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My 2018 Fringe By The Numbers

 

Every year (2013) (2014) (2015) (2016) (2017) I have put out a blog post with financial breakdowns of my fringe festival experiences. I only spent time in Salmon Arm and Vancouver last year, but as I sit second on the waitlist for Vancouver Fringe this year, I figure I shouldn’t break the streak! So here’s how we did:

 

“I just want you to know, your show will stick with me forever. Thank you.” – a woman who recognized us at a diner, a couple of hours after a Salmon Arm performance

 

For 2018, I applied for a number of festivals with Hullaboo and The End of Everything. As is statistically probable, my lottery luck was not with me: Winnipeg Fringe (nope), Calgary Fringe for the first time instead of applying for Saskatoon (they take place at the same time) (nope), Victoria Fringe (nope), Nanaimo Fringe (nope), CAFF Lottery (nope), Edmonton Fringe (nope), and Vancouver Fringe (nope, but got in as a Bring Your Own Venue). I also submitted for Salmon Arm’s weekend-long ‘Theatre On The Edge’, which isn’t a Fringe as they select their entrants, but is otherwise similar to one.

Note that I have NEVER gotten into Edmonton or Winnipeg… I think that by now, including CAFF lotteries, I must be a startling 0 for 16 in lottery draws to get to those cities.

So, the tally for 2018? 0 for 7, mitigated by finding a BYOV for Vancouver Fringe and finding a juried festival that would take us.

Keep in mind that while I produced the show, all profits were to be shared between myself and the lovely Katie Purych (with our Stage Manager Bonnie Duff receiving a fee for Salmon Arm).

 

EXPENSES:

Failed Fringe Application Fees:   (application fees don’t come cheap!)
Winnipeg: -25.00$
Calgary: -35.00$
Victoria: -30.00$
Nanaimo: -25.00$
CAFF Lottery: -25.00$
Edmonton: Full fee of -761.25$, with 724.50$ returned six months later = -36.75$ (plus whatever interest I would have earned on that money in the interim)
Total: -176.75$

Edmonton Fringe continues to have a very awkward and irksome application fee system.

 

Salmon Arm Theatre On The Edge Expenses:
Festival fee: -225.00$
Gas money: -80.00$
Stage Manager fee: -100.00$ (Bonnie Duff adamantly refused to accept payment, was happy for the job training and adventure, demanded I put the fee towards paying those failed application fees.)
Total Salmon Arm Expenses: -305.00$

 

Vancouver Fringe Expenses:
Application fee: -50.00$
BYOV fee: -450.00$
Carousel Theatre Venue Fees: -895.00$
Postcards (1000): -74.05$
Carousel Theatre Taxes: -44.75$
Posters (25): -16.40$
Facebook ad: -20.00$
Tape for posters: -13.62$
Videographer: -60.00$
Total Vancouver Fringe Expenses: -1563.82$

 

Fortunately, a lot of the Hullaboo expenses – such as puppet creation and costuming – were covered in last year’s over 1600.00$ loss on putting up the show in Saskatoon.

Expenses not included:
– Food eaten / groceries bought
– Lost income from not working dayjobs

 

And now let’s look at what we earned!

INCOME:

Salmon Ticket sales (after festival took their percentage cut): +845.52$
Vancouver Fringe Ticket sales: +1564.00$

 

Which means that our overall profits were:

Salmon Arm: +540.52$ (with 220.26$ going to myself, 220.26$ to Katie Purych, and 100.00$ as per Bonnie Duff’s request, going toward paying failed festival fees)

Vancouver Fringe: +0.18$

0.18$.

 

Seriously. We made eighteen cents in Vancouver.

 

+1564.00$ in sales, with -1563.82$ in expenses.

 

We should be running a non-profit.

 

Katie respectfully refused to accept her nine cents of profit and told me to put it toward the next production. 

