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My 2016 Fringe: By The Numbers – Vancouver Edition

October 6, 2016 Leave a comment


My 2016 Fringe: By The Numbers – Vancouver Edition

Hello!williamvstheworld-image-01

Every (2013) single (2014) year (2015), I put out a blog post with financial breakdowns of my fringe festival experiences. This summer, however, I took a break from the tour as a whole and only performed in Vancouver.

Before I get started, I just want to give Vancouver Fringe kudos for making the ticket costs more transparent this year, at least online, clearly separating the amount of each ticket price that is given to the performer versus the fringe festival fee attached to each ticket.

This year (2016), Vancouver Fringe had 100 shows – more than ever before, but fewer than the advertised number of 110 due to ‘Generation HOT’ and special event shows – and gave $260,213.00 in revenues to artists.

Divide that number by the number of shows, and the average revenue per company would be 2,602.13$ . Given how successful many companies are, it’s safe to peg the median revenue figure somewhere lower than that.

(thanks to Shantini Klaassen for getting these numbers to me.)

So let’s take a look at how I did compared to the average!:

Vancouver audience numbers (for William vs The World):
# of performances: 9
BYOV Venue capacity (Arts Umbrella): 31
Total # of audience members: 10 + 30 + 23 + 24 + 23 + 13 + 15 + 30 + 29 = 197.
Average # of audience members per show: 21.8
Total # of paying audience members: 4 + 17 + 15 + 20 + 13 + 10 + 8 + 18 + 19 = 124.
Average # of paying audience members per show: 13.78

Comp ticket breakdown:
# of Kids Up Front ticket donation: 12
(I gave four comp tickets to each of my first three shows to https://www.kidsupfrontvancouver.com/ , a charity that Vancouver Fringe partners with.)
# of Super Pass comps (given to those who billet artists – let artists stay with them): 1
# of Exchange Vouchers (another option for those who billet artists): 1
# of Kick Ass Pass comps (free fringing given out by the festival to staff and big donors): 3
# of Artist Request comps: 5
(I had a few friends arrive late to one show so I booked them comps for another, and I traded show tickets with another friend.)
# of ‘Comp-Advance’ (any comps booked in advance): 17
# of volunteer/artist rush comps (Vancouver Fringe has an awesome rush line system where volunteers and other artists can see non-sold-out shows for free): 34

 

williamvstheworld-image-02

 

EXPENSES:

Failed Fringe Application fees:
Saskatoon: -50.00$ (actually got in, but had to drop out.)
Orlando: -33.43$
Winnipeg: -25.00$
CAFF (Canadian Association of Fringe Festivals lottery): -25.00$
San Diego: -56.99$ (got in, but dropped due to potential border issues due to citizenship problems)
Nanaimo: -25.00$
TOTAL: -215.42$

Vancouver Fringe fees:
Lottery draw (did not get in): -50.00$
Vancouver Fringe BYOV fee: -450.00$
Arts Umbrella venue fee: -500.00$
Arts Umbrella-required extra venue insurance: -43.75$ (+time to find insurance broker)
TOTAL: -1043.75$

Other:

Photoshoot: 0$ (reused content from previous year.)
Packing tape for posters: -3.55$
25 Posters from Clubcard: -12.26$
1000 postcard handbills from ePrintFast: -75.28$
Chuck the Third (cactus prop/character): -8.95$
TOTAL: -100.04$

TOTAL EXPENSES:
-1359.21$

Expenses not included:
Fringe bar beers (5?): Roughly -27.50$
– Rent paid (as I live here)
– Food eaten
– Lost income from not working dayjobs (although during the festival I DID admittedly work one standardized patient shift, one Science World shift, one SFU-Woodwards front of house shift, and put in a few hours on Richmond Arts Coalition items in my role there as Administrative Assistant.)

 

INCOME:20160906_135729_west-11th-avenue

Vancouver Fringe:
Frequent Fringer 4: 10$ per ticket = 0$ to the festival, 10$ to the artist.
Frequent Fringer 10 or 30: 9$ per ticket = 0$ to the festival, 9$ to the artist.
Full ticket price: 14$ = 3$ to the festival, 11$ to the artist.

# of Frequent Fringer 4 tickets sold: 5 tickets :: at 10$ per ticket = 50.00$
# of Frequent Fringer 10 + 30 tickets sold: 29 tickets :: at 9$ per ticket = 261.00$
# of full tickets sold: 90 tickets sold = 990.00$
Average amount per ticket, paid to the artist: 10.49$

Total: +1301.00$

 

FINAL FINANCIAL VERDICT: 1301.00$ – 1359.21$ = -58.21


Compare to 2015’s +897.63$ (due to fee for writing TITUS)
Compare to 2014’s +83.51$
Compare to 2013’s -1671.16$

 


Conclusion:

William vs The World is a harder show to sell than The Most Honest Man In The World, and I didn’t have any other festivals this year to build any sort of momentum or media push, so I expected a smaller turnout, and that happened. All the same, the only reason the number was negative this year was due to festival fees for festivals I ended up not getting into or dropping out of, so I’m content. It was a lot of fun to get to be a part of at least one fringe this year.

Felt like home.


williamvstheworld-image-03-cropped-700x350

And a final image of how I transported my set to and from Granville Island. 🙂

20160918_023855_west-11th-avenue

 

My 2015 Fringe Tour: By The Numbers!

March 24, 2016 5 comments

 
 
My 2015 Fringe Tour: By The Numbers!
 
As it is tax season, I am finally getting to my fringe receipts for last summer.
 
These are the numbers with which Andrew Wade traveled to five different cities and performed in their Fringe Festivals.
In 2013, I estimated that I SPENT 1671.16$ more on my tour in expenses than I earned.
In 2014 I figured that I earned a grand total of 83.51$ after travelling through five festivals.
 
So how did I do on my summer tour of 2015?
 
 

Toronto audience numbers
(for The Most Honest Man In The World):

The Most Honest Man In The World - option 2b - Copy# of performances: 7
Total # of audience members: 156
(this number is actually lower — skewed by artist comps not used by people for 1st and 2nd performances)
Average # of audience members per performance: 22 (without 1st comps: 17)
# of comps given away to 1st show to try and build word of mouth: 30
# of comps given away to 2nd show to try and build word of mouth: 10
# of comps to media: 3
# of artist comps (it is SUPER awkward to get other artists comps in Toronto): 5
# of comps to outreach (including to a group of new immigrants): 21
# of comps to VIPS (like artistic directors): 9
# of comps to volunteers: 11
Total # of paying audience members: 11 + 5 + 7 + 9 + 4 + 15 + 15 = 66
Average @ of paying audience members per performance: 9
 

Saskatoon audience numbers
(for William vs The World):

WilliamvsTheWorld - image 01# of performances: 7
Total # of audience members: 120
Average # of audience members per performance: 17
# of comps to fringe staff: 0
# of comps to fellow performers: 37

# of comps to media: 1
# of volunteer comps: 20
Total # of paying audience members: 6+11+8+11+8+6+11 = 61
Average # of paying audience members per performance: 9

(last year’s average of paying ticket holders for Honest Man in Saskatoon was 21.)
 
