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A Request for Dreams

I am good at taking advantage of opportunities.

Every day I go through a dozen craigslist RSS feeds and seek out new posts from currently 97 subscribed theatre website feeds, I check my email looking for audition listings, and I look for chances to connect to the theatre communities I want to engage with. I have attended AGMs for companies I have never worked with.

If a possibility presents itself in front of me, I am skilled at recognizing it, saying ‘yes’ (as we improvisers do), and going for it. I do what I can to ensure that those possibilities DO get to me (see: above paragraph). I have honed this radar to a decent level of precision. BUT…

(and there is always a BUT)

…But I have never been great at the bigger picture stuff. At the developing a dream and pursuing it relentlessly stuff. At the choosing a distant point and doing all in my power to reach it stuff. So I haven’t thrust myself into screen-acting. So I haven’t focused on a single career path. So I haven’t had many romantic relationships.

Even as a kid, I remember the questions of ‘who is your hero’ and ‘what is your dream’. I never had admired heroes who I aspired to become, and I never had an end goal for what I wanted to accomplish in life.

If a Fantastic flaps its wings right before my face, I will follow it to the moon. But I never look at the moon and decide, “I will go there”. I will follow and fly with the sylph, but I won’t laboriously build the rocket ship.

It’s a muscle I’m not toned at using, this business of ‘dreaming’. But I want to learn. I want to become better at it. So I am asking you, my friends, both ones I know and one I haven’t met, to help me in this. Show me the castles in the distance and lead me on the first few steps to get there. Ask me on that date and make me flutter at the idea of more. Show me glimpses of distant possibilities, and help me focus on more than what is merely at my fingertips.

Train me how to pursue dreams.

English: Cover of Summer 1952 issue of Fantast...

Thanks for reading,
Andrew Wade

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