 

For those who are interested, here is how our Vancouver ticket sales spread out from performance to performance:
Exchange Vouchers (comps we gave out to a group that sends low-income families to shows): 5+0+0+5+5+0+0+0 = 15 (0.00$)
Super At Door / Superpass (comps): 1+2+2+1+1+6+2+1 = 16 (0.00$)
Rush Pass (comps for volunteers and performers): 0+7+2+0+14+8+1+5 = 37 (0.00$)
Half-Price Ticket (second show only) (11$): 12 (72.00$)
Frequent Fringer 10 or 30 Pack (9$): 1+0+0+2+2+1+1+3 = 10 (90.00$)
Frequent Fringer 4 Pack (10$): 0+0+3+0+3+0+1+0 = 7 (70.00$)
Regular Tickets (12$): 6+0+12+9+28+12+11+33 = 111 (1332.00$)

 

My Kindergarten Teacher!

And for a day by day breakdown, our audience sizes were:
13 – 21 – 19 – 17 – 53 – 28 – 16 – 42 .

Those 53 and 42 size audiences were huge confidence boosters. One of them also included BOTH my kindergarten teacher AND my high school drama teacher, who both loved the show. My kindergarten teacher said I was one of the most gifted kids she ever taught. My drama teacher overheard this and said something along the lines of, ‘Well, I wouldn’t go THAT far, but I’m glad to see you’re doing well’. 😛


Overall, we made +463.95$ this summer (with 220.26$ going to Katie Purych), which compares thusly to prior years:

2017: -296.62$
2016: -58.21$
2015: +897.63$ (due to fee for writing TITUS)
2014: +83.51$
2013: -1671.16$

All the gratitude I have in my heart goes to Katie and Bonnie for adventuring this past summer with me and giving Hullaboo and The End of Everything some life!

Hopefully he will emerge out from under the bed again sometime!

Summer in a Fringe-full World

   
   

Hello!

   
The unfortunate part about keeping a blog is that the times when I have the most to write about are also the times when I am expending all my creative energy being rather busy elsewhere!

I don’t want to leave you all in the lurch, so here’s a quick recap of all the Fringe-ful activities I am up to this summer:

   
   

Alberni Valley Fringe Theatre Festival – June 21st-22nd
The Hatter

Alberni Valley Fringe Poster - The Hatter
Right, this one already happened! In which Andrew learned the difficulty of remounting/relearning an hour-long show in a week’s time, while also acting in five performances of another show (Gay’s The Word with APPLAUSE! Musicals) and while replacing a stolen bicycle. But it happened, it was lovely, and I was awarded the only two awards the festival gave out, the People’s Choice Award and Best Quote (for ‘God Shave The Queen’)!

   
   

Regina International Fringe Theatre Festival – July 7th-13th
(these festivals have surprisingly long names!)
The Hatter
Hatter Poster - Regina 2014 textconverted
A much spiffier poster! Well done, me!
The festival in which I am actually away for more than a weekend. Also the festival in which I don’t have a stage manager… so this’ll be interesting!

   
   

Saskatoon PotashCorp Fringe Theatre Festival – July 30th-Aug 10th
The Most Honest Man In The
World
(okay, so I am sometimes partial to a long name, myself)
Honestly squareThe festival I was actually profitable in last year! This year… an experiment! A new show! It may succeed, it may fail. My attempt at a personal storytelling show, described as ‘A life-long love story about the pursuit of honesty over all happiness’. Expect me to tape tissue paper to my head, walk around in tap shoes, and neurotically ponder old relationships and what it means to let go.

   
   

Victoria Fringe Theatre Festival – August 21st-31st
The Hatter
The Hatter, picture 1
The first of two home-comings.

   
   

Vancouver Fringe Festival  – September 4th-14th
The Hatter

Photo Credit Lachlan McAdam

Photo Credit Lachlan McAdam

A return! The show was first birthed in a highly improvised fashion in Vancouver, three years ago. Now I’m bringing it back. (Also, now people know who I am in Vancouver! The first time, I had been off the mainland, over in Victoria, for seven years, and had moved back to Richmond a mere three days before Vancouver Fringe began.)