Nanaimo audience numbers
(for The Most Honest Man In The World):

# of performances: 6
Total # of audience members: 82
Average # of audience members per performance: 14
# of comps to VIPs: 13
# of comps to ‘Buck’ (volunteer bucks?): 6
# of comps to artists via password: 9
Total # of paying audience members: 0 + 14 + 11 + 12 + 6 + 9 = 54
(yes, I had zero paying ticket holders to my first performance. Seven comps, though.)
Average # of paying audience members per performance: 9
 
Victoria audience numbers
(for The Most Honest Man In The World):

# of performances: 6
Total # of audience members: 26 + 19 + 34 + 25 + 18 + 47 = 169
Average # of audience members per performance: 28
# of comps: 11 + 4 + 6 + 8 + 6 + 10 = 45
Total # of paying audience members: 124
Average # of paying audience members per performance: 21
 
Vancouver audience numbers
(for The Most Honest Man In The World):

(Note: the venue could only hold between 30-39 people. The capacity expanded mid-run.)
# of performances: 8 (due to being a BYOV)
Total # of audience members: 238
Average # of audience members: 30
Smallest house: 9
Second smallest house: 25. No one comes out to a 1pm Saturday show apparently.)
# of advance comps: 15
# of artist’s choice comps (videographer): 1
# of comps plus membership purchase: 10 (no income to me on these.)
# of comps to media: 2
# of comps to Rush Passes: 38
# of comps to Super Passes: 5
# of comps to Kick Ass Passes: 6
# of comps to Golden Ass Passes: 3

# of Frequent Fringer 10 or 30 packs: 11
# of Frequent Fringer 4 packs: 11
# of regular tickets sold (with or without memberships): 13 + 12 + 2 + 12 + 22 + 19 + 31 + 25 = 136
Average # of paying audience members per performance: 17

(Vancouver has a LOT of ticket categories!)
 
 
Honest Man advertisement for TITUS program
 
 
EXPENSES:
 
 
Failed Fringe Application Fees:
Winnipeg: -20.00$
Edmonton: -26.25$
CAFF: -25.00$
Total: -71.25$

Toronto Fringe Expenses:
Application fee: -27.50$
Festival fee: -750.00$
Flight to Toronto: -334.00$
Poster printing (25) from Clubcard: -13.27$
Handbills (1000) from ePrintFast: -50.55$
Weekly transit pass: -40.75$
Gift of pillow for billet: -10.00$
Booze = -10.00$
1/2 of cost of flight to Saskatoon: -121.65$
1/2 of Baggage fee of flight to Saskatoon: ~-16.58$
Total: -1374.30$
 
Saskatoon Fringe Expenses:
11780505_10153160690958155_1082156576_n
Festival Fee: -730.00$
1/2 of cost of flight to Saskatoon: -121.65$
1/2 of Baggage fee of flight to Saskatoon: ~-16.58$
Photoshoot cactus prop: -5.59$
Chuck the Cactus in Saskatoon: -11.00$
Poster printing (25) from Clubcard: -13.27$
Handbills (1000) from ePrintFast: -53.94$
Bottle of Fireball Whiskey for my spoof on Spoof Night: -15.95$
Booze = -6.00$
Flight home from Saskatoon: -185.98$
Baggage fee from Saskatoon: -26.25$
Total: -1186.21$

 
Nanaimo Fringe Expenses:
Application Fee: -25.00$
Festival Fee: -175.00$
Poster printing (25) from Clubcard: -13.27$
Handbills (500) from ePrintFast: -39.98$
Booze: -9.26$ + -5.70$ + -6.30$ + -20.00$ = -41.26$
Ferry to Nanaimo (with bike): -18.85$
Ferry from Nanaimo (with bike): -16.85$
Total: -330.21$

 
Victoria Fringe Expenses:
Festival application fee: -28.00$
Festival fee: -572.00$
Poster printing (25) from Clubcard: -13.27$
Rechargeable batteries for blood pressure monitor: ~-19.00$
Handbills (1000) from ePrintFast: -44.07$
Booze from the store: -25.37$
Other booze: -7.40$ + -10.00$ = -17.40$
Ferry to Victoria: -16.70$
Ferry from Victoria: -16.70$
Ferry from Nanaimo (had to head down to Victoria via the mainland mid-Nanaimo-festival for a promo): -16.70$
Bus tickets to/from the Showdown Preview: -6.00$
Bus from ferry: -2.50$
Bus to ferry: -2.50$
Ferry back to Nanaimo: -16.85$
Total: -813.76$


 
Vancouver Fringe Expenses:
Application fee: -50.00$
BYOV Festival fee to the Fringe: -450.00$
BYOV Festival fee to Arts Umbrella: -400.00$
Poster printing (25) from Clubcard: -13.27$
Handbills (1000) from ePrintFast: 44.07$
Booze: -11.00$
Total: -968.34$

 
Other Expenses:
Travel insurance (admittedly including a two week visit to the States) = -91.98$
Professional photoshoot with Dominic Chan for both shows: -140.00$
Foamcore Posterboards (for all Honest Man shows): -22.29$
Index Cards (for all Honest Man shows): -7.04$
Total: -261.31$
 
Expenses not considered:
Rent paid back home
– Groceries while on tour and between festivals, at home
– Lost income from not working my dayjobs
 
TITUS-banner2-1-980x380
 
 
INCOME:
 
Toronto Fringe:
Advance Ticket Price: 12$ with 2$ Admin fee = 10$ to artist
Full Ticket Price: 10$
(which they thankfully didn’t advertise so much this year as in years past as being amazing because it has never gone up in 20 years, to which all artists respond with ‘inflation is a real thing, you guys’…)
5-Play Ticket Price: 8$
Advance Pass Ticket Price: 7.5$
10-Play Ticket Price: 7.5$

Advance Pass (’10SP85′ and ’10SPOF’ on paysheet) ticket sales: 9 = 67.50$
10-Play ticket sales: 1 = 7.50$
5-Play ticket sales: 1 = 8.00$
At Door and FP (??) ticket sales: 7 + 4 + 4 + 8 + 4 + 14 + 14 = 55 = 550.00$

Average amount per bought ticket, paid to the artist: 9.60$
Total: 633.00$
 
Saskatoon Fringe:
(all numbers confused by the festival removing GST from payout)
Full Ticket Price: 14$
5 Pack Ticket Price: 13$
10 Pack Ticket Price: 12$
Admin fee per ticket: -2$
Artist take-home of ticket price: 10$-12$
Advance ticket sales (14$ – 2$ = 12$ per ticket): 10 tickets = 120.00$
5 Pack ticket sales (13$ – 2$ = 11$ per ticket): 2 tickets = 22.00$
10 Pack ticket sales (12$ – 2$ = 10$ per ticket): 6 tickets = 60.00$
Ticket sales at door (14$ – 2$ = 12$ per ticket): 43 tickets = 516.00$

GST awkwardly deducted (the only festival to do so): -39.99$
Audience donation!: 10.00$
Found a 20$ bill in a gutter one night: 20.00$

Average amount per bought ticket, paid to the artist: 11.77$
Total: 708.01$

 
Nanaimo Fringe:
Full Ticket Price: 12$
Festival Pass Ticket Price: 8$
Advance ticket sales (12$): 7 = 84.00$
Regular ticket sales (12$): 15 = 180.00$
Festival pass ticket sales (8$): 32 = 256.00$

Average amount per bought ticket, paid to the artist: 9.29$
Total: 520.00$

 
Victoria Fringe:
Full Ticket Price: 11$
‘Munch’ Ticket Price: 11$
Frequent Fringer Ticket Price: 8$
(I did not elect to use discounted tickets for students/seniors, which was an option.)

