Home > acting, living, stage management > The Road To Kelowna (or, Merritt Musings)

The Road To Kelowna (or, Merritt Musings)

The Road To Kelowna (or, Merritt Musings)

(Note: this was written while en route to Kelowna, where I’ll be performing and assistant stage-managing for the next six weeks on my first paid-weekly theatre opportunity.)

Greyhound racing Français : Lévrier durant une...

Greyhound racing (Wikipedia)

I am currently traveling by Greyhound to the Kelowna Summer Theatre Festival. That’s traveling by Greyhound, not be greyhound, though if you attached enough of them to a sled with wheels, I suppose that would work, though perhaps not safe for highway sledding. Or maybe they’d all run in a big loop and I’d never make it out of the first city block.

Merritt qualifies as the furthest into BC I’ve ever been. (Which means that a lot of the award-winning short story I wrote here was based entirely off google and wiki searches). About half an hour before we pulled into this place, I noticed a shift in the landscape, with the earth looking more and more parched, littered with shrubgrass rather than with, well, grass, and the mountains looking less of a uniform wash of pine-green trees and more of a patchy, motley mix, like old socks thinning to the point where holes might break out at any moment. I dub thee, The Lintless Mountain Range. It’s odd to think of such waves of grass having their length kept in check by nature, and not by an over-funded university, city, or townhouse maintenance crew.

English: Dryer screen containing accumulated lint.

Dryer screen containing accumulated lint. (Wikipedia)

On the bus ride there, I was peached to receive possibly the greatest accomplishment a person can ever receive: a young woman asked if she could sit next to me. Now, granted, this was partly because an older woman had stolen her seat while the young woman stepped out to stretch her legs, and I happened to be sitting just one row back of her former seat, but still, she chose to travel alongside me and not next to the twitchy fellows who were searched over twice by security.

I also happened to be on a bus with not one, but four beautiful women, which has made me immediately reconsider my utility approach of wearing comfortable but scrubby clothes on a bus: in this case, my Phoenix Theatre t-shirt publically misquoting our theatre manager with the line “Please do not remove this shirt” on the back. The lack of gel in my thin hair, doesn’t help. I look like I’m balding or suffering from some form of mange.

Next time I travel by bus, I’m wearing a three piece suit.

When we stopped in Merritt for a fifteen minute sketch, I found myself taken aback by the sheer viewing distance from the bus depot. I’ve lived in coastal cities all my life, so the farthest vistas I’ve ever seen are from hiking up a mountain on an island somewhere, or from staring out at the ocean (other than the odd plane ride). Either way, to stand on firm ground and see nothing but land for such a distance is somehow shocking to my senses, like when you’re looking at an optical illusion of an elephant with an impossible number of legs and your eyes tell you one thing but your brain is going ‘”Hold on, woah there eyes, now I know you’re doing your best, and I appreciate all your hard work, but maybe you aught to let ol’ wrinkle-ridges here take over from now on”, followed by giving the eyes a patronizing pat on their retinas.

I think if I ever visit the prairies, I might go insane: an endless vista that will either induce a seizure or turn me into a timelord.

Staring into the Untempered Schism.

Bus depot rest points are odd locations in and of themselves. I know how my fellow greyhounders (sorry, Greyhounders) arrived, finally dragging themselves into this cigarette oasis in the desert of long distance public transportation, or unnecessarily forcing themselves into using the washrooms as part of a clever stratagem to avoid the potential rollercoaster waterpark fun that is using a toilet in the rear of a moving bus as it navigates its way over great potholes and around screeching traffic.

But the others… There is a man cradling a backpack a little too close to his chest. He sits alone in a field of empty chairs and stares blankly out the window, the window that stares out toward the side of our bus, and not, were he to turn, at the vista of rolling mountains and hills. It feels like a sort of purgatory for those not awaiting heaven, but perhaps sitting around in lack of anticipation for another place just like this one. Bleak.

The foodstuffs they sell here are as stale and processed as the motor oil and carparts they are shelved with. The prices on everything have been hiked up because, hey, people pay more for antiques, right?

No fruit, no vegetables, and the only meats are those kinds that last so long they make you wonder why there aren’t any 200-year-old pigs waddling about the world.

On the doors to the few refrigerated, pre-made items is a sign reading, “Pay for food at the counter BEFORE heating.” Reasonable enough. But the sign reading “Pay for magazines at the counter BEFORE reading” is just being snarky.

When I think about it, though, maybe that’s what these places need. Purgatory is purgatory because it is formless, shapeless, endless, full and empty of nothing. Maybe some personality would a good first step to reviving that man with his backpack, the man who has given up on waiting and entered a state of dejected mere existence.

Though I’m sure Merritt is a lovely town.

Thanks for reading.

Cheers,
Andrew Wade

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  1. July 12, 2012 at 16:16

    Australia feels like that. The immense amount of open space, as soon as you get out of the city. I did some work on a farm last year, to get my second working holiday visa, and… yeah. It was a lot like the prairies, but bumpier. But all you see, to the horizon, is just the same generic green-brown of not-quite-wet-enough field. And it’s insane. Just the reminder of vastness is a little overwhelming.

    On a funnier note, the French guy I was working with reacted much more hilariously. He’s used to seeing a fence and crop-change every 200m or so, so he was all “mon Dieu, c’est enorme” with huge wide eyes. He couldn’t get over the fact that there were no breaks in the terrain except for the fence-line of trees way off to one side and the road snaking off to the other. Priceless.

    • July 12, 2012 at 20:08

      I believe it! I figure I’d react just like that French guy.

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