wagner Prize for Writing – Most outstanding achievement in the field of dramatic writing, stage play, radio play, or script.
2011 (age 24) – Won 1
st Prize in the Vancouver Young Playwright’s Competition for The Romantics, to be workshopped, then performed in May 2012.
2011 (age 24) – Performed with Sin City Improv. Huge highlight.
2011 (age 24) – Won UVic’s Humanities, Fine Arts, and Professional Writing Co-op Student of the Year award.
2011 (age 24) – Graduation from the University of Victoria with a BA in Writing.
2011 (age 24) – Graduation from the University of Victoria with a BFA in Acting.
2011 (age 24) – Performed self-written William vs. The World (then William Fights The World) at the UFV Director’s Festival in Chilliwack. First time ever performing a longer piece of my own writing.
2011 (age 24) – Act in the film Unsound Innocence with Hungarian Television – my second project with them.

 

The Question Is What Is the Question?

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POSSIBLE FUTURE:

2011 (age 24) – FOURTH CAREER – ACTOR
2011 (age 24) – Audition for Bard on the Beach.
2011 (age 24) – Directing BFA: The Musical! for the Victoria Fringe Theatre Festival.
2011 (age 24) – Performing self-written William vs. The World at the Victoria Fringe Theatre Festival.
2011 (age 24) – Learn how to drive.
2011 (age 24) – Move to Vancouver area.
2011 (age 24) – Performing self-written The Mad Hatter’s Tea Party at the Vancouver International Fringe Festival.
2011 (age 24) – Return to the Telus World of Science? (Hopefully? I need to contact them this week about seeing if that’s a possibility).
2011 (age 24) – Otherwise, work to pay my rent partly through extra / background performer work.
2011 (age 25) – I make my plays easily accessible online for cheaply licensing performances.
2011 (age 25) – Act in film Steinway Grand with Hungarian Television, in Victoria.
2011 (age 25) – Physically strengthen myself, so I can better remind people somewhat of a young Marlon Brando. πŸ™‚
2012 (age 25) – Find a film and TV agent.
2012 (age 25) – Audition for Stratford.
2012 (age 25) – Take singing lessons.
2012 (age 25) – Perform at additional Fringe Festivals. Perhaps for several years.
2012 (age 25) – The Romantics is performed as part of IGNITE! 2012.
2012 (age 25) – National Voice Intensive in Vancouver
2012 (age 25) – Perform with Bard on the Beach (Hey, I can dream! And I have performed in six productions of Shakepeare’s plays in the past three years).
2013 (age 26) – Either joins a long-form improv group, or creates one.
2013 (age 26) – Get a short story printed in a well-respected literary journal.
2014 (age 27) – Go down to the States for the TV pilot season.

Opening (inverted) and closing question marks ...

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2014 (age 27) – FIFTH CAREER – STAGE MANAGEMENT – I would love to do more of this. So long as I can act and write elsewhere as well. πŸ™‚
2015 (age 28) – become financially self-sustaining off theatre, film, TV,internet, and writing work.
2017 (age 30) – either get my masters (in acting? Playwriting? Directing?), or enter a conservatory?
2018 (age 31) – First published novel.
2025 (age 38) – If unmarried, may choose to adopt.
2029 (age 42) – SIXTH CAREER – DIRECTOR
2035 (age 48) – SEVENTH CAREER – POLITICIAN – Run for some form of elected office.
2048 (age 61) – EIGHTH CAREER – VISUAL ARTIST
2052 (age 65) – I defeat cancer in hand-to-hand combat.
2063 (age 76) – Canada secedes from Quebec. I have little to do with this.
2084 (age 97) – Final stage appearance.
2085 (age 98) – Witty and wise, die a serene death.

 

Any thoughts? Do you think this is a valuable exercise?

Question mark

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Why you should write a One Man Show

Posters, with cactus underneath.

This is a rebuttal to a prior post I made a few days ago, named β€œWhy Not to Do a One Man Show”, which I wrote as I heading in to the UFV Directors’ Festival. Well, it’s sort of a rebuttal, anyway.

——————–

Why you should write a One Man Show.