Total Frequent Fringer ticket sales: 9 = 72.00$
Total Full + Munch ticket sales (advance and at the door): 115 = 1265.00$

Average amount per bought ticket, paid to the artist: 10.79$
Total: 1337.00$


 
Vancouver Fringe:
Full Ticket Price: 14$
Frequent Fringer 4 Ticket Price: 13$
Frequent Fringer 10/30 Ticket Price: 12$
Admin fee per ticket on all tickets: -3$
Artist take-home of ticket prices: 9$-11$

Total Frequent Fringer 10 or 30 pack ticket sales (9$ per ticket to artist): 11 = 99.00$
Total Frequent Fringer 4 pack ticket sales (10$ per ticket to artist): 11 = 110.00$
Regular ticket sales (11$ per ticket to artist): 136 = 1496.00$
Total Vancouver ticket sales to artist: 1705.00$

Average amount per bought ticket, paid to the artist: 10.80$
 
Income for writing TITUS: The Light and Delightful Musical Comedy of Titus Andronicus: 1000.00$
Total: 2705.00$

 
 
Honest Man - wide arms 700x350
 
 
Total Expenses (including travel costs):
Failed Fringe application fees: -71.25$
Toronto expenses: -1374.30$
Saskatoon expenses: -1186.21$
Nanaimo expenses: -330.21$
Victoria expenses: -813.76$
Vancouver expenses: -968.34$
Other expenses: -261.31$
 
Total: -5005.38$
 
 
Total Income:
Toronto income: 633.00$
Saskatoon income: 708.01$
Nanaimo income: 520.00$
Victoria income: 1337.00$
Vancouver income: 2705.00$
Total: 5903.01$

 
 
FINAL FINANCIAL VERDICT: +897.63$
(due entirely to the 1000$ fee paid for writing TITUS.)

 
Compare to 2014’s +83.51$
Compare to 2013’s -1671.16$
 
 
Conclusion:
It seems that as a producer/performer, I am still only a roughly break-even fringe artist. Plane tickets are expensive, Toronto is a hard nut to crack, and Saskatoon doesn’t want a show-in-progress.
 
As a writer, well, it seems I need to get commissioned to write shows more often.
 
 
WilliamvsTheWorld - image 02
 
 
Other numbers:
 
According to Toronto Fringe…
Total # of ticket sales at Toronto Fringe, according to them: 64,000.
Total # of dollars returned to Fringe artists, according to them: 467,000$.
Therefore, average ticket price return for an artist for Toronto Fringe: 7.30$ per ticket ‘sold’.
Note: this is below the supposed minimum of 8.5$ that an artist should be receiving from 10-play-pass purchasers, which implies that the festival heralds comp/free tickets as ‘sold’ tickets in its marketing.
 
5: TITUS: The Light and Delightful Musical Comedy of Titus Andronicus received a FIVE STAR REVIEW from The Vancouver Sun! It was also Picked as a Pick Of The Fringe!
 
3.5: The number of stars this iteration of William vs The World received from the StarPhoenix in Saskatoon.
 
17: I have been a part of 17 different fringe festivals since 2011. (2011: Victoria, Vancouver. 2012: Victoria. 2013: London, Ottawa, Toronto, Saskatoon. 2014: Port Alberni, Regina, Saskatoon, Victoria, Vancouver. 2015: Toronto, Saskatoon, Nanaimo, Victoria, Vancouver. )
 
22: I have been a part of 22 different Fringe festival shows since 2011. (Directed BFA: The Musical! and Clutter and Contamination, Acted in Henry V, Stage-managed Sonnets For An Old Century, Wrote TITUS.)
 
 
Assorted Thoughts:
 
This summer began AWFUL and ended wonderfully. I was super worried after Toronto and Saskatoon, though. Ooof.
 
I can’t get my footing at Toronto Fringe. I just don’t know how to reach an audience there. I felt I had a good show, I had an amazing reception from audience members who came, but never found traction. Not sure I’ll go back unless I’m working with a local Torontonian.
 
Also, the Tarragon Theatre is ridiculously stingy with their furniture. I needed two chairs and a surface to put things on. I had to go wandering on garbage day to find chairs people were throwing out, because the theatre was unwilling to lend me a couple of their own. And then carry those back to my billet on my back to be hosed down/cleaned. Boooo.
 
Toronto Fringe is still THE WORST for trying to get other artists to see your show… they essentially don’t allow any artist comps unless you give them a specific name of a specific person hours before your show begins. Which just isn’t practical. And they wouldn’t let us artists all use a given name as a password of sorts, either. We tried.
 
I had one AMAZING experience at Toronto Fringe, though… a man came up to me after the show, in tears. He actually fell to his knees, then cried into my shoulder a bit. He was a new immigrant from Bolivia who really connected to a moment in the middle of my show when I talk about being the new person to French Immersion, knowing no one, and what courage it takes to do something as simple as start a conversation. It’s moments like that that are why I perform.
 
Okay, and moments like the night in Nanaimo when a pretty lady kissed me on the cheek after a night of karaoke. I’m a sucker for things like that.
 
And the dozen-deep cuddle-puddle of fringe artists by the bridge in Saskatoon at 3am.
 
My Saskatoon show was a rushed job. I fully admit it. I ended up with a good show, but I spent my first while in town finishing and memorizing the script… it’s a good show now, and it’ll be great when I revise it further for Vancouver Fringe this upcoming summer, but aye… I was inside learning lines instead of outside handing out flyers, and the numbers show this. I’m still not sure how to best market the show.
 
This year’s Saskatoon Fringe had the potential to be much the same, so I dropped out. I’ve done the last-minute-build challenge. The idea I’m percolating… I want to give it a year to workshop at home and improve and grow.
Saskatoon’s Spoof Night is still the best part of the entire Fringe tour.
 
Nanaimo Fringe had a steep discount for festival passes, lowering the actual ticket price considerably from the 12$ sticker price.
 
500 Handbills is about 350 handbills too many for Nanaimo.
 
Handbill cost variation is due to where they were being shipped (Saskatoon vs Toronto vs Vancouver) and due to whether they were being shipped together with other orders or separately.
 