   

BUT WAIT! I’M NOT DONE!


   
   

Vancouver Fringe Festival  – September 4th-14th
Clutter and Contamination: An Obsessive Compulsive Disaster

DSC_0590For the third time in my life, I am a director, tackling my fellow UVic Writing alumni friend Kayla Hart‘s one woman play, Clutter and Contamination. The play will be performed by the lovely Christine Robinson. It has been a pleasure to work with them on the show so far! Directing a show while out on the road will be an interesting experience!

   

 And from there… new adventures and challenges await. Bring’er. 🙂

   
   

Some men run to feel the wind in their hair and the blood in their veins, excited muscles and pounding heart. Others run to get somewhere, or to get away from somewhere. Some run because they don’t know what else to do. Some run to inspire. Some to improve themselves. Some to prove to themselves that they can. And some run because they’re afraid of what might happen if they stood still.

Fringe 2014: The Rise of the Western World, or, The Settler Makes a Home

January 20, 2014 Leave a comment
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Welp, the dust appears to have settled, the lottery lines drawn, and the anticipation begun its nervous, ever-present hum. While a few elements are still up in the air, it’s sounding like this year I will be off on the road again to five different lands, two exotic and unknown, one a recent friendship, and two returns home.

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Contour flag of Saskatchewan, Canada

Saskatchewan, Canada (Wikipedia)

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This summer, The Hatter shall plead his case in the Alberni Valley, out to Regina, back to my former abode of Victoria, and then return in his entirely transformed state to The Vancouver Fringe Festival, where, three years ago, a draft once saw the stage.

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But I mentioned FIVE, you say! FIVE festivals! Indeed! For in the middle of all that, I shall be bringing a new show to Saskatoon Fringe, a personal-stories-esque show (which I am still in the early processes of writing), tentatively titled ‘The Most Honest Man In The World‘. A brand new, terrifying experiment!

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And so, after spending most of last summer travelling endless greyhound bus hours through Ontario, I find myself instead touring the western reaches of Canada, and bringing my show home, while testing something new in a place that appreciated my work, last summer.

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This is going to be a radically different adventure. Last summer, I packed my bags, props, business cards, and posters, and headed off on the road for two months straight. This summer, due to not getting into Winnipeg or Edmonton, I may be travelling out to each city, then returning home, each time. Which means a few dozen more greyhound hours and transportation bills, I admit. Maybe I’ll see if I can hide out in Regina or Saskatoon for a couple of weeks. Finish writing the new show. 😛

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I’ll also be travelling with an old friend or two. Last summer, I hardly knew a soul in any of the cities. This year, I’ll have familiar faces everywhere I go, be they other travelling performers, locals (including all the Regina-ians, Regina-ites, Reginalds?, who came to Saskatoon for the festival), and other warmly welcome familiar faces. Heck, my dear old friend, Jacqueline Irvine, who sewed the giant hat backdrop, helped me put it together, half an hour before the first trial-run performance in Vancouver, and who acted in the first draft of the show as The Dormouse (before the play became more about a lonely man, as it is now), will be stepping onboard as my stage manager for Port Alberni and Victoria.

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Fringe (TV series)

(Wikipedia)

(And I’ll probably still lose money in the end. But that’s okay. Life and expression are more important than all that. 🙂 )

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I look for narratives in everything. Coming into this Fringe lottery season, I was hoping to be out on the road for at least a couple of months and try my show at the biggest fringe festivals in the country – Winnipeg and Edmonton. And perhaps show it in Victoria and see how it’d be received in my former stomping grounds.

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Instead, the emerging theme appears to be that of ‘a home base’.  Heading out into the world, and then coming home. Bringing my work to the places I hold dearest to my heart.

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In Saskatoon, it’ll be the other way around – bringing myself and my heart even more into my work, within the safety of a distant city.