This past weekend (well, four days) has been incredible. Inspiring. I have learned so much from these people, not just about theatre, but about life off the coast, about why people are drawn to the stage.

The UFV theatre department is a strange creature. Students can’t get a degree in the subject – which leads to more than a few ‘English’ students (quotation marks highly emphasized by those involved). Even for a major in theatre requires traversing the two UFV campuses in Abbotsford and Chilliwack, as Abbotsford holds the theatre history courses, while Chilliwack attempts to contain the theatre itself. There is so much talent, desire, and drive here.

Erica

From the other schools as well. My second-hand thoughts about SFU’s theatre department must be sorely out of date, because they put on amazing performances. Same with Capilano. Same with the the lone alumni from VIU. Same with the marvelous people from TRU. Everyone put their hearts and souls into these performances.

Me and my doppleganger, Adam Kozlick

It’s amazing the difference between chatting with someone in the lobby before a show, and chatting with them after you’ve seen them act. We see so much of a person’s soul onstage, it seems.

Once I’ve seen you perform, and you’ve seen me perform, there’s no need to work for a connection – it’s already there. A mutual respect. A view into each other. These festivals weave us together far better than simple conversations ever could.

With a one man show, I don’t travel with a blank slate. Well, not after the first performance. Because after that performance, you’ve seen enough of me to feel comfortable saying hello, perhaps establishing a conversation with a compliment.

And once I’ve seen you perform, I’m not that fellow sitting across from the woman with violet hair on the bus – that first step of a connection has already been made. I already have respect for you and the passion you bring to your art.

Tila

I am so… proud… of the connections I have made this weekend, be they the married woman I held deeply enjoyable conversations with, the married couple (Christine and Sharkie) who remind me of all the best elements of PAX, the reflected kudos with countless fellow theatre practitioners (including the somewhat intimidating tall man from the opening ceremony), the possibility of a collaboration with my talented doppleganger (Adam), the producer who is setting up a festival in Nanaimo (Jeremy), the excited blossoming young actor who has just decided this is what he wants to pursue in his life (Ben), and the charming and eager people who promised me they’d get in touch if they happened to be in the same town I was in the future (and vis-versa).

Ali Shewan and I'm-bad-with-names

I don’t regret coming at all – instead, I regret leaving. I want to play with these amazing people for years to come. But I can’t. From rise to (far too little) sleep, for four days, I have lived and breathed theatre in this city. And now I go. There is a twinge of tragedy to it all.

Is this what Fringe is like, in every city? So many beginnings, so quick to die out unless facebook and travel plans feed them?

But I don’t want to mope like Charlie Brown about this experience. (Oh, and by the way? UFV’s Dog Sees God – second best show of the festival, and the capstone of my weekend. I’ll give top marks to UFV’s completely self-created ‘The Play’s The Thing’, which begins as a fake technical rehearsal for an awful Hamlet production, then splits the audience into two separate groups that tour around the whole building, listening in on interweaving subplots between the actors and crew during a ‘break’… subplots that resemble Othello and Romeo and Juliet for one group, and As You Like It (or Twelfth Night?) and Macbeth for the half of the audience (the side I missed, sadly)… brilliant stuff. Even the actors were amazed they pulled it off, with side-characters quietly conversing on cellphones to keep everyone cued up and on target to ‘happen’ to walk past each group at the right moments in time.)

That was far too many words to go into tangential parentheses.

The Lobby!

As for my show? I don’t know if I have ever had to wait on so many laughs in a performance I’ve done. And with so many people asking me where I’m taking this show next… that’s something I should seriously consider.

The Talented Dylan Coulter

Frisbee Golfing between shows

I originally chose to bring William Fights The World here because it was what I had in my back pocket, and it was a show I was excited to put together. Well, I love this show now, more than ever, and I want to perform it again. And again. And again.

And that is why you should create a one man show. Because with most shows, there is a bittersweet closing night when you know you and your cast of a dozen other actors, or perhaps only four… will never be able to put this show on again.

But I don’t need to say goodbye to William. Hell, I could put the show on right now, in this room, if I had a drizzle of coffee and an energy drink (the consumable props). Twelfth Night will never happen again, but William can rant and rave for years to come.