The gamer in me loves that my final payout in Victoria was 1337.00$ (1337 = LEET = Elite)
 
Colin Thomas, the big Vancouver reviewer, saw Honest Man in Victoria, and liked it! Well, his review was essentially ‘This was much better than his last show.’ Which I guess is a compliment. He didn’t much care for The Hatter.
 
Vancouver Fringe was my first time ever selling out a house. Granted, it was a house of fewer than 40 seats, but still. Thank you.
 
Also, thank you to the tiny Vancouver Fringe audience of other performers who were willing to catch a Saturday afternoon performance just so that I wasn’t doing the show for two people. I put out a message on the fringe facebook thread and a half-dozen kind souls came over to see the show with them. I love this community.
 
It’ll be hard to see everyone else’s adventures on the tour this summer as I mostly take a backseat.
 
I am trying to get a venue lined up for a couple more performances of The Most Honest Man In The World here in town. Let me know if you have any leads (or can get the Dusty Flowerpot to get back to me)!
 
If you missed TITUS, it’s being remounted at The York this August! And a re-invigorated and refocused William vs The World will be at the Arts Umbrella once more for Vancouver Fringe.
 
 
Nanaimo Fringe wall of love 06crop
 
 

My 2014 Fringe Tour: By The Numbers

October 4, 2014 4 comments





My 2014 Fringe Tour: By The Numbers!


The numbers wherein Andrew Wade travelled to five different cities and performed in their Fringe Festivals. Last year, my first summer touring, I estimated that I spent 1671.16$ more on my tour and expenses than I earned. How about this year?




Port Alberni audience numbers (for The Hatter):
(audience numbers not provided by festival)
# of performances: 2
# of paying audience members: ??? (estimate: ~27)
Average # of paying ticket holders per show: ??? (estimate: ~13)
Average # of audience members (including comps): ??? (estimate: ~20)


The Hatter onstage in Regina - Photo by Shelby Lyn LoweRegina audience numbers (for The Hatter):
# of performances: 5
Total # of audience members: 110
Average # of audience members (including comps): 22
# of comps: 9+9+7+5+2 = 32
# of paying audience members: 22+14+10+16+16 = 78
Average # of paying ticket holders per show: 15.6


Saskatoon audience numbers (for The Most Honest Man In The World):
# of performances: 7
Total # of audience members: 219
Average # of audience members (including comps): 31

# of comps to fringe staff: 3
# of comps to fellow performers: 30
# of comps to media: 2
# of promo vouchers (?): 23
# of volunteer comps: 15

# of advance tickets sold: 20
# of paying audience members: 146
Average # of paying ticket holders per show: 21


Victoria audience numbers (for The Hatter):
# of performances: 6
Total # of audience members: 14+19+29+12+9+9 = 92
Average # of audience members (including comps): 15

# of comps: 4+6+12+3+2+6 = 33

# of full price advance tickets: 2
# of discounted advance tickets: 5
# of Muncher tickets (could be advance or at door, full price): 5
# of full price tickets at door: 20
# of discounted tickets at door: 23
# of Frequent Fringer (extra discounted) tickets: 4
Total # of paying audience members: 59
Average # of paying ticket holders per show: 10


Vancouver audience numbers (for The Hatter):
# of performances: 6

# of media comps: 1
# of volunteer comps: 6
# of performer rush comps: 21
# of artist comps (ones I gave out): 14
# of miscellaneous comps (?): 19
Total # of comps: 61

# of full price advance tickets: 50
# of 1/2 price advance tickets: 13
# of paying audience members: 133
# of total audience members: 194
Average # of paying ticket holders per show: 22
Average # of audience members: 32

Photo: Erin Aberle-Palm

Photo: Erin Aberle-Palm



EXPENSES:


Failed Fringe Application Fees:
Edmonton: -36.75$
Winnipeg: -20.00$
Montreal: -55.00$
Seattle: -28.42$
CAFF Lottery: -25.00$
Total: -165.17$


Port Alberni Expenses:
Application fee: Free (First come, first serve)
Festival fee mailing: -0.66$
Festival fee: -200.00$
Cost per performance = -100.00$
Tea: -3.56$
500 Handbills (business cards): -29.39$
Travel to Port Alberni (ferry): -16.90$
Travel away (ferry): -16.90$
Ride from ferry to Port Alberni: -20.00$
Total: -287.41$


The Hatter - Port Alberni newspaperRegina Expenses:
Application fee: -25.00$
Festival fee: -575.00$
Cost per performance = -120.00$
Packing tape: -13.43$
Tea/batteries: -3.20$
Styrofoam cups: -4.49$
Booze: -8.05 + -6.50 = -14.55$
1000 Handbills (business cards): -50.92$
25 posters: -22.62$
Gift to billet: -9.69$
Gift to fellow performer: -3.14$
Travel (Flights to Regina and back home to Vancouver): -388.76$
Extra flight travel cost (to and from) of taking a second suitcase full of props: -42.00$
Total: -1152.80$


Saskatoon Expenses:
Application fee: None (first come, first served)
Festival fee: -710.00$
Cost per performance = -101.43$
Prop (book ・Homeland): -8.35$
Props (Batteries) / grooming: -15.86$
Asparagus for spoof night skit: -0.40$
1000 Handbills (business cards, late getting them printed): -57.74$
25 posters: -18.67$
Gift to billet: -5.48$
Travel (Flights to Saskatoon and back home to Vancouver): -365.66$
Total: -1182.16$


Victoria Expenses:
Application fee: -28.00$
Festival fee: -572.00$
Cost per performance = -100.00$
Board game cafe day: -5.00$
Beer: -6.50$
Props (styrofoam cups): -3.74$
Bowling and pool with fellow fringers: -12.85$
Medical expenses: -38.12$
1000 Handbills (business cards): -35.93$
25 posters: -18.67$
Travel to (ferry+bus ticket): -19.25$
Travel away (ferry): -16.75$
Total: -756.81$


Vancouver Expenses:
Application fee: -50.00$
Festival fee: -750.00$
Cost per performance = -133.33$
Styrofoam cups: ~ -6.00$
Beer: -5.00$
1000 Handbills (postcards ・so I could fit a map on them to the venue): -83.84$
My portion of venue handbill (shared with other companies): -60.00$
25 posters: -18.67$
Bus tickets to reach my venue: -19.20$
Food bank donation (a percentage of ticket sales): -39.65$
Total: -1032.36



Expenses not considered due to working shifts between festivals:
Rent back home, groceries both at home and on tour.