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( Speaking of telling personal stories, perhaps a sneak peek this week? While I don’t expect this particular story in question to be a part of my Fringe show, this past Saturday I shared a true tale as part of CBC Radio’s DNTO (Definitely Not The Opera): Fast forward to 52 minutes to get a stylistic preview for Saskatoon:   http://www.cbc.ca/dnto/episode/2014/01/16/wanted-what-did-you-find-in-the-classifieds/ )

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And then in 2015, finally hit the big stops and see what everyone’s talking about, and hell, perhaps I’ll go international. Put that American citizenship to good use. But there is so much that is fantastic and awesome before we get there! Five cities! Workshopping a new play elsewhere! And in March and April, Floyd Collins!

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(But that’s a subject for another post. 🙂 )

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Long Live Adventure! Huzzah!

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Cheers,
Andrew Wade

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Confidence and the 2011 Vancouver International Fringe Festival

December 9, 2010 4 comments
Vancouver Fringe Festival
Image by Raul P via Flickr

Found out tonight from my Vancouverite friend Jullian Kolstee that I have been picked by lottery to perform in this upcoming year’s Vancouver International Fringe Festival.

Oh yeah.

My immediate reaction? Practical. Okay, now I need a script, I need to actively look for costume pieces – to make costume choices – and set pieces. And to decide whether I am using a second actor, or trying to pull off this show on my own. I’ve never performed by myself for more than five minutes – to do so for an entire Fringe show…

In a reaction that startles me, I’m oddly confident. No dread, no fear, but rather, a strange mix of eagerness, apprehensiveness, ambition, power, and hope. I believe, I FIRMLY believe, in my ability to pull this off and put on a good show people will talk about with their friends. Maybe even make them really feel. I believe.

What is the show, you ask? Well, I submitted an idea I’ve had for a while, but never put to paper in my concentration on acting over the past couple of years – The Mad Hatter’s Tea Party. The Hatter, chronicling his life, from a regular person to his getting stuck in Wonderland, to his decision to turn to madness as a way of coping, or possibly as a way of finally finding happiness. I seem to have a preoccupation with people who choose the imaginary over the real, the absurd over the concrete. Perhaps because I have been doing so much of that in my own life.

I could have been a mildly successful, highly rational scientist. But I’ve chosen something different. I’m an actor. And a writer. And an improviser. And a man who hopes. Who believes.

And while I’ve been working on this aspect of myself for the past five years at least, it’s only in the past little while that I’ve felt the confidence, the assuredness, that what I hope for, what I believe in, I can achieve.

I recently stood up before the majority of the theatre department at UVic and did something I’d never done for an audience before – I improvised a song. Asked for a song title, then belted it, lived in the moment, came up with each line as I went. And I may have been quivering a little beforehand, but when the song started, I just went for it, because I knew I could hit the right mark.

This school term, I acted in a SATCo (Three Angry Pigs), in a directing scene (Picnic), in a directed study (This Property is Condemned), in classwork, in Theatresports, in improv shows with the Impromaniacs, and in Titus Andronicus. I chose to do EVERYTHING because I knew I could.

It's... Madness Too

Image via Wikipedia

I recently auditioned for a weekly improv show. In the audition, I performed alongside nine others, including many with decades more experience than I have. But I knew I could get the callback, and I did. We’ll see how that goes on Monday.

I signed up for the Vancouver Fringe Festival because, for whatever reason, I believed I could pull it off on the unlikely chance I was chosen. And I can.

Reflecting back on all this, I feel like one of Dorothy’s friends at the end of the film, finally getting my confidence not through a magic bestowal from a phony wizard, but from years of personal growth, from hard work and positive thinking. That’s not to say I’ve not got a long ways to go… the great challenge of this Fringe show aside, I’m still not confident enough when it comes to my own physical body (thinking of doing a handstand makes me squirm for some reason, and I know I can be in better shape) or when it comes to relationships (though that area in my life is just sparkling right now). But when it comes to the act of creation… I’ve never felt so able.

Possible one-man-show, in the big city, built from scratch? Bring it on. From now until my birthday at the end of Fringe, September 18th, there’ll be a spark of Madness in my eye. Can hardly wait. 🙂

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