(Hrmm… I said ‘Hell’ there, instead of ‘Heck’. William is causing my language to falter somewhat when it comes to swear words.)

Well, I can’t make exactly the same show. I’ll never have quite this audience (incredibly supportive as they were), and I’ll need to use a new Chuck the cactus.

Sadly, in our third and final performance at the Festival, his shake-fall to the ground became fatal. Rest in peace, Chuck.

R.I.P. Chuck.

Fortunately, I bought an understudy. And epoxy, in case Chuck broke apart every show. I like to be prepared.

Chuck's Understudy, at his post on a chair at my lobby display

So yes, write a one man show, so you can travel to festivals and build mutual respect for all these amazing artists and audience members. Write a one man show so that the show never needs to die due to cast members moving away.

But know that travelling to a city for a few scant days means creating a whole lot of beginnings, and hoping, wishing, praying that perhaps one or two of those beginnings will grow and prosper. It means planting a whole field of seeds in every city, and hoping for one – even just one – tree to emerge. But the soil is rich, and if I could stick around to water those seeds, who knows what would come of all of them.

Graeme Thompson as Hullaboo @ IGNITE! 2009

As I alluded to in an earlier post, I ran into Graeme Thompson at this weekend – he was filling in for an ill actor from Capilano University. Well, he found me. A few years ago, he had performed as Hullaboo, and found it a difficult task, to try and act a show with so much direct address to the audience. Well, he saw my show, and came up to me afterwards, with kind words: β€œSo that’s how it’s supposed to be done. All your words, everything, just flowed so naturally, like you were really just talking with the audience.” I really appreciated that. An old seed, an old beginning that happened to grow into a meeting this weekend.

Someone compared me to my doppleganger by saying we were β€œboth a level above with our talent.”

When I performed tonight, I was sure I had missed something somewhere, because the 45 minutes between me and my audience flew by so fast.

This post is me celebrating my time at this wonderful festival.

But tomorrow morning I have to leave town, and hope God is a good gardener in my absence, hope that some local farmer will take pity on my field and water it in my stead. And there’s always facebook.

I’ll miss you, Chilliwack.

I hope to see you again next year. If Ian lets me back in. πŸ™‚

Cheers,
Andrew Wade

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Welcome to Chilliwack – UFV Directors’ Festival, Friday

April 30, 2011 2 comments

This is not a rebuttal of my prior post, but… take it as another view on my time here at the UFV Directors’ Festival thus far.

———————–

Stuart McLean. Happy, as per usual.

Welcome to Chilliwack!

As someone who has not travelled much myself, and rarely ever been involved in anything that might remotely be considered a road trip, I have often wondered just how CBC Radio‘s Stuart McLean could find such wonderful things to say about every city he visited. Surely some places just aren’t too memorable or interesting, right?

Well, I’m happy to say that Chilliwack is not one of them. Welcome to Chilliwack, where the local pub cheekily advertises β€œwashrooms complimentary with the beer”, where the local university has a parking lot exclusively for female drivers after hours, and where the apparently only surviving club in town (the Echo Room) plays dance-ified Mario Bros and Zelda tunes. Yes, this is a city where every after-hours gathering takes place on the same short stretch of one main road, all of which happen to fortunately be a mere five minutes walk from my hostel.

Then there is my hostel, the delightful Song of Ruth House, so named, I’m sure, because every inch of it certainly sings the soul of the owner, Ruth. It is a house (perhaps acting illegally has a hostel * edit: see Ruth’s comment below) crowded to the brim with an endless assortment of interesting, intriguing, and overwhelming stuff, ranging from a delightful infestation of faeries and dolphins in the bathroom, to a retro CD player, at least a dozen lamps, a half-dozen electric heaters, and false walls cobbled together from spare wood, plastic sheeting, chicken wire, and whatever else was available, to create the different rooms for tenants to stay in. Every room, of course, is given a Hawaiian name. It all fits. And the whole house maintains a strict shoes-on policy, aside from the fenced off ‘private’ rooms, as the half-dozen cats are known to pee around the house – particularly the blind one. (But the floors are mopped every day.)