IMG644b

INCOME:


Port Alberni:
Ticket Price: 10$
Artist take-home of full ticket price: 10$
Full festival pass (84$ for 115$ value) = 27% off ticket price
# of full festival passes used = ???
Average amount per ticket paid to me: ???
Total payout from festival: 246.50$
Total: 246.50$

The Hatter in Port Alberni - photo by Cara Baldwin 02
Regina Income:
Ticket Price: 10$
Artist take-home of ticket price: 10$
Average amount per ticket paid to me: 10$
Total payout from festival: 780.00$
Donation from a lovely and beautiful friend to get me to fly rather than greyhound: 200.00$
Total: 980.00$


Saskatoon Income:
(all numbers confused by additional GST reductions)
Full Ticket Price: 14$
Frequent Fringer Ticket Price: 12$
Admin fee per ticket = 2$
Artist take-home of full ticket price: 12$
Artist take-home of Frequent Fringer ticket price: 10$

Advance ticket sales (14$ – 2$ = 12$ per ticket): 20 tickets = 240.00$
Frequent Fringer (12$ – 2$ = 10$ per ticket): 44 tickets = 440.00$
Ticket sales at door (14$ – 2$ = 12$ per ticket): 82 tickets = 984.00$

GST awkwardly deducted: -93.13$

Progression of income per performance:
75.43 —> 73.62 —>290.76 —> 294.48 —> 298.38 —> 330.48 —> 207.72$

Average amount per ticket paid to me: 10.76$
Total payout from festival: 1570.87$
Total: 1570.87$


Victoria Income:
Full ticket price: 11$ (+ 6$ Fringe Button)
Students/Seniors discount ticket price: 9$ (+ 6$ Fringe Button)
Frequent Fringers discount price: 8$ (+ 6$ Fringe Button)
Artist take-home of ticket price: 11$/9$/8$
Advance ticket sales (full price): 2 tickets @ 11$ = 11.00$
Advance ticket sales (discount): 5 tickets @ 9$ = 45.00$
Ticket sales at door (full price): 20 tickets @ 11$ = 220.00$
Ticket sales at door (discount): 23 tickets @ 9$ = 207.00$
Munch card ticket sales: 5 tickets @ 11$ = 55.00$
Frequent Fringer ticket sales: 4 tickets @ 8$ = 32.00$

GST awkwardly deducted (5%): 4.81+5.90+8.14+4.05+3.29+1.48 = -27.67$

Scary Progression of income per performance:
96.19 —> 118.10 —> 162.86 —> 80.95 —> 65.71 —> 29.52$

Average amount per ticket paid to me: 9.85$
Total payout from festival: 581.00$

Total: 581.00$


Vancouver Income:
(complicated by having one half-price performance)
Ticket Price: 14$ + 5$ Membership
Admin fee per ticket = 3$ (+membership)
Artist take-home of ticket price: 11$

Advance full price ticket sales (14$ – 3$ = 11$ per ticket): 7+6+7+12+13= 45 tickets @ 11$ = 495.00$
Advance half-price ticket sales (Half of 11$ = 5.50$ per ticket): 13 tickets @ 5.50$ = 71.50$
Advance 4-pack Frequent Fringer ticket sales (10$ to me per ticket): 1 ticket @ 10$ = 10.00$
Advance 10-pack Frequent Fringer ticket sales (9$ to me per ticket): 2+1+1+3= 7 tickets @ 9$ = 63.00$

Day-of full price ticket sales (14$ – 3$ = 11$ per ticket): 9+5+5+12+18 = 49 tickets @ 11$ = 539.00$
Day-of half-price ticket sales (Half of 11$ = 5.50$ per ticket): 8 tickets @ 5.50$ = 44.00$
Day-of 4-pack Frequent Fringer ticket sales (10$ to me per ticket): 5 tickets @ 10$ = 50.00$
Day-of 10-pack Frequent Fringer ticket sales (9$ to me per ticket): 5 tickets @ 9$ = 45.00$

Happier Progression of income per performance:
199.00 –> 115.50 –> 167.00 –> 179.00 –> 273.00 –> 388.00$

Average amount per ticket (excluding half-price day) paid to me: 10.77$
Total ticket payout from festival: 1321.50$
Minus food bank donation: -39.65$
Total: 1281.85$

photo credit: Michelle Berg

photo credit: Michelle Berg

Total Expenses (including travel costs):
Failed Fringe application fees: -165.17$
Port Alberni expenses: -287.41$
Regina expenses: -1152.80$
Saskatoon expenses: -1182.16$
Victoria expenses: -756.81$
Vancouver expenses: -1032.36
Total: -4576.71$


Total Income:
Port Alberni income: 246.50$
Regina income: 980.00$
Saskatoon income: 1570.87$
Victoria income: 581.00$
Vancouver income: 1281.85$
Total: 4660.22$


Final financial verdict: A positive financial figure of 83.51$ !
Compared to last summer:
 1754.67$ better off.




Other numbers:


Hours spent flying or on layover in airports: 4h13m + 2h10m + 5h11m + 5h35m = 17h9min.
Hours that I would have otherwise spent on greyhound busses: 26h+26h+29h+29h = 110h
Extra money spent flying versus greyhounding: 754.42$ – 388.46$ = 365.96$
Money earned in Richmond/Vancouver on days that would have been spent greyhounding/recovering = ???


Dayjob shifts worked in the 12 days while back home between Regina and Saskatoon fringes: 5.
Dayjob shifts worked in the 8 days while back home between Saskatoon and Victoria fringes: 9.


Days away: 3 + 10 + 15 + 12 + (home during Vancouver Fringe) = 40
Homes graciously opened to me to stay in: 4.


Last year, in its first year as a festival, the Alberni Valley Fringe Festival had 929 people attend performances. This year, it had only 488 audience members.

Courtesy of Shelby Lyn Lowe

Courtesy of Shelby Lyn Lowe

Vancouver is a lot more expensive for both audience members and performers, per performance, than any other fringe festival. Most festivals opt for EITHER a membership/button fee, OR a portion of each ticket, but Vancouver is taking both. Its put-your-name-in-the-hat fee of 50$ is the second-highest in the country (Montreal has a 55$ fee). Both seem expensive  for what they are – an ‘are you serious’ fee for putting a name in the festival’s lottery. And at  least one other performing group expressed surprise to me, after the festival was done, that Vancouver was taking 3$ from each ticket. This detail was not effectively communicated to artists. All that said, Vancouver  was still one of my two profitable festivals this summer.


# of stars in the first ever (and only) review for The Most Honest Man In The World (StarPhoenix): 4 (out of five)
# of stars in a review for The Hatter that came out four days after my tour ended (The Peak): 4.5 (out of five)


Pay for directing  Clutter and Contamination  for Vancouver Fringe: 125.00$


Not sure half-price and discounted tickets are worth it. I didn’t see an appreciable-enough bump up in audience numbers. I probably won’t try them again.


