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Twelfth Night – Review Recap

Here’s a recap on some of the reviews of our Phoenix Theatre (UVic) production of Twelfth Night. I fully admit to picking out the quotes that spoke about my performance. 🙂

CBC Radio (Dave Lennon):

Photo: David Lowes

“This production of Twelfth Night, I’ve gotta say right off the bat, one of the best I have ever seen… it has got high energy, the cast is eminently likeable… and most importantly, it is memorable… Everyone speaks perfectly, enunciates clearly, and they’re kind of grooving to the text; they know what they’re saying. ”

Andrew Wade’s nasally prudish, stick-in-the-mud Malvolio is one for the ages. He is a suit among amongst a stage of puffy shirts, flared pants, and velvet jackets. He is the one character who just doesn’t get it… He is the guy you want to give a ginch pole to in the schoolyard, but at the same time you just want to hug him and say everything is going to be alright. Wade turns him into the most sympathetic prig I have ever seen

Kesinee Haney, she was so good, the way she quipped her whip-smart banter with her superiors, gently mocking them, and the way she sang the lead on a whole lot of songs, she’s a commanding presence out there.

“It’s trippy, it’s moving, it’s funny… You know, the final scene almost brought me to tears, even though it had this sort of triple wedding thing going on. When the hurrahs subside, there’s poor Malvolio, he’s centrestage, ringed by joyous lovers and wellwishers, he’s a beaten man, Gregor, he’s a man on the verge of a nervous breakdown, and he’s crying real tears, and while he’s crying, the whole cast bursts out into ‘All You Need Is Love’, joined by the audience, the night I was there. You can’t take your eyes off Malvolio in the middle of all this. It’s beautiful and awesome.

Times Colonist

Photo: David Lowes

“During Wednesday’s preview performance, the obvious standouts were Cobi Dayan as Sir Toby and Andrew Wade as Malvolio — both amusing and lively.”

“Twelfth Night wasn’t ever intended to be taken too seriously. Hardy’s direction is witty and slightly irreverent, and seems to encourage a welcome genial warmth from the cast.”

“As the boozing, cavorting (and sometimes dope-smoking) Sir Toby, Dayan exhibits welcome comic chops. He captures the character’s blend of the dissolute and the fun-loving, making him the irresistible rascal he needs to be. And Wade does well as Malvolio, who’s Sir Toby’s opposite. The actor carried himself with a certain stiffness in posture and gesture — he provides the “dignity” that must be present, in order for us to enjoy his fall.

 

Photo: David Lowes

Monday Magazine:

Koury’s Cesario is well-balanced, with his (or her) affection for Orsino occasionally bubbling to the surface but being quickly subdued, with Edmundson and Volke also delivering quality to their leads. But some of the best moments arguably came from the supporting characters and sub-plots. Cobi Dayan as the booze-soaked Sir Toby and Andrew Wade as Olivia’s stuck-up servant Malvolio provide much comic relief.

Victoria News:

Photo: David Lowes. (though I had spikier hair in our actual shows.)

The University of Victoria Phoenix Theatre’s Twelfth Night, or What You Will most certainly is fantastic.”

“…rows of smiling faces revealed each time the dreamy, psychedelic lights swept across the sold-out opening night crowd…”

“Fencing duels with golf clubs; backflips, somersaults, chase scenes across a revolving stage – there was enough energy bounding about the set to make even the laziest ex-hippy want to get up and smile on their brother. With court musician Andrew Gillot churning out musical punch lines – in the form of a well-timed riff here, or opening bars to “Day Tripper” there – barely a moment in the show wasn’t used to its fullest.

Following Koury’s wholly convincing (and rather charming) final moments as Viola and Andrew Wade’s hilarious unravelling as the love-duped Malvolio, the lively cast proved themselves worthy of filling seats for the last nights of Twelfth Night.”

Culture Vulture:

Photo: David Lowes

“It was a great performance across the board…”

“At that level, which is, you know, sort of pre-professional level, you can really start to see and recognize the  students, the actors, who are going to be the stars of the future… I thought the guy that played Malvolio, it was Andrew Wade, and Sarah Koury, who played Viola, you just watched their eyes, they never broke, they never looked nervous, it was just so comfortable for them… the guy who played Fabian, Mik… people who belong onstage.”

Well, shucks.

Cheers,
Andrew Wade

Prior Twelfth Night posts:

Twelfth Night – Losing the Stage Business
Twelfth Night – Finding the Fun

Twelfth Night – The Art of Comedy

Photo: David Lowes

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