Poster for the Song of Ruth House

But be it the impressive and wild garden blocking the way to the front door, or the perhaps five dozen mugs in the house, it is a place with soul. While it may cost a mere 30$ a night to rent a room, Ruth – a self-confessed ‘vampire’ when I mentioned not being able to check in, on the first night, until midnight – made this place far superior to the fanciest hotel room I could have booked, when she greeted me with a hug and an assured β€œWelcome home.”

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The festival itelf today was also a delight. Yesterday, we were given the opportunity in the opening ceremonies for the festival to do a one minute promo of the show. I bounded down to the stage area, and said something like this:

β€œIf there’s one thing I can’t stand, it’s running over a puppy with my bike. If there’s a second thing I can’t stand, it’s previews that give away the show.

Seriously, when I go to a movie theatre, when the previews are playing I’m going like this (sticks fingers in ears, closes eyes): LALALALALALALALA. So I’m not going to do that. So here’s something that isn’t in the show.

Ladies and gentlemen, standing in the… erm… green corner (the curtain was green), weighing in at 140 poun- okay, 155 pounds… WILLIAM! YAAAAAAAHHHHH! And in the, erm… other corner with a tall and somewhat intimidating man (one of the opening ceremony hosts, who must be close to seven feet tall), with a gravitational force of 9.83 Gs…. THE WORLD! BOOOOOOOOOO. (the audience joined in.) William Fights The World is a show about a narcissistic jerk of a man who thinks he lives an ideal life… and how that life gets torn apart.”

Okay, so I stumbled on the first line and said β€œIf there’s one thing I can’t stand, it’s running over a puppy with my dog. Bike. Running over a puppy with my bike.” But other than that, it went well.

William ___s the World? (No, not that word.)

Today, I performed William Fights The World (formerly William Vs. The World, as many people still entirely unrelatedly mistakenly called it, and probably soon to be retitled ‘William wrestles the World’ as one festivaler recommended for alliteration) for the first time. My first time carrying a one-man-show, speaking to an audience and holding their attention for 45 minutes, all the while figuring out better blocking on the fly, coming up with new and awesome jokes mid-show (none of which, tragically, I was able to remember, post-show), reacting with the audience, sharing in a story and a character with them, growing, and living, dagnammit, living in the space. The additions (a cactus, a few lines here and there), felt a necessary partof the show (and not just grafted on). The fantastic techies helped me build the lighting and sound cues hours before the first performance, and intelligently covered when I missed one of their cue lines.

And the audience laughed! And they laughed their hardest at the parts I wasn’t sure would be understood, at obscure-ish references and tragic lines, at William’s lack of self-awareness. I’m quickly learning that the more obscure or niche the reference, the more an audience adores you for putting it in a show (if they get it). Builds such a sense of connection with the performer.

I don’t know if the ending was understood, but I hope it sparked a few conversations.

And the other shows in the festival, mostly professionally written, but with a fully student conceived creations, were inspiring, with fantastic performances. In particular, so far, The Russian Play, by Hannah Moscovitch and performed by SFU students, an original piece called ‘What Daggers Before Me’ by Darcy J. Knopp and Tinman Productions at UFV, and ‘Afterglow’, a well-written two-hander by Peter Boychuk whose name I can’t remember about a meteor, a dead mother, and a failed attempt at romance from Thompson Rivers University.

A lot of the plays seem to focus on sex, coarse language, sex, and more sex, but these are university students, after all. It’s a significant subject to approach. (besides, goodness knows my own show features at least two-dozen f-bombs.)

Good day. Good day indeed.

A teacup on a saucer.

Image via Wikipedia

Oh, and I also had a tea party with British accents in the green room (in honour of the royal wedding), played dutch blitz, and last night, in the pub, had an indepth discussion of Doctor Who, Neil Gaiman, and DC superheroes. Sure, these may have been even better times with a fellow UVic compatriot travelling beside me (though I did run into Graeme Thompson here, who performed as Hullaboo in a show I wrote (of the same name) for the IGNITE! Theatre Festival in Vancouver, and, briefly, a UVic first year named Frankie), but even still, even while known by most people here as ‘the only guy from UVic’ (with inflections indicating they are either impressed, worried, or wondering if I’m a control freak), this has been a great day.