Total # of times performing one-man-shows at fringe festivals: 11
(William vs The World  = 1,  The Hatter  = 9,  The Most Honest Man In The World  = 1)
Total # of fringe festivals I have been involved in: 12
(2011: Victoria, Vancouver. 2012: Victoria. 2013: London, Ottawa, Toronto, Saskatoon. 2014: Port Alberni, Regina, Saskatoon, Victoria, Vancouver.)
Total # of fringe shows I have been involved with (acting, stage managing, or directing): 15
(includes directing  BFA: The Musical!, acting in  Henry V,  and  stage-managing  Sonnets for an Old Century)


# of awards given out, total, at the 2014 Port Alberni Fringe Festival: 2
(People’s Choice Award, and Best Quote)
# of awards won by  The Hatter  at the 2014 Port Alberni Fringe Festival (total): 2
(People’s Choice Award, and Best Quote:  ‘God Shave The Queen’)




Assorted Thoughts:


To get an accurate gauge of my anxiety meter as each fringe festival went on, look at the progression of income in each festival from performance to performance.


Compared to last year, a sizeable improvement! In the black! Huzzah!
I mean, that still means I am essentially working for free here, but still, progress! Even with adding the expense of flying!


The Hatter  is 2/9 when it comes to making a profit at fringe festivals. The Most Honest Man In The World  is 1/1 thus far!


All summer long, people were calling me a ‘Fringe Veteran’. While on my second tour ever? That makes me a veteran? I mean, perhaps if I were in the ARMY that would be true, but for fringing? Really?


Handbills and posters, and the art of how many to print:
Port Alberni – It was hard to give out 100 handbills, honestly. There just weren’t enough people there to make handbilling worthwhile. And a mere two posters, one per venue, might have been fine. (I didn’t bring any, and arrived to town too late for posters to make a difference.)
Regina – Only needed 500 handbills. If that. And 25 posters were plenty.
Saskatoon – Such a simple festival to poster… even if I DID have the business district upset with me for postering atop the top of their posterwheels. 25 posters is fine, and 1000 handbills was the right number for a busy promoter like myself.
Victoria – Postering does next to nothing here. No fringe hub, and nightclubs poster over anything fringe-related. So handbills are all you’ve got. Handed out more than 500 handbills, but not a lot more. I would print 1000 again.
Vancouver – Unfortunately, I was working shifts at my workplaces on days when I didn’t have shows, so I wasn’t able to handbill or poster very much. Difficult to put up 25 posters in/around Granville Island. Handbilling = inconclusive.


My Saskatoon numbers at least partially increased because people there actually knew who I was, from my performing there last summer! I handbilled a number of people who instantly decided to come see  The Most Honest Man In The World  once they heard that last year I was The Hatter.


That said, people knowing who I was in Victoria, didn’t seem to offer anything like a boost. I suppose three years is a very long time to be away from a university town. And most of the few people I know who still live in Victoria were performing in their own fringe shows.


I definitely felt a home-town advantage in Vancouver, though! Thank you SO SO much to every dear friend who came out to the tea party!


A career is made up of far more baby steps than large leaps. And steps in the right direction are worth celebrating!


Onto next year’s adventures!




Cheers,
Andrew Wade




The Hatter in Port Alberni - photo by Cara Baldwin 01

Thank you for the tea parties.

September 13, 2014 Leave a comment

       
A few years ago, I had a crazy idea. I had cloistered myself up in British Columbia, hid away in school for twenty straight years, I was anxious and worried that I wouldn’t get the chances to perform in the real world, once I graduated… so I made a plan. A crazy plan. I decided to write myself a one man show and take it across the country.
       
Andrew Wade 011bI had no idea if I could hold anyone’s attention for an hour. I had no idea if I could write a show that’d work. I threw every theatrical idea into the show, creating a mad, patchwork quilt of ideas, and then threw most of them out. I mostly improvised a run at Vancouver Fringe in 2011. I rewrote the darn thing from the ground up. And then I took a deep breath, spent thousands of dollars, and took my little hat and kettle show on the road. First year, I went to London, Ottawa, Toronto, and Saskatoon, spent over two months away from where I lived – the longest I had ever been on the road.
       
I got stuck backstage and had to pee in a water bottle a couple of minutes before my first performance. I sold exactly zero tickets to three of my first four performances. I was on greyhound buses for forty-three straight hours. I lost money. And it was worth it.
       
The Hatter @ Nuit Blanche in London, ONI also met with mentors and brilliant performers who just wanted to help me along my journey. I made friends, colleagues, and talent crushes. I was introduced to the ridiculous art of attempting to smuggle women into your billet’s place without them noticing. I discovered from my billets just how charitable people can be and how awesome retirement is for a lot of people. I traveled the country, flew for only the third time in ten years. I made a man in Saskatoon give me a great big hug, break down, and cry, then loudly whoop at everyone on the street to come see my show.
       
And then, this summer, I brought The Hatter home. ‘Previewed’ it in Port Alberni to an empty town full of good intentions, brought it to Regina and was fed fancy meats while swatting mosquitoes and having a grand ol’ time. Then came the real homecoming tour.
       
Next, I went to Saskatoon, which had welcomed me so warmly, it felt like home. There’s a reason I was able to perform the most personal work I’ve ever written, there: a new show, The Most Honest Man In The World. Me being me. And most people still called me The Hatter, anyhow.
       
Then came Victoria. The big gulp of nervous air, a city of people I had treasured for seven years, then skipped out on when my degree was up. Spent a quarter of my life there. Felt like I was awaiting their judgment, wanting the city, old friends, ex-girlfriends, to tell me I had made the right call, that I’d made something of myself, out there in that bigger ol’ world. And the people who matter, they gave me just that. And oddly, most reassuringly of all, Victoria, well, it didn’t feel like home anymore. The Hatter is a play about searching for home. In its first draft, it was muchly a play of regretting leaving someplace, some people, somewhere. Now, it’s not that.
       
Now, The Hatter is about moving on.
       
And here we are in Vancouver, at home, and The Hatter is about to hang up his hat. No future plans for him. Nothing set. Just one more celebration, tonight at 8:15pm.
       
Thank you for the tea parties.
       
       
The Hat

Choose Your Own Blog Post

April 9, 2014 Leave a comment

   
There are so many things that have happened in the past month which deserve their own full blog post write-ups, but as is evident on my front page here, I just haven’t been able to squirrel away enough time and mental energy to do them justice. SO, I figure, why not give a brief summary of the amazingness that has been the past month of my life, and ask you what you would like me to expand upon!
   
Leave a message in the comments here (or on the facebook link, or via a twitter message, whatever) if there is anything below that you’d like me to focus a post on. 🙂
   
– One of the last words of advice our dear Floyd Collins director, Peter Jorgensen, gave us, was to adopt the philosophy of ‘instant forgiveness’. If something goes wrong onstage, AND THINGS WILL GO WRONG ONSTAGE, instant forgiveness, move on with the show. This is far from the first time I’ve heard these words, but it is a piece of advice I really do need to continue working at taking to heart.
   
– Balancing momentary opportunities to work in my career field (such as this amazing 2.5 month contract with Floyd Collins!) with stringing along dayjob employers with the odd shift here and there, whenever I can, so that I can still pay rent when the contract ends.
   
– Working with people who have found a way to drop their day-jobs and do this full-time. How they live. How they’re  not necessarily as dayjob-free as I first assumed.
   
– Our culture’s  unhealthy phobia surrounding talking about our salaries and what we make, where.
   
Jesse L. Martin saw our show!Original RENT cast member Jesse L. Martin came to see Floyd Collins. Yep. What it means to me to get seen by a celebrity, and the strangeness of fandom celebrity worship.
   
– So, in my week off, I MAY have performed, erm, a burlesque routine as the Eighth Doctor at a Doctor Who burlesque show put on by my dear friends at Geekenders. In this routine, I MAY have written up a parody of Mister Cellophane, and stripped down to my underwear. I have also never, prior to this, ever even taken my shirt off, onstage. I am always looking for performance opportunities that challenge me! Geekenders/Fairlith/et all, thank you so much for having enough faith in me to risk letting me out up there. Oh, and my sister may have heard about the show somewhere and attended it. (awkward?)
   
– Burlesque audiences are perhaps the best audiences. I mean, I had just been performing in an amazing musical for three weeks with a stunning amount of talent onstage, but the sheer energy and boisterousness of those three hundred people in the Rio, all loudly cheering and whooping and loving life, the feeling off all that delight just shocking joy into my system as I stood onstage, there… Wow. That is somethin’ else.
   
– It’s amazing what audience expectations will do. A proper hoity-toity theatre musical theatre audience expects strong choreography, brilliant singing, good acting, and at least a passable script. Exceed those expectations, and they will love the show.  That burlesque audience, on the other hand, expected to see from its performers a love of Doctor Who, a solid costume, sexy dancing, and someone stripping down to pasties and underwear through the course of their performance. It was a wondrous thing to see the shock and delight they had to see me actually sing something onstage! With character acting! Something I’d written myself! Wow! Expectations exceeded. (Which is great, because it also allowed me to get away with only a passable costume and less-than-experienced, erm, sexy moves.)
   

Burlesque routine, pre-clothing-removal. Photo: Stephen Gray.

Burlesque routine, pre-clothing-removal.
Photo: Stephen Gray.

– What am I willing to do onstage, and what am I not willing to do?
   
– Fringe festival preparations for this summer, or, How I am managing to make the exact same mistakes and good choices as last year.
   
– How does someone write a show called ‘The Most Honest Man In The World’? Has Andrew developed an ego?
   
– I am consistently surprised at how clearly I regress as a person when in a state of desperately-needing-sleep. It’s almost like it’s a direct regression through the years — I start feeling emotional pangs for old flames, take on old physical quirks like holding one arm behind my back… there may be more truth than I know to the old adage that we are everyone we once were.
   
– I fly somewhere, and promptly am sick. Just like what happened last year with London, Ontario. What’s up with that?
   
– Billeting. What it means, and my experiences staying with people volunteering their homes, across the country.
   
– And finally, this is a thing that happened: http://www.tift.ca/floyd-collins-goes-ahead-without-sets-costumes-or-props-press-release-april-7-2014/ . Essentially, a moving company, Midland Van Lines, picked up our set and costumes and promised us a delivery time of 5-7 days to get those items from Vancouver to Barrie, Ontario, in time for our second leg of our tour. Those items were not delivered, and now we are reblocking the show in a fashion that really is quite reminiscent to the old SATCo black box theatre days as a student at UVic. The show must go on!
   
So aye, there’s a good summary of what I’ve been up to, this past month. Back into tech in an our or so. Anything you’d like me to expand on in a full post?
   
   
Cheers,
Andrew Wade

An Actor Ponders

February 5, 2014 3 comments
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Whatcha thinking?”

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And now, a look behind Andrew’s furrowed brow.

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Why am I still looking at job postings? Why do I still have an active RSS feed section devoted to new possible job opportunities, combing and scanning through craigslist, Alliance for Arts, and others, for me to glance through every few days?

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I worked for eleven different employers last year. I am currently on the payroll for four organizations, with two others occasionally bringing me in every other month or so.

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Oh, and these are the non-theatre-companies. Those are separate. Workshopping a play with one right now, and performing with another company for the next two months.

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That’s right! I’m finally finding work as an actor! Fantastic! For two months. Then I’m back. Time to look for another job.

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Why? Don’t you have enough?

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But there are more opportunities out there! Ones you don’t know of, if you aren’t looking!

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An actor always looks for auditions. Always hunts for opportunities. Never ending. Heading to auditions while rehearsing for something else. Endless job interviews. Endless rejections and successes.

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I’ve been trained this way.

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I’ve been trained to approach my work-for-hire life this way.

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I don’t have enough time now to offer my employers.

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I’m spending too much time at work. I could take more time off.

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I could miss out on more opportunities.

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Maybe I should check my RSS feeds one more time.

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Oh. Right. I’m doing Fringe Festivals this summer. Who’s going to hire a guy who disappears for several weeks at a time, over and over again?

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Right. My lovely, current employers. Who I enjoy working for! Not as much as I enjoy working on shows and being a theatre creator and performer, of course. But I appreciate and enjoy them.

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But I could appreciate and enjoy something else!

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Or maybe I should be dropping everything for a few months and see if this whole ‘actor and writer’ career thing can sustain itself!

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That seems somewhat foolish and unnecessary. And maybe I’ll find out I don’t enjoy living only that way, very much! That could shatter me. A lot of sunken cost time into this theatre acting thing. Or maybe I’d get lazy. If I give myself too much free time, maybe I’d just squander it by hiding in books and games. Besides, my employers are happy to trade me 80$ for my day. I can’t turn that down!

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Well, I could, I suppose. Technically.

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And I guess I have! Sorta. For this and the next two months, living the life of the working actor.

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This’ll be a grand experiment. I’m thrilled. I’m just so thrilled. Really. I am. Just peached to the extreme. Don’t lose that, Andrew! That excitement! Those butterflies! Hee!

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And then it’s done, and I’m back to the dayjobs until Fringe festivals. Where I’ll likely lose money again, when considering travel costs.

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I should check those job postings. Or accept more shifts in the couple days I have off before the theatre contract.

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No! I’m not superhuman… I need some time to recharge. Groceries, laundry, as well, I suppose.

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No, Andrew, people aren’t going to laden you down unreasonably. They expect you to need some time to yourself each day. Most people only work five shifts a week.

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But I could pick up shifts on those other weeks? Or find someone willing to pay me to do something new!

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I should check those feeds again. After all, as a pay-for-hire, I’m really contracting out my time to organizations. Makes sense to continually look for new clients, right? Diversification. Allows me to stick with my favourites and perhaps others fall to the wayside. Or find you unreliable because you’re never free and always gallivanting off to to theatre stuff.

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Theatre stuff! I get to do theatre stuff this year! Yay! And maybe next year?

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I don’t think I can take on any more than I’m doing.

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But maybe there’s something better out there!

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But I can’t get trapped in single full-time job life! Right? Right? That’s where people stop pursuing crazy things like acting, isn’t it? Where people get complacent?

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I think I’m afraid of becoming complacent.

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Or is that contentment? Is that what those people have?