Thank you, Chilliwack, and thank you, UFV Directors’ Festival.

Cheers,
Andrew Wade

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Why not to do a One Man Show.

April 29, 2011 1 comment

(forenote: I wrote this on the ride into Chilliwack. I have actually had a most excellent day with all these fine people. But my comments still stand.)

(addendum: at the end of the weekend, I wrote a companion article: Why you should write a One Man Show. Oh, and the violet haired woman? Amazingly, as we didn’t even get off the bus in the same city… she was on the greyhound bus on the ride back. I asked her to be certain she was the same person. I then had a lovely chat with a middle-aged woman from Nanaimo.)

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Why not to do a One Man Show.

I used to daydream about one day getting on a bus, and travelling to a new city (Portland sprang to mind, or any small rural town) where no one knew who I was. Of starting fresh, behaving and being an ideal me, untethered from all the prior instances of who I’d been. It wasn’t a positive daydream, persay. Just a recurring thought. I wanted to know if this new community of strangers would embrace me, or if it all would just be a lonely experience.

A test of who I am as a person, I suppose.

William Fights The World

Coming to UVic almost fit this bill, but a good eight or nine members of my high school’s graduating class came along with me, and for those first two years as a Writing student, outside of the Theatre department, I mostly hung out with some of those same students, or people they had introduced me to. I never really integrated with my res building’s crowd.

The Phoenix Theatre Department was another close fit to the daydream, but by then, I had enough roots elsewhere on campus (and I was still engaged in the Writing degree) that I felt firmly grounded. And the lives of theatre folk revolve around forming communities and collaborations, so some of those connections happen easier, there.

The daydream – travelling to somewhere where I knew no one, and trying to start a life – arose out of fear. Everything is transitory in this world, including elementary school, high school, university. Heck, even family members move away. I felt I needed to be prepared to be able to step out, alone, and find communities, support, friends, loved ones, wherever I ended up. Because if change happened around me and I wasn’t prepared, that might just break me. No one can live completely alone.

Well, I’m travelling now on a bus to Chilliwack, to a town where I know no one, to perform a one-man-show (William Fights The World) for a few days at the UFV Directors’ Festival. And I’m realizing that if I end up deciding to attempt the Fringe circuit, I want it to be a show with two characters, because… well… while that old worry would be a great challenge for me, it’s not one I want to face. I don’t want to travel alone, to start with a blank slate in every city I come to. I don’t want to be a faceless man in the crowd. I want someone to share in these experiences with me.

And I could have had that, but I shoved it away because I didn’t feel I cared enough about her. Digression.

One of the most courageous moments in my life – if not the most courageous – was on the first day of grade 6, where I committed to starting my life fresh, to becoming a better person. In an attempt to flee from my miserable self, I had joined Late French Immersion. So when I stepped into that grade 6 classroom, it was a new school, a new class, and I knew no one.

The most courageous thing I have ever done was to scan the classroom, see one person not talking to anyone, and to sit down next to him and say hello.

It took every fibre of my backbone to do it.

He became my best friend for two years.

And I’d like to think I’ve grown from that small boy, but sometimes, like now, I could switch seats on this bus and say hello to the young woman with violet hair, sitting across from me. I could. But I don’t.

But I’m only on this bus for another hour. When I introduced myself to Sam Fenn in that classroom, it was necessary – I was to be in that class, with those students, for two years. But if I tour the Fringe circuit, I’ll only be in town for a few short days. Each town. Every city. Is that enough time to connect with people? Is that just enough time to feel miserable about letting them go and moving on?

My time at UVic is done, and much of my community, my class, are already moving on. And I feel like I have already decided that my place isn’t here, in this city, anymore, even though I’m here for at least another four months. But that old worry of a daydream comes back and…

and perhaps because my instinct is not to say hello to the gal with violet hair…
and perhaps because the idea of really connecting with people only for a day or two, and then saying goodbye, makes me sad…
and perhaps because moments seem far more worth living when they are shared…
and perhaps because, unlike in years past, I don’t want to reinvent myself, because I’m beginning to like who I am…

I think I’ll write that Fringe show so that it has someone be there with me.

– Andrew Wade

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