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I feel like I’m planning my life so that whenever I want to, I can leave everything and go pursue something else. Keeping one foot out the door. Or at least, holding the door open. Like an actor does, always on the hunt for the next opportunity.

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Do I have a problem, or am I doing this right?

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Oy.

The year Twenty Thirteen – That’s Life

January 4, 2014 Leave a comment
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Twenty-thirteen was the year I toured a show of my own for the first time, the first time I visited any part of Canada outside of BC, the year I went out on dates and put myself out there, the year I got perhaps a little too subsumed by day-jobs, the year I accepted Richmond as a home base even as I became intoxicated by being out there performing on the road. It was the year I designed lights and called the shots for a Diversity Talent Show, gave tours of a National Historic Site, and was given the delightful  news that “we’re going to write you a song”. It was the year I performed a creepy puppet show while a guy did cocaine off a passport in the front row, had the biggest role in the opening number in a musical (in concert), became a bartender, worked for nine employers (and myself), auditioned for one show both in Vancouver AND Toronto, was nominated for an OVATION! Award, and was picked as one of Richmond’s 30 under 30.

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The Hatter @ Nuit Blanche in London, ONWhen I put a chunk of it in one paragraph like that, it doesn’t sound half bad.

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My financials spreadsheet tells me I earned 21114.94$ in a combination of pre- and post-tax income, not including my Fringe tour, as I lost money on that. Of that money, just under half of it went into savings. A bit of breathing room so that I don’t feel pressured against, say, taking days off work to go to auditions, or months off to possibly lose money performing in Fringe Festivals. I keep my expenses low with good habits, luck, friends, biking and skytraining rather than driving, and the fact that I’m a bachelor without kids. I also live frugally in a single-room accommodation in a building I expect will get demolished in 2014. That’s probably the biggest reason.

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I am grateful that I have been able to find a number of employers who are content with seeing me disappear for a month or two at a time, pursuing my performing career. Hopefully those opportunities will build up enough that I can make a more complete transition at some point.

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Perhaps it’s a credit and a curse to the standards I hold for myself that I’m disappointed that I was only involved in five large-scale productions this year… even if one of those productions I wrote, self-produced, and performed in four different cities over the course of two and a half months. A far cry from the ~12 productions I was a part of in 2012. I also nearly doubled my yearly income. These two things are perhaps not unrelated. 😛

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Regardless, I now know I can earn enough to support myself as I pursue what excites me. I just need to do more pursuing!

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This year was also the year I had a couple of hits with my blog, including one article, A First Fringe Tour – By The Numbers , which has had over 480 hits and was read and shared by people I deeply respect. It was even discussed in a university classroom! Exciting! So now, after a bit of a hiatus, I think I’m about ready to get back to blogging. But first, what the heck was I up to in 2013?

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My theatre life this past year:
Revue at the Revue as Jesus, Santa, and others, if you count the first hour or two of 2013. 🙂
– Nominated for ‘Outstanding Gypsy – Male’ at the 2013 Ovation Awards
– ‘The Boss’ in Fighting Chance’s ‘Side Show‘ (in concert)
– Mr. Zapatella and chorus in APPLAUSE! Musicals’ ‘Fiorello!‘ (also in concert.)
– Singing, creeping, having an all around marvelous time as Filch (and a prisoner, and a thief, and so forth) in Seven Tyrants’ production of Beggar’s Opera. (They’re remounting in March, at the Jericho Arts Centre! Go see it! My dear friend, Chris Lam, will be putting his own marvelous spin on the role as I will be busy with Floyd Collins during the run.)
– Wolf Mountain Writing Collective, staged reading of my short ten-minute piece, What I’d Be Without You, with the lovely Mika Laulainen.

Fiorello!

(Photo: Wikipedia)

The Hatter, The Hatter, so much The Hatter! Who knew you needed to write all your publicity for a June production, way back in February! Hiring a (wonderful) photographer for publicity photos, and putting together the script, and props, and travel plans to take me (economically) from Vancouver to London to Ottawa to Toronto to Saskatoon and back home, finding stage managers in each city, finding ways to get around once I am within each city, designing and printing posters and business cards, oh, and performing the show 34 or so times, plus previews and tech runs… Looking forward to getting back to it in Regina and Vancouver this year!
– Indulging my over-the-top-creepy joys as Panduin The Puppeteer in Judge Dee’s Haunted House at the Sun Yat Sen Classical Chinese Gardens, also with Seven Tyrants. A twenty-minute play that starts every ten minutes, this amounted to three hours of performing (without breaks) every night, eighteen performances each night, for a week. And we sold out! Pretty much every run! Far more successful than ANYONE was expecting. Lots of leaping on bannisters and singing in RIDICULOUS pitches. Loved it. And now, back to applications for The Hatter for next year’s Fringe festivals, for which I shall update you in a couple of weeks!
– Awkward Stage fundraiser, Baby It’s Cold Outside, of which I was a chorus member with a puppet for all of a minute, so I’m not sure that one really counts. If we include that, let’s also include singing a zombie-themed Christmas song for a room full of people holding ukeleles, which, by the by, is an awesome idea for a date.

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My day-jobs this past year:
(with a whole lot of acting in them, really!)
Science Facilitator – Science World!
The occasional centre-stage show as well. I am now trained for the Grossology, Bubbles, Balloons, and Hot Stuff shows. 🙂
Heritage Interpreter – Gulf of Georgia Cannery
Leading tours and teaching school programs.
Bartender – Gateway Theatre
Unexpected and enjoyable!
Standardized Patient – Medical student exams
Pretending to be ill!
Simulations ActorJustice Institute of BC
Pretending to be a criminal, witness, or a victim!
Convention worker – BBW International
No, not THAT ‘BBW’. Though I did get to dress up in full Scottish garb (kilt and sporran and all) for a week at a Urology Congress!
Walk Leader – Creatures of the Night – Stanley Park Ecology Society
At those times when you’re so busy you can’t possibly do anything else, and then a good, old friend phones you up and offers you a job. So much fun!
Voting Officer – Elections BC
One long day, but definitely an interesting experience.
Stage Director/Manager – Culture Club Diversity Talent Show – Richmond Multicultural Community Services
Amazingly comprehensive, in that I used skills I’ve learned from so many different places. Lighting design, working with youth, directing, stage management, producing… marvelous experience.
Background Actor – A big, highly talked about film.
I was an extra in a film for the first time in a year or so!
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Actor – The Hatter and others
I may not have made money on it this year, but producing my own darn show is certainly a job, as is much of the acting work above, gosh darnit. 🙂

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And now onto 2014, where I already have workshifts scheduled with three different employers, and have  the chance-of-a-lifetime to put all that silliness aside for a couple of months and focus on a travelling production of Floyd Collins.

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Hey, now I’m excited! Yay!

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And, as I have a microphone here on the desk with me, here’s a song about hoping for the future. Don’t read into the darker suicide-y bit to it. That part isn’t relevant.

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What are you looking forward to in 2014?

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Cheers,
Andrew Wade

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